June.

“Many of us spend our whole lives running from feeling with the mistaken belief that you cannot bear the pain. But you have already borne the pain. What you have not done is feel all you are beyond that pain.”

– Khalil Gibran

I started writing the end of my story first. I began with the day I hugged Jen in the driveway of her apartment building after she’d helped me put three heavy suitcases in the back of my car, and then drove my silver Toyota Prius up an eerily deserted 405 freeway to the top of the Sepulveda Pass for the last time. I wrote about the Lyft ride to the airport, where I told the driver I was moving to New York and how strange those words sounded coming out of my mouth, and the celebratory glass(es) of prosecco I drank at the Wolfgang Puck restaurant in Terminal 6, where I thought about my mother the whole time, because it was almost eighteen years to the day that I’d taken the reverse flight, from Seattle to L.A., as a kid going off to college, and how scared I’d been, and how she’d held my hand and told me that everything was going to be all right. And now, here I was again, eighteen years later, no longer a kid, but feeling just as exhilarated and terrified by the change I was about to make, and this time without my mother to tell me everything would be all right. So I took a deep breath, got on the plane, and told myself.

It felt easier to start at the end than the beginning, not just because the ending was fresh in my mind. Because the ending was so full of hope. As I scrolled through old Instagrams and blog posts from last summer, that was the thing I was struck by again and again: hope. The fact that I didn’t know how this grand adventure was going to turn out, but I was barreling forward anyway, with a sense of faith and confidence that surprised even me. Because I wanted something different than what I’d already had, and that meant doing something different than what I’d already done. Because when nothing is certain anything is possible, and I believed most of all the words of a friend who told me that anything is possible in New York.

So I made the decision to go, and once I’d made that decision, all the other decisions sprang from it, gathering momentum, like a giant snowball rolling down a hill. And I didn’t stop to think that anything could go wrong, didn’t consider any outcome other than a good one, didn’t even really listen to friends who cautioned that change is difficult, and I might have a hard time transitioning to life on the east coast.

Of course, hard turned out to be an understatement. And as winter descended like a fog, and none of my plans worked out and the grief I thought I’d healed from came roaring back, I lost sight of the hope I’d had in those early days. I stopped believing in myself. I stopped believing that good things were possible.

But if there’s one thing I’ve learned during these last few difficult years, it’s that sometimes our darkest moments can be our greatest teachers. And during the winter that never seemed to end, I came to a realization: maybe the fact that nothing was working out was exactly what I needed. Maybe my move to New York wasn’t meant to be about what I would accomplish. Maybe it was meant to be about what I would learn.

It’s officially summer in the city. My first. It’s already uncomfortably humid for a girl used to the desert climate of Southern California, and it’s nowhere near as hot and a sticky as it’s going to get. I’m trying not to think about it. I’m trying to take each day as it comes, enjoying the fact that I can still sit in my living room with all the windows open and feel the faint breeze rustling through the trees and listen to the rattle of the 1 train as it shoots out of the tunnel at 125th and Broadway.

The beginning of summer means my memoir class is coming to an end. And while I’ve made a commitment to spend these next hot, humid months writing my book, I’ve also just begun another class: an intensive playwriting workshop geared toward finishing the first draft of my next script. I’m a bit worried I’ve taken on too much, that one big project might derail the other. But as I’ve started diving into this new play, a bittersweet love story about two people whose destinies are intertwined and yet, who ultimately can’t be together, I’ve realized that whether it’s fiction or non, there’s one theme that keeps running through all of my work, a theme that goes something like this: You can’t save people, you can only love them.

I can’t say how long I’ll stay in New York. I can only say that after nine months and three seasons, I’m finally starting to appreciate this city for what it is: an open door I needed to walk through to change my life. I’m grateful for every road block, every challenge, every time I looked in the mirror and asked myself, “What in the hell am I doing?” This experience has made me stronger, less afraid, and more willing to fail. And while I’ve never been a person who’s been comfortable living in uncertainty, I can recognize that uncertainty is exactly what I needed to make me realize I still have the power to shape my own narrative. I don’t know how this story is going to end, only that I’m writing it moment to moment, in a place where, once again, anything feels possible.

Until next time, friends.

Ocean Avenue.

The email finally came through on a Tuesday morning, six days after I started looking for it. I wasn’t sure why I continued to obsessively check my phone. I already knew what it was going to say.

Yet even though I had felt in my bones that I’d be getting a rejection letter, when that rejection finally came it still landed like a gut punch. It still felt like an indictment, still made me feel like a failure, still caused me to send text messages to friends asking, “What am I even doing here?”

