Mom and Dad.

As of today, both of my parents have been gone for ten years.

Ten years.

It’s a number that’s impossible to fathom.

Impossible because it has been so long.

Because it has passed so quickly.

Because my life has been through so many evolutions in their absence.

There are so many parts of me they’ll never get to see.

*******

The thing no one tells you about grief is that you don’t just lose someone once.

You lose them a thousand times.

On holidays.

On birthdays.

When you return to a place they loved.

Or travel to a country they’d always wanted to visit.

When you’re in trouble and they can’t help you. 

When you have good news and can’t tell them.

When they visit you in your dreams and it feels so real, until you wake up and grasp at the memory, trying to hold onto moments before they vanish.

After ten years I don’t suppose I’ll ever stop missing my parents, or wishing they were here.

But here’s the thing about time: it has a way of softening edges that once were jagged.

It is forgiving.

It can even, occasionally (if you’re willing to let it), wrap you in grace.

And so, after ten years, here is what I know:

I am lucky.

Lucky that they were here.

Lucky to have been loved.

Lucky that while they were alive

They gave me everything that I needed

To survive

To grow

To endure

To persist 

To blossom

To make it through the rest of this life

Without them.

Resurfacing.

On a Friday morning in July, I went back to the apartment on Drayton Street one last time. After we had collected the odds and ends that didn’t make it into the U-Haul, emptied the kitchen cabinets, cleaned out the fridge, wiped down the smudged and dusty surfaces, and hauled bags of garbage to the dumpster, I wanted to spend a few minutes alone in the empty apartment. To confirm that we hadn’t left anything behind. To say goodbye.

The top-floor roof deck

After two and a half years of a pandemic that – no matter how many politicians or media personalities declare over – still has its tentacles into our lives, my sense of time feels more elusive than ever. I can tell you that it has been five years since I left Los Angeles, three years since I was accepted into grad school in Savannah, Georgia and decided to move here, and that next week, it will be ten years since I lost my mother. I know all these facts and yet they still feel apart from me, as though, through the film of my memories, I have been watching those experiences happen to someone else.

As soon as we saw the apartment on Drayton, we knew. At the time, we had been trying to talk ourselves into renting a Victorian one-and-a-half bedroom in the heart of Savannah’s downtown historic district. The apartment, on picturesque Jones Street, was adjacent to an old town square, walking distance to trendy bars and restaurants, and had a look that was quintessential “Savannah.” But something about it gave me the creeps. It could have been the cleaning crew hastily scrubbing the walls during a viewing with a real estate broker I didn’t remember contacting, the mysterious locked door leading to nowhere at the back of the kitchen, or the suggestions planted in my impressionable brain by the ghost tour we’d been on the night before. Whatever the reason, as we moved through its airy, vintage interior, goosebumps formed on my arms and I felt, more than heard, the word “no” echoing throughout my body. So, when the (fully furnished!) apartment on Drayton came along, with its gated parking, utilities bundled into the rent, and a nice, former Midwestern landlord named Claire who offered to use her connections to help Jake find a restaurant job, it was all too easy to say yes. And after Claire took us up to the top-floor roof deck and waxed poetic about drinking coffee on an outdoor floral loveseat while watching the sunrise over Savannah, we signed the lease.

The view above Drayton Street

Of course, no one could have foreseen what would happen next. We had no idea that our new home’s location, in the center of Savannah’s hip Starland District and walking distance to my writing classes at SCAD’s Arnold Hall, would scarcely matter. That Covid-imposed lockdowns would mean I’d end up completing more than eighty percent of my master’s degree online, taking Zoom classes in the bedroom and writing essays on a portable laptop table in the living room. That the picture I had in my mind of what life would look like attending grad school at a cutting-edge art institution (Film festivals! Fashion shows! Museums and art galleries and endless inspiration!) in the middle of a romantic, riverfront Southern city was so very different than it would turn out to be.

Still. Despite the harsh realities of the pandemic and the pain of lowered expectations, the apartment on Drayton Street was, in many ways, a dream. Even after more than two years of living next to train tracks and enduring the early morning blare of a freight train, two years of homeless drifters camping alongside those tracks and (sometimes) outside our front door, two years of climbing the apartment’s two sets of steep staircases with twenty (!) steps apiece, we loved it there. Leaving – as it is with leaving any place you love – was bittersweet.

Orleans Square

But, post-graduation, we found another place to love: a rental house in a slightly less-hip (read: cheaper) neighborhood in midtown Savannah. A house with an actual backyard, a sunroom I could convert into an office, and a location on a quiet residential street with an equally kind, former Midwestern landlord. So, we signed the lease, and, nearly two months later, haven’t looked back.

Over these last two years, the world has changed, and I have changed within it. Mostly, I took time away from Extra Dry Martini due to the demands of SCAD’s MFA Writing program, which turned out to be far more rigorous and all-consuming than I had anticipated. But also – over two years that have seen lockdowns, political upheaval, a deadly insurrection, and an escalation of aggressive, hate-filled rhetoric across all forms of media – I’ve become averse to certain online spaces, and have tried to limit my time on them (on social media in particular) in order to safeguard my mental health. Put simply: the less time I spend online, the better I feel. 

