Her.

It was a Facebook “memory” that alerted me to the fact that I’d missed my grandmother’s death anniversary. I’d missed it by an entire week. I stared at my iPhone screen for a solid minute, wondering why a post from four years ago, in which I thanked friends for attending the opening weekend of a play festival that I co-produced, would trigger such heaviness in me. And then, suddenly, I knew. It was because I had written that post just one week after my grandmother died. The anniversary of her death had come and gone, and I had completely forgotten about it.

When the call came on that Saturday morning, April 13th, I didn’t answer it. There was only one reason that my eighty-six-year-old grandfather would be calling me. Ever since I had visited Grandma in the home for Alzheimer’s patients two months earlier, I had known that her end was near. Her decline was steep and rapid. She had gone from placing daily, mostly-lucid phone calls to me, to being wheelchair bound, her white blond hair tangled and swept off her face with plastic little girl barrettes, her pale blue eyes reflecting no recognition of me, all in the space of a few weeks.

I got into my car and replayed my grandfather’s message. “We’ve lost another one, Sar,” he said, his voice tired, resigned. I called him back, listened as he told me that he’d arrived at her nursing home too late to say goodbye. “I’m sorry,” I said. I told him I loved him, hung up the phone, and went to rehearsal. And I told no one – not one single, solitary person – what had happened. Not for weeks.

Looking back, I suppose the fact that I kept my grandmother’s death a secret from everyone who knew me was not particularly healthy. But at the time, my decision – at least to me – made perfect sense. I was one week out from opening a series of one-act plays, two of which I was acting in, another of which I was directing. I had a full-time job, one that I had only recently returned to after taking a leave when my father died. And it had only been seven months since the death of my mother, who had crawled inside of a vodka bottle (or more accurately, a liquor store’s worth of vodka bottles) on the heels of my father’s terminal cancer diagnosis. The space between the deaths of both of my parents had been less than five months, and I was tired. I had taken enough “bereavement” time. I wanted to get back to my life. I wanted to get back to work. And I had a show to open.

But four years later, I can finally admit that there’s another, darker reason why I never allowed myself to grieve my grandmother’s passing; why I don’t mourn her loss the way I’ve mourned the losses of my parents. My grandmother was not a nice person.

That’s what I’ll tell you when I’m feeling kind. What I’ll tell you when I’m feeling brutally honest is that my grandmother was an emotional terrorist. She was a serial abuser, one who reserved her worst brutality for those she claimed to love the most. I can’t count the number of times that, as a little girl, she brought me to tears by telling me something hateful about my parents. And she took immense pleasure in depositing my favorite stuffed animal, a ratty and well-loved St. Bernard I never slept without, into the trash. Her only “apology,” was to tell me I was better off without him, because he was “full of disease.”

As I got older, I got tougher. My grandmother lost the ability to make me cry. I fought back. I called her out. And the bullying stopped. But my mother? She wasn’t so lucky.

I’m glad that I’ll never know the full extent of the hell that my grandmother rained down on my sweet, emotionally sensitive mother. I know enough to know that she destroyed whatever fragile self-confidence she might have had. Even as a little girl, I remember the temper tantrums and smashed dishes, the screaming and shrieking, my grandmother accusing my Mom again and again of being a “horrible mother.” I remember the multiple “interventions,” with Mom and Grandpa raiding Grandma’s stockpile of prescription drugs and flushing them down the toilet, telling her, “Enough.”

And I know that my grandmother, who valued money and prestige above all else, forbade my Mom from pursuing the only thing she ever really dreamed of: becoming a professional tennis player. Mom – ever the dutiful daughter – obeyed, but deferring her dream was an event that changed the trajectory of her life. Even after she married my father and moved to Alaska, finally out from under her mother’s thumb, she never seemed to recover the gumption to go after her heart’s desire again.

As twisted and grotesque as it may sound, in some ways I feel “lucky” to have been born the daughter of a woman raised by an emotional abuser. My mother, never allowed to follow her own dreams, fiercely supported me in the pursuit of mine. Starved for affection by a woman who didn’t have a maternal bone in her body, my Mom showered me with love, making sure I always knew that I was the center of her universe. And spending years watching the person who I loved the most never believe that she was good enough had a profound effect on me, making me determined to live my life in all the ways that she couldn’t.

Part of me will always blame my grandmother for my mother’s death. I have no doubt that her relentless abuse is the reason my Mom sought solace in the bottle in the first place. But I also know that blaming her is too easy, that life – and human beings – are more complicated than that. My grandmother was sick for a long time, longer than any of us ever knew. And my mother had her own mental health issues, which she numbed with alcohol and refused to seek professional help for. Mental illness and addiction run rampant in my family, carrying with them a legacy of dysfunction, a legacy that I am determined not to repeat. Which is why, even though I know that this essay would have horrified my mother, I also knew that I had to write it.

Family is complicated. So is love. And I believe that people are capable of harboring two competing emotions within their bodies at the same time. For example, I can tell you that I loved my grandmother deeply, and yet most of the tears I’ve shed over her death were for myself, because I wished that she were different. I can tell you that as much as I admired my mother, I am terrified of ending up like her. And I can tell you that though I feel guilty about forgetting the anniversary of my grandmother’s death, I also wish that I didn’t have to remember it. I wish that April 13th was just another day on the calendar.

Until next time, friends.

Graceland.