Of course, I knew the answer. I knew it the week before, on Mother’s Day, when I sat at the bar of a breezy, open-air restaurant overlooking Santa Monica’s Ocean Avenue with two of my best girlfriends and cried into my craft cocktail. “I’ve tried everything I can think of,” I moaned. “But New York just doesn’t fit.”

But as much as I missed my friends, as much as – after nearly nine months away – L.A. still felt like home, I knew if I moved back now it would just mean that, once again, I was running. I hadn’t given New York enough time. I hadn’t given it the opportunity to change me in the ways I hoped it would.

I moved east with the goal of producing a play I wrote. I’d produced plenty of theatre in L.A., but I knew it would be harder in New York, and more expensive. I also knew I didn’t have the same network of people to call upon and ask for help. But still, I’d battle tested the script over the course of two L.A. productions and three New York readings, continuing to rewrite and refine and fix along the way. It was in great shape. I’d put together what I knew was an impressive submission package complete with glowing reviews from Hollywood. So, when I turned in my application for the New York Fringe Festival, I was sure I was going to get in.

But then something funny happened. A week after the application deadline, I stared a memoir class. I signed up for it partly to help me develop a regular writing practice and provide discipline in the form of homework and deadlines. But if I’m honest, the real reason I signed up was because I couldn’t get fiction writing – not playwriting, not anything – to hold my interest. And after a few weeks of class, a few weeks of writing exercises that pushed me to dig deep into stories from my life, memoir felt like the only thing I wanted to write. Even though it was painful. Even though it opened up a Pandora’s Box full of memories I preferred to forget. And somewhere in those first few weeks, I made the decision that it was finally time to write the book I’d been dancing around the edges of for years.

But secretly, I worried. If my play got into the fringe festival I’d have to shift gears and take on the tremendous task of producing a show. It was a prospect that thrilled me, but I also knew from experience how much work it would be. It meant the book would have to take a backseat. And because the money I’d been living on was starting to run low, it also meant that I would have to go back to work as soon as the festival was over.

I traveled back to L.A. with these conflicting feelings swirling inside of me. And as I sat down to dinner with my friend Jen on my first night in town and confided that I was afraid to step away from the fun and collaborative worlds of theatre and film to plunge into the lonely and painful process of writing a book, she just looked at me and said, matter-of-factly: “I think everything in your life for the last five years has been leading up to this moment. It’s time.”

She reiterated that sentiment two days later, on Mother’s Day, at the open-air restaurant on Ocean Avenue, saying that this thing –  the book I had been avoiding writing – was the thing keeping me stuck. It was the thing keeping me from moving on to the next phase of my life. And I cried, because I knew it was true.

It was nearly two years ago, in the summer of 2016, that I visited a psychic medium and asked for her help in communicating with my mother. I was terrified. I didn’t know what to expect. I only knew I had to do something, because her death had carved a hole in me and I had spent the last few years swallowed up by guilt and grief. The medium, a young woman named Fleur, was able to give me enough of the how-on-earth-does-she-know-that type of details about my mother’s life and death, that when she told me my Mom wanted me to forgive myself, and that she sent me white butterflies as a sign to let me know she was thinking about me, I chose to believe her.

The day before I left L.A., I rose early, leaving my friend Zoe’s apartment to walk to a corner café for coffee. As I strolled along sunny Washington Place, a white butterfly alighted on a nearby hedge. It skipped over blades of grass and skimmed the edges of flowers. It sailed away, then floated back. I watched it for a minute, then asked, “Mom?” like a crazy person, as though I expected the butterfly to respond. I was greeted only with silence. I took in the bright blue sky, the lavender jacarandas in full bloom, the towering palm trees overhead, and the dancing butterfly. “Mom,” I tried again, knowing it was hopeless but unable to stop myself. “I don’t know what to do. What should I do?” But the butterfly remained silent, continuing to drift on the breeze, until finally it glided gently away, into the beautiful Southern California morning, and was gone.

And it wasn’t the butterfly, and it wasn’t my mother, it was just me, just a shaky but sure voice inside that said, simply, “You know.” Which is why, a few days later, when I got the rejection letter, even though I didn’t think it was fair, even though I didn’t think I deserved it, I knew it was, somehow, right.

As I publish this post, it’s May twenty-fifth. It’s my mother’s birthday. She would have been sixty-six. Would have been because she died nearly six years ago, in a haze of vodka and pills. In a post I authored on this blog back in 2015, I wrote, “She drank until she disappeared. And when she died, I started disappearing, too.” It was true then, and it’s true now.

I am tired of disappearing. I’m tired of feeling stuck. And I’m tired of the ache inside me that only continues to grow. I don’t feel ready to dive into my mother’s story. I’m scared of what I’ll find when I turn the microscope on her life, and on my own. But I also think that we’re never really ready to do the things in life that call upon us to be braver than we believe. We just have to do them and see what happens.

