The beach house.

It will be the past

and we’ll live there together.

Not as it was to live

but as it is remembered. 

It will be the past.

We’ll all go back together.

Everyone we ever loved,

and lost, and must remember.

It will be the past.

And it will last forever.

– Patrick Phillips

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I found the box in a small, seaside boutique in Laguna Beach, CA, a few days before Christmas.  It was compact, rectangular in shape, and carved out of curly maple.  On the lid, an inscription: “Our memories of the ocean will linger on long after our footprints in the sand are gone.”  Perfect, I thought, as the saleswoman carefully wrapped it in tissue and secured it into the cardboard gift box that I would place into my carry-on and take with me on my flight to Seattle.

Except that it wasn’t perfect, as I discovered upon my arrival at my grandparents’ beach house two days later.  It was too small.  We had kept more of her than I had remembered.  I wasn’t sure what to do, but I knew I had to do something.  The hideous black box was no longer an option.

The next day, feeling determined, I pawed through boxes labeled “Sarah” in what had once been my grandparents’ dog kennel and now served as a repository for all the items that remained from my parents’ Olympia house.  There must be something in here that will work, I thought.

And then, among the photo albums and mementos from my high school bedroom, I found it.  I paused for a minute, thinking, running my fingers along the ridges in the dark wood.  The words “A Scientific Cigar,” and “Aromatic – Mild – Satisfying” made me giggle.  No, I couldn’t possibly. . . Could I?

I opened the box to find a treasure trove of items contained inside.  A handwritten note my dad had written to my mom, years ago, penned in his messy scrawl.  A gold ID bracelet that had once fit my child wrist perfectly, now too small, my name engraved in cursive next to a tiny diamond star.  A trio of pink Elvis Presley postage stamps (Mom’s favorite singer).  A photograph of our beloved West Highland Terrier, Max.  And an amber colored agate stone found – by me – on the shores of Case Inlet.

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I carried the box into my grandparents’ bedroom and set it down on the nightstand.  I opened the hated black receptacle and removed the thick plastic bag, surveying its contents.  For a moment, it struck me how squeamish I’d once been about handling this bag, how afraid I’d been the first time I’d pried open the black box.  But now, I was almost businesslike in my approach.  Isn’t it bizarre how the passage of time can make even the strangest things seem normal?

Inside my suitcase, I retrieved a small lavender (her favorite color) pouch, emptied out its contents (my jewelry) and gently folded the thick plastic bag inside, zipping it closed.  Secured inside that soft purple bag, nestled among the items already living within the cigar box, all that remained of my mother – that we hadn’t already scattered into the sea – just fit.

Now, I can understand why a weathered old cigar box might seem like an odd place to store my mother’s ashes.  But believe me when I tell you:  it is not just any cigar box.  Clean and without any trace of cigar smell, it once belonged to my great uncle Vernon, who died when I was twelve.  He and my mother were very close, and for much of his life he served as a gentle buffer between her and her mother (his sister), a domineering and frequently emotionally abusive woman.  When Vernon died, the cigar box was one of a handful of things that my mother salvaged from his house in San Francisco, and she – perhaps inexplicably – gave it to me as a present.  Maybe because it felt like a relic from a bygone era and I’d always been drawn to all things vintage, I loved that box.  Over the years, I’d used it to store everything from trinkets to art supplies to photographs.  And now it would contain the last of my mother, along with a handful of cherished items that reminded me of her.  As I placed the box on a window ledge overlooking the sea, I smiled and thought, “Perfect.”

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The next morning, Christmas Day, dawned bright and beautiful.  I sat at the living room table, in the same spot where Grandpa used to park his wheelchair, spending hours watching the tides roll in and out, never tiring of the view.  As I drank coffee, marveling at how blue the sky was for December, how serene and still Case Inlet was, like some enormous silvery mirror reflecting the heavens back upon themselves, a large flock of Canada geese descended from the sky and gracefully alighted onto the surface of the water.  “Look Grandpa,” I found myself saying aloud, “Your favorite.”  And then I smiled again.

For now, my grandparents’ beach house sits empty.  But I know that someday, this house will once again bustle with activity.  There will be summer potlucks and clambakes and bonfires on the beach, just like there were in the old days.  People will gather for parties on the deck and they’ll swim in the sea and have sleepovers on the outdoor balcony, and laughter and love and life will once again pulsate through these walls.  It will look different than it once did, but it will be just as joyful.  Those of us that remain, and who remember, will make sure of that.