But this space, this blog, means a lot to me. Writing Extra Dry Martini was a lifeline through the often-fraught decade of my thirties. It helped me navigate crippling grief and became the launching pad for the major life changes I made as a result of heartbreak and loss. I miss it. And I miss the people who read it.

Post Covid, Post MFA, I find myself looking for a way to reimagine my relationship to this space, to continue to publish writing that is honest and vulnerable but also honors the place I’m in now, and the person I’ve become during the time I’ve been away. Something that – while still personal – is less about me and more about the process of writing down our stories. Something that acknowledges that writing while living real life – with all its demands, distractions and interferences – is both possible and a worthwhile endeavor. For all of us.

So. This is the beginning. The beginning of something that I hope will be both familiar, and totally brand new.

Thank you – as always – for reading. Until next time, friends.

Arnold Hall

The farewell tour (part one).

“What we call the beginning is often the end.

And to make an end is to make a beginning.

The end is where we start from.”

– T.S. Eliot

There’s something downright magical about autumn in New York City. The stagnant summer air lifts like a veil and disperses, offering a gentle respite from the suffocating heat on subway platforms, the stench of garbage bags piled high on sidewalks. The scarves come out, the sleeves get longer, legs that were once bare are covered over in tights. The leaves change quickly – to gold, to crimson, to fiery orange – a reminder of the impermanence of time, inviting you to pause and breathe in their colors before they’re gone.

Fall has always been my favorite season. I suppose it’s odd that I should find this time of year so hopeful just as nature begins to do its dance with death, but I do. The lazy haze of summer has ended, and before the sparkly glow of the holidays descend, there’s a window of time that feels both industrious and optimistic. Back to work, back to school, back to routine. The energy is palpable on the streets of the city: the weather still mild enough to travel by foot, but with crisper air, an accelerated pace, and a sense of urgency that permeates every movement.

I’m in love with New York right now. It might be because I love autumn, or it might be because, soon, I’ll be leaving. Either way, every moment is suffused with wonder, each day brings a new revelation.

It’s joyful, and at the same time, it’s sad. I’m grieving my departure as I would the impending death of a loved one: I’m grateful for the time we have together, yet I can’t help but anticipate the end.

So then, why leave at all? There are many reasons, but the biggest one is this: after spending the last few years floating through life, floating from one temporary situation to another, I am ready for structure, and stability. I’m ready to ground myself in something more permanent, some place that feels like a home. And locating those things in this city – permanence, structure, home – simply hasn’t happened. For reasons both financial and personal, they feel out of reach.

At the end of August, I learned that I was accepted into the MFA writing program at the College of Art and Design in Savannah, Georgia and offered a significant scholarship. After a visit in late September, during which I toured the school and met with faculty, I decided to enroll. I start classes in January, and while I’m excited about embarking on this next life chapter, the prospect of moving to the southeastern United States has me feeling. . . nervous. Suddenly, I’m contemplating living in the path of hurricanes and red state politics. After selling my Prius and spending two years riding subways, I’ll need to get a car again. After a scary operation earlier this year, I’ll have to surrender my New York health insurance and kick-ass Manhattan doctor in favor of finding a health plan on the Obamacare market in Georgia. And after spending all of my adult life living in two of the world’s major cities – Los Angeles and New York – I’ll be moving to a town with a population of roughly 150,000 people, many of whom travel at a much slower pace than I’m currently accustomed to.

And yet. I can recognize that my life has been stuck. In order to achieve my goals, I need to do things differently. Shake things up. Take some risks. Act a little braver than I feel. And here’s something I’ve learned from the other times I’ve jumped off the proverbial cliff: change is scary, but it’s also necessary. And it’s usually necessary before we are ready for it.

In the meantime, I’m enjoying the hell out of my remaining time in New York. About six weeks ago, just before my trip to Savannah, I reached my two-year anniversary of moving here. As I reflected upon the lessons of the last two years, I wrote them down in a post on social media that I’d like to share with you below:

Two years ago today, I woke before the dawn, finished packing all of my belongings into three suitcases, and drove with my uncle through the still-dark early morning to Sea-Tac airport, where I boarded a plane bound for the opposite coast. Early that same evening, I greeted a landlord I’d never met and moved into an apartment I’d never seen, marking the official start of my new New York life.

Two years. Two years that have contained two surgeries, six play readings, countless applications and rejections and near misses and almost-might-have-beens. Two years that have tested me in ways I never could have imagined. Two years that have reminded me of just how much I still have to learn.

New York, I’m sorry for every time I cursed your name. You were only trying to teach me that who I had been was no longer enough. That if I wanted to do all the things I had always talked about doing, I’d have to work harder, become stronger, push myself farther than I ever thought I could go. You were a tough teacher and I hated you for that. But boy, did I learn.

Sometimes your heart has to break before it can open. You did that for me, New York, and then rewarded me by unfolding an epic love story at my feet.