So, I’m going to spend this summer in hotel lobbies, and cafes and libraries, writing everything I know is true about my mother, and my family, and me, until I have something that feels like a book. And hopefully by the time autumn rolls around, I’ll be ready to take another shot at starting my life over. Whatever that looks like. Whatever that means.

Happy Birthday, Mom.

Vertigo.

I pressed my back against the chair, feeling the thin tissue paper covering crinkle as I shifted my weight. A wave of nausea washed over me. I quickly leaned forward. Nope, too far. The room spun. I carefully, slowly reclined, trying to find what felt like center. I was perched on the edge of my seat when the doctor came in. He had kind eyes, a nice smile. “We’re going to take your vitals again,” he said. “Your heart rate was too high.”

“I’m just nervous,” I told him. “I don’t really like doctors. No offense.”

I found a spot on the floor to focus on and concentrated on my breathing. Inhale, exhale. Inhale, exhale. He told me to relax my arm as he prepared to take my blood pressure. I did as I was told. I felt the band tightening, felt my heart throbbing in my bicep. Inhale, exhale.

“Well, that’s much better.” He seemed pleased. “You were right; must have just been nerves.” That’s funny, I thought. I don’t feel more relaxed.

We did a neurological test. Normal. He looked inside my ears. Normal. There was nothing out of the ordinary, no obvious cause of dizziness. “Vertigo usually goes away on its own,” he said. “But if you’re not better in a week, you may need to see a specialist.”

He gave me some exercises to help restore my equilibrium. “At first, they might make you even more dizzy,” he admitted. “But they really do seem to help.” I signed a release form, paid my hundred and twenty-five dollars and just like that, I was on my way home.

The dizziness began the week before, after what I had hoped was the last New York snow storm of early spring. At first, I ignored it, partly because – for the first time in many years – I was without health insurance. I tried to hold on to my California plan, figuring I’d move back there eventually (one of many examples of how I’d kept one foot out the door since my arrival in New York), but I could no longer prove residency and my coverage was canceled. That left the New York insurance market, a confusing maze of companies I didn’t know and policies I didn’t understand. I had begun the application process but hit a wall when it came to choosing a plan.

The day before my trip to urgent care, I spent the afternoon in rehearsal for an evening of original monologues at the historic Cherry Lane Theatre in Greenwich Village. I’d written one of the monologues and was directing seven others, which meant a long day of working with actors in the fifteenth-floor conference room of a building in midtown Manhattan. The rehearsals were a welcome distraction, but more than once I’d felt the room spin and wondered if I was going to faint. By the end of the day, health insurance or no, I knew I had to see a doctor.

And he was right. Ultimately the vertigo did get better on its own. I still get a little dizzy now and then, but the difference is striking. I’m no longer afraid I’ll fall in the shower, or have to grip the edge of the sink to remain upright when I’m washing dishes, or feel the room spin when I’m lying down.

I don’t think I was ever in actual medical jeopardy, but my recovery does feel as though I’ve been given a second chance. The truth is, I feel as though I’ve been given many second chances, and too many times, I’ve taken those chances for granted. I want to believe I’m brave and adventurous, that I’ve learned my lesson about how short and precious life is, but I still make far too many choices out of fear.

This is week four of my ten-week memoir class. When I started it, I was full of resistance. I didn’t feel ready to write a book. I still don’t feel ready. But in just a few short weeks, I’ve awoken memories that won’t go back to where they came from. And the more I write, the more I remember. At this point, it feels too late to do anything but keep going.

I’m scared, just like I was at that doctor’s visit. My memories are painful and not easy to relive. The recurring dreams about my mother are not easy, either. But as fearful as I am about diving further into the past, I’m even more fearful of running out of time. That’s the gift my vertigo gave me: a reminder the future isn’t guaranteed.

After last week’s class – a class where I talked through the subject matter of my yet-to-be-written book and landed on a theme – a fellow student pulled me aside. A lovely woman, a mother and a grandmother, somewhere between two and three decades older than me, she smiled and said, “You know something? You’re lucky. Most people don’t arrive at that level of self-awareness until they’re much older. To have such insight about your life when you still have so much of it left to live, that’s a real gift.”

She’s right. It is a gift. One I’m grateful for. One I have to remind myself every day not to take for granted.

Until next time, friends.

Snowfall.

The day after Easter, I awoke to fresh snow falling outside my window. It had been forecast, but I hadn’t believed it. “No way,” I told a friend that Sunday night, as we put on our coats and stepped outside. “It’s not cold enough.”

Yet, the next morning, there it was: a world of white. I tried to see the romance in it, but in truth, I was tired. Tired of gloomy skies and the dirty, day-old deposits of slush left behind on street corners. Tired of dodging melting ice falling off buildings and dripping down scaffolding. Tired of the weight of my snow boots.