But sometimes, before you can move forward, you have to go back.  Not to dwell in the past, but simply to make peace with it.  To look every monster that has held you in its grip square in the face and say, “Enough.”

And that black plastic box?  That soulless, impenetrable, ugly receptacle with a faded sticker bearing my mother’s name slapped across the front?  I happily, and with great joy, threw it into the trash.  And I didn’t look back.  Not once.

Until next time, friends.

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La La Land.

“A bit of madness is key

To give us new colors to see

Who knows where it will lead us?

And that’s why they need us.

So bring on the rebels

The ripples from pebbles

The painters, and poets, and plays

Here’s to the fools who dream

Crazy as they may seem

Here’s to the hearts that break

Here’s to the mess we make.”

– La La Land

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Four years ago, on Thanksgiving morning, I pulled my car into the public parking lot at the base of Fryman Canyon’s trailhead, paid three dollars to park, and began my ascent up the mountain. The hike at Fryman begins as a steep climb, but after about a mile it levels off, with views of Sherman Oaks to the west. It was a bright, blue-skied morning, no longer hot but still temperate, the autumn winds having blown out much of the smog, offering up a clear view of the sprawling city below.

Both my limbs and my heart were heavy. It was my first Thanksgiving since my mother died, two months earlier. The following week, I would mark another birthday – thirty-two – and then shortly thereafter, I’d travel back to Olympia, Washington to see my father for the holidays, whose rapidly-advancing pancreatic and liver cancer meant that Christmas would surely be his last. And on the drive to Fryman, I had phoned my maternal grandmother, struck by the fact that our conversation had, for the first time in two months, seemed almost normal. Of course, I couldn’t have known that conversation would be the last lucid moment I’d share with her, her Alzheimer’s Disease descending like a fog only days later, never again to lift.

But on this bright November morning, staring down at the city I’d called home for the last thirteen years, I felt remarkably O.K. The troubles plaguing my worried mind were still there, of course, but they weren’t here, at least, not right now. Here, it was just me, and my city. Looking out across that sweeping metropolis, I couldn’t help but feel a familiar surge of pride that a girl from Alaska had made it all the way south, to this iconic place, to this land of movies and myth and magic, and had made it her own.

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Seventeen years in, even through the turbulence of these last few years, that feeling of pride has never gone away. At a recent screening of the new film La La Land, a friend remarked that he was happy to see a film about L.A. being made by filmmakers who actually love this city. I couldn’t agree more. Hating Los Angeles is a popular sport, and it’s easy to find fault with the traffic, the smog, the sprawl, the absence of seasons and the preoccupation with all things Hollywood, but I could also argue that any critique about L.A. can be flipped on its head, and used to make the case that it’s that very thing that gives this city its unique – and uniquely wonderful – personality. I suppose my relationship with Los Angeles is akin to an intimate love affair: I see all the bad stuff, all the flaws, and still, I want him anyway.

Considering my own origin story, I guess it’s not surprising that I ended up here. Growing up as an only child (my older half siblings were all nearly grown by the time I came along), with a career-obsessed father and a mother who battled depression, I spent much of the long, dark Alaska winters alone in my room, weaving stories out of my imagination. What a relief it was to finally land in theatre classes in L.A., finding a community of people who were just as odd and eccentric as I was, and who liked to play make believe just as much as I did.

I won’t pretend that my L.A. years have been easy. They haven’t been. I walked a long road and paid a lot of dues to get to a place that now feels only relatively comfortable. I’ve lived in cockroach-infested apartments, worked low-paying jobs that I hated, and had plenty of unfortunate encounters with some of the most awful people you could imagine. I’ve done bad plays in tiny theaters, signed contracts with unscrupulous agents, and suffered humiliation more times than I’d like to admit. More than once, I’ve watched a dream die and had to rebuild it anew, from nothing.

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But when times have been their toughest, that’s also when I’ve been at my best. Even when I’ve felt down, and hopeless, I’ve found a surprising ability to live off the collective energy of a place jam-packed with dreamers, hustlers, and doers, all fighting for their vision of how they want the world to be. The innovation and creativity that pulse through this city have, over and over again, given me the spark I needed to try again, one more time. And the urban sprawl? Simply an opportunity to reinvent myself, as each new neighborhood – Culver City, Miracle Mile, North Hollywood –  has offered new experiences, new friends, a new life.