I’ve been taking a road trip in my dreams. It starts at Elvis Presley’s Memphis home, Graceland, and then continues on to Nashville, Atlanta, and Savannah, Georgia. All of these places – with the exception of Graceland – are places I’ve been. But I’m not the one taking this mythical journey. Instead, the travelers are a young couple who live inside of a new play I’m working on; a duo who meets and falls in love in the space of a few hours, and who – drunk on whiskey – decide to drive until they reach the ocean, because the girl has never seen the Atlantic, and because, two weeks prior, her mother committed suicide.

The play, tentatively titled Closing Time at Graceland, was originally slated to be just a ten-minute, one-scene piece; part of an evening of Elvis-inspired short plays that a friend is producing this summer. But the more time I’ve been spending with the characters – examining their histories, their hopes and dreams, the way their lives become irrevocably enmeshed – the more I realize that their story can’t be contained within ten pages. Theirs is a story of heartbreak and hope, a story about the choices we make and the lives we almost live, a story that – though it’s uncomfortable to admit – intersects with my own.

I’m currently engaged in the process of reinventing my life, or at least, I’m trying to. I’m looking at everything from where I live, to the way I earn money, to how I evaluate my worth in the world. It is a process that is slow, arduous, and humbling, and some of the questions I’m asking myself are painful ones. But I am determined to travel the distance between the person I’ve always been and the person who I know that I can be. And that road is a difficult one. I am impatient, but I also know that meaningful change doesn’t happen overnight, and it doesn’t come easy or cheap.

Perhaps that is the reason why this new story has taken such a hold of me, and is insisting that I write it. It’s certainly not the most convenient time to begin something new. I’m still very much invested in my play War Stories, and in doing the work necessary to transfer that show – and likely, myself – to New York. And then there’s the pressing need to make money, and the process of trying to sell my skills to potential employers. There are essays to write, bios to craft, portfolios to build, resumes to refine.

I suppose it’s little wonder, then, that detaching from the tedium of research and resume formatting and disappearing into the fictional drama of a passionate love story is enthralling. And perhaps, at this time of profound soul searching and uncomfortable change, I want to look back before I can move forward. Perhaps I want to remember the girl who, at twenty-four, took her own road trip through the Southeastern United States, who wandered through ivy-covered old town squares and dipped her toes in the Atlantic for the first time, and felt like everything she dreamed of was within reach.

Or maybe I’m doing what I often do when writing fiction with parallels to my own life: maybe I’m trying to write my way to a better ending. One that, if not happy, at least offers some resolve.

Whatever the reason this story has taken such a hold of me, one thing is clear: I won’t be leaving Graceland any time soon.

Until next time, friends.

April.

On the first day of April, I woke early, well before the sun came up, well before my alarm. There was something about this new month – the first full month of spring – that had me on edge. But not in a bad way. More in the way that it’s hard to sleep before a long voyage. Or a big job interview. Or the opening night of your play. The anticipation is palpable. The anticipation is the thing.

I traveled back to Los Angeles from London on the first day of spring. It was the longest spring day I can remember. Nineteen hours of travel all together, beginning by navigating morning rush hour traffic to Heathrow, then stuck at the airport with a delayed flight, then eleven hours on a plane, then arriving at LAX just in time for Los Angeles’s evening rush hour, then finally, blissfully, home. And as the sun sank behind the lone palm tree that towers over my little stucco bungalow, I thought about the fact that I’d spent nineteen hours chasing that very sun, pushing ever westward. And now that the sun had finally gone to bed, so too, would I.

I feel the shift to this new season in the core of my body, coming as sweet relief after winter months I carried around with me like a weight. People say that we don’t have seasons in Los Angeles, but January and February were unusually stormy and cold, pummeling the Southland with the most rain I’ve seen in my eighteen years here. But it wasn’t just the unusual weather patterns that had me feeling melancholy. It was a sadness I’ve been carrying within me for months, a sadness that’s rooted in fear and uncertainty over my future, and worries over whether I’m on the right path.

But as March wound down and the days grew longer and warmer, a newfound optimism grew within me too. Suddenly, I feel determined, rather than defeated. It’s a change that – frankly – has come as a surprise, given how quickly and abruptly it occurred.

To tell you the truth, I feel like I’ve been living (and writing about) a life in transition for practically forever. And I have been. But I think that part of the reason I still feel stuck is because many of the changes I’ve made over the last few years were changes that were forced upon me, rather than ones that I actively chose. Life got crazy – and crazy difficult – and I adapted, in order to survive.

It is quite a different thing to feel like I’m in the driver’s seat of my own life again. To be honest, it’s scary. For all my awareness about the ephemeral nature of life, I still find myself in a sort of holding pattern, paralyzed over making the big decisions I know I need to make in order to truly change. I can’t tell you how many times over the last year I’ve asked myself, “Isn’t there someone else who can do this?” But there isn’t. There’s only me.

A friend recently told me she has adopted the motto of beginning each day by tackling the most unpleasant task on her to-do list first. I like that. No time to work yourself into a frenzy worrying about it. Just do it, and be done.

So, I’ve decided that’s what April is going to be, for me. Walking right into all the things I’m worried about, as fast as I can, before I have too much time to think. Just do it, and be done. And I’m sure that’s why, as this new month dawned, I couldn’t sleep. But if I’m honest, I know this decision is the only way forward. I know I have to clear away the bad, the scary, and the difficult in order to make way for the good. I know that the only way for me to cross the bridge between where I am and where I want to be is by walking directly through all the fears and doubts that stand in my way.

So, ready or not, April, here I come. I have a feeling you’re going to be a big month.

Until next time, friends.

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