I know I shouldn’t complain, because a few months from now, when stifling heat wraps itself around skyscrapers and the humidity is so oppressive I’ll be taking three showers a day just to feel clean, I’ll think back to these snowy spring days with a sense of fond nostalgia. But right now, I just want spring itself. I want tulips and daffodils and sunny afternoons in Central Park. I want to trade in my heavy winter coat for the denim jacket I found last October in a thrift store in Montreal (October! A lifetime ago!). I want to put on a dress – without the need for scratchy wool tights underneath – sit at a sidewalk café, sip a cappuccino, and scribble in my journal as the world rushes by. I want to retire the bulky cashmere wrap that’s been slung around my neck like a noose, and finally get to wear some of the light pastel silks from that little shop in Sorrento, the one where the proprietor showed me how to tie my scarf just like an Italian girl.

It sounds like what I’m really craving is a change of wardrobe. Or maybe it’s wanderlust. As I wax poetic about favorite clothing items I’ve procured on my travels, I’m hearing the words of Anaïs Nin: “I’m restless. Things are calling me away. My hair is being pulled by the stars again.”

All of that is true. The long winter, coupled with the fact that I haven’t left New York in three months (a long time, for me) has left me feeling stuck. Encumbered. Heavy. I’m ready to shed the layers I’ve been wearing to keep out the cold, but I’m equally ready for what spring represents: a fresh start. I’m ready to feel new again.

I’ve always considered April to be a hopeful month. It was last April – during a weeklong whirlwind visit – when I decided to move here. Back then, everything felt possible. But after a season plagued by loneliness and self-doubt, I find myself with more questions than answers.

But yesterday, I took a step toward – maybe – answering some of those questions. Yesterday, I started a ten-week memoir class at Gotham Writer’s Workshop. I told myself I came to New York to produce my play and work in theatre – which is still the plan – but in truth, I haven’t felt much like writing fiction these days. Instead, I’ve been feeling the weight of my past, and a pressing, urgent need to dissect it all.

I don’t know where this sudden need to make sense of my life is coming from. Friends have been telling me I should write a book for years, but I haven’t wanted to. I haven’t felt ready. But for the first time, I’m starting to feel not only like I can, but maybe I should.

I don’t know how this class is going to go. I only know that yesterday, as I sat around a table on the fourteenth floor of a building near Times Square, listening to other people’s stories and sharing some of my own, I felt something spark within me. It was like something that had long been dormant was coming back to life. And that feeling – no matter where it leads – is worth following.

It’s April in New York, and there’s still a chill in the air. But sooner or later, this seemingly interminable winter will finally – mercifully – come to an end.

Until next time, friends.

Six.

On a Sunday evening, three days before the six-month anniversary of my move to New York, I sat in the orchestra section of the Brooks Atkinson Theatre during a performance of the musical Waitress. I was both alone and surrounded by people. I’d wanted to see the show for some time, and as luck would have it, the ticket I’d booked was for the last performance of Sara Bareilles’ Broadway run.

Bareilles’ emotions were palpable as she sang the lead role of Jenna, and they continued to build as the character she gave voice to became progressively trapped in a life she saw no escape from. When she reached the searching ballad “She Used to Be Mine,” the lyrics pierced me, finding their way into an empty space inside my chest and lodging themselves there:

It’s not what I asked for
Sometimes life just slips in through a back door
And carves out a person
And makes you believe it’s all true . . .
And you’re not what I asked for
If I’m honest I know I would give it all back
For a chance to start over
And rewrite an ending or two
For the girl that I knew

 I wiped at my eyes furiously, glancing around to see if anyone noticed, and saw that the woman next to me was crying, too.

It’s hard to believe it’s been six months since I got on a plane with most of my belongings contained in three suitcases. Over these last six months, there have been days when time moved at a torturous pace, because of winter storms and the cabin fever resulting from being trapped indoors. But mostly, time has elapsed quickly, a reminder that no matter how you spend your days, the clock keeps ticking.

It wasn’t long after I arrived that I started thinking about leaving. I didn’t realize how much I’d miss the ease of California living. How much I craved sunshine, and the ocean, and fresh produce and the warmth of community. I didn’t appreciate what it meant to live in a place where people know you, where they know your work, where you’re handed opportunities without having to interview or audition or prove yourself. I miss that. I miss being known.

But there’s a reason I decided to go. Maybe it was simply so I could realize what I was giving up. But I don’t think so. I think it was about a search for something I hadn’t been able to find. Something I still haven’t found.