For a long time, I was afraid to leave L.A. Afraid of what leaving would mean. That I was a quitter. That I wasn’t tough enough. That I didn’t have what it takes to make it here. But I no longer worry about that. It’s thanks to Los Angeles that my dreams have not only become bigger than I’ve ever dared, but that I actually have the moxie to make them come true. It’s thanks to L.A. that I can now justifiably use titles like “producer,” “creative director,” “playwright,” and “filmmaker” to describe myself. And as I write this blog, I’m sitting in a dressing room underneath a soundstage in Hollywood, waiting to step on to a set with actors that I grew up watching as a child. And that doesn’t seem out of the ordinary, doesn’t even excite me, really. It’s just a job. What does excite me is the fact that after I’m done on this soundstage, I’ll head to a small rehearsal studio in North Hollywood for a table read of a play that I wrote, and for the first time, I’ll hear the new draft out loud, read by a new cast of actors. Because the truth is, all of my time in Los Angeles –  all of the heartbreak and the hope –  has taught me who I am and who I want to be. And that person is someone who is no longer content to live inside someone else’s scenes, or play a part in someone else’s story. She wants to – and has already begun to – write her own.

Until next time, friends.

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Thirty-Six.

Every breaking wave on the shore/

Tells the next one there’ll be one more/

And every gambler knows that to lose/

Is what you’re really there for/

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Yesterday, I needed to see the ocean.

I was staring down the looming deadline to finish my script like the barrel of a gun, I had a to-do list a mile long, and the thought of sitting in Friday L.A. traffic on the way to and from the coast was more than enough to dissuade me from making the trip.

But I’ve also learned that when the voice inside me grows loud enough, it’s time to stop what I’m doing and listen.

Yesterday was my birthday. I turned thirty-six.

It wasn’t the splashy present I gave myself a year ago, when I splurged on an ocean front room for three nights at Laguna Beach’s luxurious Surf & Sand Resort. But that year, thirty-five, was different. I crawled to that birthday on my knees, having just returned to L.A. after spending several rain-soaked weeks in the tiny Washington town of Allyn, seeing my grandfather through hospice. I hadn’t even had the opportunity to process the enormity of his death when I learned that the company I’d worked at for eleven years (since the age of twenty-three) had been sold, and I now had a decision to make: should I pack up my life and move back to Seattle, taking the corporate job and the sure thing? Or should I stay in L.A., where everything stable in my life had crumbled, and face an uncertain future?

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Last December, I stared out at the Pacific Ocean and I knew:  my heart wanted to stay. I wasn’t finished in L.A., wasn’t finished doing all the things I said I would do here. And I worried that if I left, I might never come back.

So I chose the scary, uncertain path. And thus began my year of going off script.

It hasn’t been easy for me to spend an entire year of my life with no real structure or plan. See, I’m kind of meticulous when it comes to planning. I’m a list-maker. I’m Type A. At any given time, I’ve got at least two calendars going, and I’m constantly filling them with goals I want to meet, and things I want to do. You should see the “Notes” app in my iPhone. Yeesh.

But life has also taught me how meaningless plans are. That plans fail. That people die. That in an instant, everything can change. And that there’s no such thing as a “sure” thing.

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So, for the last three hundred and sixty-five (Sixty-six? Wasn’t this a Leap Year? I forget. February was so very long ago) days, I embarked on an interesting experiment. I stepped out on faith and found myself supported time and time again in ways that I didn’t expect. When I needed money, it came in. When I humbled myself enough to ask for help (another thing that’s hard for me), I received it. And when I needed a different way of looking at the world, new people came into my life who taught me things about myself that I didn’t even realize I needed to know.

I regret nothing about this past year. I’m glad that I took the leap. In fact, despite some dark spots, it was one of the best I’ve had in recent memory. I learned much about life and love and faith, and, most importantly, how vital it is to trust that quiet, persistent voice inside of me.

And it is because I have learned to trust that voice, that yesterday, as I stared out at the same ocean from a year ago, on a different piece of California coastline, I had to recognize what’s true:  I am no longer OK with going off script. I am a writer, and I need an outline. I need a rough draft, a canvas to work from, a piece of text that I can – and likely, will – ruthlessly edit. I need something more than just waiting for the universe to “show me the way.” It’s time to start making decisions, and taking the risk that those decisions will be wrong. It’s time to stop talking about all the things I’m going to do “someday” and start actually doing them.

It’s time. In fact, it’s beyond time. So here I go.

I’ll keep you posted.

Until next time, friends.

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