So often in New York, I feel green and inexperienced and not enough. I know this isn’t true. But these feelings are a consequence of starting over, particularly in a city as hard-driving and as competitive as this one. As a friend said recently, “New York calls you out.” And it has. It has called me out on all the ways I hide, all the ways I feel plagued by doubt, all the ways I sabotage myself. It has made these first six months uncomfortable. But it hasn’t necessarily made them bad.

One of the few books I took with me when I moved across the country was Cheryl Strayed’s small but mighty Brave Enough. There’s a quote in it I keep returning to:

The question isn’t whether you should stay or go.

The question is: How would your life be transformed if you chose to love this time with all your intelligence?

I’m pretty sure Strayed is referring to romantic love here, but I find the quote to have broader application. I read it as: Wherever you are, be all there. Commit. Live in the moment, and love it, with everything you have.

I haven’t done that here. In truth, I’ve spent much of the last five years being anything but present. Running. Jumping on planes. Passing time until the next time I could go away and get out of town. It was grief that made me do this. Grief that kept me swimming like a shark, afraid that if I stopped moving, I’d suffocate.

I can admit this now. I’m not sure why I couldn’t before. Maybe I just couldn’t see it. Maybe it’s New York that made me realize it. But here it is: ever since my mother’s death, and my father’s death, and the deaths of my grandparents, I’ve become progressively unmoored. I haven’t felt connected to a place. I haven’t felt connected to myself.

I’m so tired of running. The transition to life in New York has been hard on me. It has been harder than I ever thought possible. But I don’t want to leave. What’s exciting about this city is the sense of possibility that is everywhere here. For every opportunity that doesn’t pan out, there are so many more things to try. So many more roads to go down. So many more doors to knock on. So many more people to meet.

As I write this, it’s the first day of Spring. Tomorrow, there is yet another snow storm in the forecast. But even still, winter is waning. The days are growing longer. And there is so much that feels possible, waiting just around the corner.

Until next time, friends.

What could be.

“For what it’s worth. . . it’s never too late to be whoever you want to be. I hope you see things that startle you. I hope you feel things you’ve never felt before. I hope you meet people who have a different point of view. I hope you live a life you’re proud of, and if you’re not, I hope you have the courage to start over again.”

– F. Scott Fitzgerald

Spring came early to New York. Even if it was only a brief respite from the snow that hadn’t quite finished with us yet, the February day where the sun appeared and the temperature warmed to nearly seventy degrees was glorious. In the late afternoon, I took a thirty-block detour on my way to the gym to walk through Morningside Heights. An elderly couple sitting on a park bench smiled at me and said hello. Children chased each other and laughed, unencumbered by their scarves and jackets. As I turned down 110th Street, sleeveless joggers charged past, heading for Central Park. Even the way the waning sun fell across the brownstones lining Harlem’s Manhattan Avenue felt, somehow, hopeful.

When I meet people in New York and they learn I’ve only recently moved here, it doesn’t take long for them to ask the inevitable question: why? Why would I leave a seemingly comfortable life in Los Angeles – a place with enviable weather, where I have great friends and an established network of contacts – to move across the country to a city where life is arguably more difficult? Why now? Why, with no obvious anchor in the form of a job or school or a relationship, at an age where – let’s be honest – starting over is not easy?

Whenever I’m asked this question, I invariably answer with some version of the following: I’d been feeling creatively stagnant in L.A. for some time and I needed a change. I wrote a play that I want to produce here. And I’d always wanted to try New York and figured, if not now, when? And all of these things are true. They’re just not the whole truth. The whole truth is something more difficult to pin down, something I feel embarrassed to admit.

Ever since I was very young, I had an idea about the person I was supposed to be. She’s braver than I am, more confident. She’s successful and her life is glamorous. And – perhaps the most important part – she’s happy.  Like really, really, stupidly, ridiculously happy.

When I moved to L.A. as a baby faced eighteen-year-old, all the big dreams that drove me there were wrapped up in this idea, this need to find the best version of myself. Over the years, I caught glimpses of her. I caught glimpse of what could be. But the life I longed for never fully materialized. And just after my thirty-first birthday, everything went off the rails. And I began to wonder if time had run out on my dreams.

In a way, New York felt like my last shot. If I was too afraid to respond to the siren call of the city, what would that say about me? Would it mean I wasn’t as brave or as adventurous as I wanted to be? Would it mean that my best days were already behind me?

I’ve always been an optimist. But here’s the thing about hope: it’s a currency that grows more expensive with time and with exposure to loss. After every death, after every disappointment, after every heartbreak that has rocked this rollercoaster decade of my thirties, it’s become harder to pick myself up and begin again. It’s not that I don’t want to. It’s not that I don’t try. It’s just that I have learned to protect myself by not only preparing for the worst, but by expecting it.

So, when the sparkle of starting again in a new city wore off and the inevitable reality of adjusting to life in New York set in, I got down on myself. I succumbed to melancholy and depression. I stopped believing that good things were going to happen for me.

But here’s the other thing about hope: it’s persistent. Our dreams don’t die easily. And sometimes, all it takes is one small shift in perspective to set the world right again.

I suppose it’s ironic that my shift in perspective was brought about by the flu. Forced to slow down, stay home, and stay in bed, I had a lot of time to think. And I thought about all the friends from back home who had been sending me love via emails and texts and calls, telling me they were proud of me and they believed in me. I thought about the new friends I’d made in New York, who had been so generous, so warm and welcoming, so willing to help me. And I felt both grateful for everything I had been given and ashamed of myself for taking it for granted. And I resolved to try harder. And I reminded myself that the only time you ever really fail is when you quit trying.

Until next time, friends.

Forward.

On the January day when thousands of people marched in the streets of New York – the day when thousands of people marched in streets all over America – I awoke to find that a strange heaviness had settled over me. My muscles burned, sending small fires shooting throughout my body. My head throbbed. My stomach heaved. My breaths came shallow, and the world spun. “No,” I thought. “I never get sick.”

But apparently, I do, because for the next four days the only time I left my apartment was to drag myself to the corner drug store for cold medicine, returning from that short trip gasping for air, my clothes soaked to the skin. Back inside, I stayed bundled in blankets, pillows propped behind my aching back, a double-spaced printed draft of my play War Stories resting beside me.

Illness is never convenient, but the timing of this virus struck me as particularly cruel. I had booked a space to hold two play readings in February, the dates of which were rapidly approaching. What I thought would be minor script rewrites turned into something much larger once I sat down to edit, and instead, I had opened up a Pandora’s box of new character development that I couldn’t turn back from. A dear friend who had – angel that she is – offered to help me cast actors and find a director for the readings needed the new draft in order to get started, but I was nowhere near done with it.

For the next twenty-four hours, I couldn’t get out of bed. Every time I tried to write, fever or nausea would overtake me and I’d have to stop. But on the second day, I began to feel better. The fire subsided. The room stopped spinning. I picked up my script and began to leaf through it, forcing myself to form the fog in my brain into something resembling focus.

And then, something funny happened. As I stared at the printed pages, overwhelmed at the seemingly insurmountable task before me, exhaustion collided with frustration and I began to cry. I bawled for several minutes – big, crocodile tears – and I felt so utterly hopeless and so entirely sorry for myself that eventually, I started to get angry. And in that anger, I opened up my script and I began to write. Before I knew it, I had scribbled entire passages of new text into the margins of the double-spaced pages.

This went on for two days. Crying and writing. Writing and crying. I would work for as long as my body would allow it, and then, I would sleep. It was not what I would call pleasant. I had no idea if anything I wrote was any good, only that it felt as though some unseen hand had lifted me up and was propelling me forward, and I had no choice but to keep going.

I finished the new draft on a Wednesday, four days after I woke up with the flu. I’m still not sure how I did it. In retrospect, it feels like some sort of miracle. But perhaps it’s just a testament to my own stubbornness, or to the fact that my only option was to finish and so, somehow, I did.

Or it could be that I’m finally internalizing the best piece of advice I’ve received about how to survive in New York, given to me by my friend Katherine (an L.A. transplant herself): Keep moving. Even if you don’t feel like it. Even if you don’t think you can. Even if all you can do is crawl.

Keep moving.

Until next time, friends.

Montauk.

The sea wants to kiss the golden shore//
The sunlight warms your skin
//
All the beauty that’s been lost before
//
Wants to find us again.*

I woke before my alarm, song lyrics in my head. I heated up a mug of hot water, squeezed a slice of lemon into it, and put my headphones in. From the weathered armchair in the corner of my living room, I watched the sun rise over New York. I watched the clouds turn pink, their color deepening before dispersing, bathing the buildings in gentle light before bidding them goodbye. I watched from my eighth-floor window as a crammed subway train made its way downtown, filled with people going to jobs I didn’t have, leading lives I didn’t live. I watched the day begin, and then, I wrote.

I’m not sure when the shift began. I think it was twelve days earlier, on the way to Montauk, when from outside the window of my eastbound train, from over a bank of snow, I first glimpsed the Atlantic Ocean. And later, on a Long Island beach, when I climbed over more snow to get to sand and stood, watching the waves crash, watching the water recede and return, breathing in cold salt air, that for the first time in a long time, I felt like myself again. There was no grand epiphany, just a quiet voice whispering, “Remember?” And I did. And then I went back inside, to work.

I came to New York to write. And though I’ve been writing every day, I haven’t enjoyed it. The process has been torturous, and slow, and has often felt – to me – without purpose. But as a friend of mine once said, “Sometimes we make the story so big, we can’t tell it.”

When I tell you that writing saved my life, I’m not exaggerating. A few years ago, when I was in the worst part of my depression, when the world felt like it was collapsing around me, writing was the only thing that gave me any relief. I’ve always harbored a secret worry (not so secret any more, I guess) that I feel more than most people. That I feel more than what is normal. So, when real tragedy struck, the emotions were so big they threatened to drown me. That was when I first started experiencing panic attacks. When I couldn’t swallow food without feeling like I was choking. When I struggled to get out of bed.

I should have asked for help. But I didn’t. I wrote. And as I wrote, I learned something. I learned that if I could find a way to articulate my emotions so that other people could feel them too, if I could turn them into real, tangible things in the form of essays or blog posts, if I could get them out of my body and into the world, then they wouldn’t swallow me. Call it sharing my pain in order to survive. I don’t know if it worked, but it sure felt like it did. And it made me feel a hell of a lot less alone.

I don’t write to survive any more, but sometimes I forget that. Sometimes, I’ll be working on an essay or a section of dialogue or a scene in a play, and something will come out that’s intense or unexpected and knock me sideways and I’ll have to stop for a while. And I’m reminded that the thing that brings me the greatest joy can still, occasionally, be dangerous.

When I went out to Montauk, the weather had already begun to turn. By the time I got back to the city, the snow had melted, the streets had cleared, and it was – dare I say – pleasant. I took the subway downtown to look at a theater space, and using Google maps as my navigator, I experienced a feeling that can only be described as relief. There was no headache, no bitter cold. Being outside, walking around, was fun. Were people on the streets actually smiling? In New York?

I guess that’s the thing about winter. The storms can be brutal. But on the other side of them? Beauty. And every so often: moments of pure, unfiltered joy.

Until next time, friends.

*Lyrics from the song “Ordinary Love,” by U2

Winter.

It was well after midnight when the taxi left Newark Airport and sped along I-95 toward Manhattan. As we approached the city, an enormous half-moon hung in the sky, and the Empire State Building – lit up like a Christmas tree in red and green – sparkled in the distance. My eyes, tired yet watchful, remained ever forward.

After I had unpacked my suitcase, sorted through a stack of mail, and inventoried the contents of the kitchen, I crawled wearily into bed. My body was exhausted, but to my dismay my wired brain simply wouldn’t shut down. It wasn’t until the sun threatened to rise that I finally fell asleep.

A day and a half later, I boarded a subway train bound for downtown. I didn’t want to go. The fog of jet lag was still thick, the temperature had dropped into the teens, and snow was in the forecast. But, at the urging of a friend, I’d signed up for an intuitive reading at a placed called The Alchemist’s Kitchen in the East Village, and it was too late to get my money back. Besides, I needed an excuse to leave my apartment. So, I went.

Once there, I took my seat across from a woman named Victoria. She jotted down my name on a piece of white, unlined paper, then proceeded to look at me in that unnerving way “spiritual” people sometimes do when they’re trying to read your mind. Or maybe it was just unnerving to me, concerned as I was about what someone might find in those dark recesses.

“I keep hearing the word move,” she said. “What does that mean to you?”

“Uh, I just moved here. About three months ago.”

“That’s great. Welcome.”

“Thanks.”

“Is there something you want me to ask your spirit guides?”

“Well. . . I’m not really happy here. I think maybe. . . I made a mistake.”

She looked at me and smiled.

“I felt that way, too, when I first came here from Ohio. But three months is nothing. You’re still in the adjustment period. Wait until spring before you decide anything.”

Wait until spring. If there’s one theme that’s been running through my life lately, it’s that: Wait until spring.

It was last spring when I decided to move to New York. I’d rented a tiny apartment on the seventh floor of an old building in Greenwich Village, and spent my days covering miles of Manhattan on foot. I toured theaters and talked art and literature with friends and strangers. I held meetings over delicious meals and cocktails and coffee. All the while, the weather ran hot, then cold. One day, it rained. Another day, a lightning storm. But even the unpleasantries were somehow beautiful, perhaps because they were short-lived. Tulips bloomed on street corners, and friends gathered to share news on park benches, and everything felt hopeful and full of possibility.

I moved to New York because I wanted to change my life. Because as much as I love Los Angeles, I was too comfortable there. I was coasting through my days with no clear sense of direction, no real feeling of purpose, no evidence of personal growth. And I was terrified that I’d wake up one day and find that I’d spent a decade that way, without having challenged myself, or accomplished anything I was proud of.

So now I’m here. The trees are barren. The snow is falling. The wind chill is well below freezing. And there’s no relief in sight. And in the heart of winter, I’m finally realizing a truth that should have been obvious all along: you don’t change your life by changing your address. You change it by looking within, by asking yourself difficult questions, and by finding the courage to answer them. For me, most of those questions revolve around what I’ve been holding on to that I need to let go of. My guilt for all the ways I’ve failed, both myself and others. My attachment to a past that’s not coming back. And the story I’ve been telling myself that there are things for other people that aren’t for me; that “almost” is good enough.

As I write this, I’m sitting in my living room, looking out over the Morningside Heights neighborhood of Manhattan. It’s January fourth. The sky is white, the snow relentless. But every few minutes, a subway train rattles past my eighth-floor window, some brave soul in a puffy neon jacket clears the sidewalk with a snow plow, and life goes on.

And on the eighth floor of an old brick building on La Salle Street, wrapped in a blanket, note pad and pen in hand, lucky enough to have nowhere to go and nothing to do except watch the snowfall and write, I made myself a promise: I won’t move again until I’ve answered the difficult questions. No matter how hard it gets, no matter how uncomfortable it is.

And if, in the process of answering those questions, life leads me elsewhere, that’s fine. But for now, it has led me here. To New York, in the winter, a place where – despite the cold and discomfort – countless doors have been opened for me, if only I can be humble enough to recognize them, and brave enough to walk through them.

Eventually, winter will end. Spring will come again. And I’ll be here, waiting.

Until next time, friends.

Veterans Day.

“I know why we try to keep the dead alive: we try to keep them alive in order to keep them with us. I also know that if we are to live ourselves there comes a point at which we must relinquish the dead, let them go, keep them dead.”

– Joan Didion

One year ago, on Veterans Day, I sat on a bench in Tompkins Square Park, watching amber leaves follow their gentle spiral toward earth. I’d spent the morning in a nearby East Village coffee shop, pretending to write but instead just eavesdropping, allowing the hushed voices of the people nearby to run through my body, causing my mind to wander to places both foreign and familiar.

I was not what you’d call “happy.” It was three days after a bitterly contested U.S. presidential election, and my candidate – a candidate I campaigned hard for – had lost. I was in the grips of severe writer’s block, well past a self-imposed deadline to submit rewrites of my play to its director. We’d posted casting notices and were preparing to audition actors upon my return to L.A., but I still hadn’t completed the script, a fact that filled me with anxiety and made me feel like a failure.

Veterans Day also marked the one-year anniversary of the death of one of my favorite people: my grandpa Gerry. With so much around me feeling dark and heavy, the absence of the light and joy and laughter he had always brought to my life was like an open wound.

Yet as I sat on that park bench watching the leaves fall, something funny happened. I felt. . . hope. I don’t know where it came from – there was certainly no reason for it – all I know is that in the midst of sorrow, there was a sense of peace, and somehow, I knew that everything would be all right.

There are many reasons why I decided to move to New York, but if I can pinpoint the moment when “maybe” shifted to “yes,” it was there, on that day, on that park bench. It was that quiet, confident voice that said simply, “You’re OK here.” And I listened.

One year later, I am OK here. The cross-country move didn’t shield me from sorrow or from the anniversaries of loved ones lost. But one year later, on Veterans Day, as I walked south along the edge of Morningside Park, watching the late afternoon sun set over Harlem, I didn’t feel sad as I thought about my grandfather. I felt grateful. Grateful for the tremendous gifts he and the rest of my family gave me, not the least of which is my awareness of the ephemeral nature of life. Because of them, I made promises to myself about the things I wouldn’t wait to do. Because of them, I am getting better at keeping them.

As I’m writing this, it’s November 14th, the two-month anniversary of my move to New York. Truth be told, I thought I would have accomplished more in these first two months. I thought I would have had a reading of my play by now, and would be preparing for its production. I thought I would have seen more people, would have done more things, would have checked more items off my to-do list.

But I have found that everything is taking longer than I expected, because just being in this city is exhausting. It’s exhausting, and it’s exhilarating, too: all the people, all the stories, all the humanity and heartbreak and hope all around. It makes me want to write all the time. It makes me feel things I’ve never felt before. And it wears me out.

In many ways, I’m still the girl in that East Village coffee shop from a year ago, eavesdropping, allowing the stories of other people to run through me. I am learning to relinquish my need to constantly produce work, and instead to surrender to this moment, finding faith that the words I need to write will find their form in their own time.

Because this moment is not really about work: it’s about finding my footing in a new place. It’s about letting go of old wounds and bidding a gentle farewell to a past that used to own me. It’s about understanding that the greatest act of rebellion – the greatest act of liberation – can be as simple as sitting on a park bench and believing in the quiet, confident voice that says, “You’re OK here.”

I am OK here.

Until next time, friends.

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