It’s no secret that I may not be calling you home for much longer. But for as long as I’m here, I promise you this: I will take in your towering skyscrapers and your sunsets over the Hudson River and your autumn leaves falling amber with aching wonder. I will move through this great city with gratitude for every moment that I have left. And as I do, I will remind myself again and again that I did this. That two years ago, I came here alone, with no plan, and I made friends and told stories and fell in love.

And that is something, New York.

That is everything.

In the words of T.S. Eliot, “What we call the beginning is often the end.” And now here I am, at the beginning of my New York farewell tour. But maybe this beginning won’t be the end, after all. Maybe instead – two years later – it’s just the place where I’m starting from.

Until next time, friends.

Motherland.

“my mother

was my first country.

the first place I ever lived.”

– Nayyirah Waheed

I’ve been back in the Pacific Northwest for nearly three weeks. The weather has been glorious, reminding me of all the childhood summers I spent on this same beach in front of my grandparents’ house: digging for clams with my mother, collecting driftwood to build bonfires, combing the shores of Case Inlet for colorful sea glass we’d use for our art projects.

Most of the people I spent those childhood summers with are gone or come to this beach no longer. New neighbors and new, fancier homes have cropped up all along the inlet. And these days, sea glass is hard to come by.

But every now and then, you still find it. Like the evening a week ago, when I emerged from a saltwater swim and spotted a weathered, rectangular piece of transparent lavender peeking out from among the rocks. Its color reminded me of the four walls of my high school bedroom. A bedroom with no windows, where I affixed blue, glow-in-the-dark stars to the ceiling. A bedroom in a house that someone else calls home now.

Every month, the full moon bears a different name. In January, it’s called the Wolf Moon. In June, it’s Strawberry. And a handful of nights ago, as I sat under the August moon – Sturgeon, named for a fish – I turned that piece of sea glass over and over in my hand and did something I haven’t done for a while. I talked to my mother. I asked her for help.

There are some conversations too personal to share. In the nearly seven years since my mother died, my conversations with the inlet are like that. Because if my mother is anywhere, she’s there, in the water that raised her. The water she loved her whole life. The water where we scattered her ashes, sending her back to the place where she began.

So, last week, I sat on the deck of the beach house and rested my feet on its railing and asked the inlet some questions. I watched that big, bright, full Sturgeon moon cast a golden stream of light across the inky, mirror-like expanse of water and I confessed my secrets to the sea and the sky. And that night, I dreamt that I was swimming underwater, exhaling huge air bubbles into its depths. And when I broke the surface, I saw that the beach was covered with sea glass. Polished, weathered, sparkling glass, glinting in the moonlight. As far as the eye could see.

I’m going back to New York soon. I don’t know what I’m going to do, only that I’ll be there until December, and beyond that, the future is uncertain. But after three weeks on this beach, uncertainty doesn’t scare me as much as it used to. Because over the last three weeks, I was reminded that I can still sit under the night sky and confess my secrets to the inlet. That saltwater swims still have the power to heal me. And that rare and beautiful things can still be found among the rocks on this beach.

This is where my mother is, as much as she is anywhere. And because of that, no matter what else I do, I will always return here. Because of that, no matter where else I go, this is the place I will always call home.

Until next time, friends.

The soft season.

the hard season

will

split you through. . . /

but do not worry. . . /

keep speaking the years from their hiding places.

keep coughing up smoke from all the deaths you

have died.

keep the rage tender.

because the soft season will come.

it will come. . . /

up all night.

up all of the nights.

to drink all damage into love.

– From “therapy” by Nayyirah Waheed

It was the kind of perfect August day I’d spent the last two summers hoping for. For the last two summers, there had been fires. Terrible fires, fires that rained ash and turned the sun an angry red and smelled of acrid smoke that stained the usually pristine Pacific Northwest sky. Fires that were alarmingly evocative of the fire seasons I’d grown used to during my years in California, when flames jumped freeways and burned the hills above L.A.

But there were no fires on the day we took the boat out. Just a layer of morning fog that burned off surprisingly quickly, causing me to strip off my jacket and settle into my seat, enjoying the sea spray and the sun on my face as we zipped along the inland waterways of Puget Sound toward Boston Harbor.

When I booked my flight to Seattle, the length of my stay – three weeks – felt like an eternity. But as Rick, Karrin and I ate lunch on a covered dock, overlooking boats bobbing on sunlit, sapphire blue water, it suddenly seemed like scarcely enough. “I can’t believe I’ve been here a week already,” I lamented. “It’s going so fast.”

Rick laughed. “Of course it’s going fast. Time only goes slowly when you’re doing something you don’t want to do.”

That’s so true, I thought. Over the last week, I have felt a persistent urge to slow down and hold time in my hands, savoring the fading moments of summer before they become memories.

My big plan was to come here and make a plan. I would update my portfolio and my resume and apply for jobs and write essays. I would use this serene, tranquil environment to put my nose to the grindstone and work, so that by the time I went back to Manhattan I would be clear headed enough to answer some of the big life questions I’d been putting off.

But instead of finding focus, I’ve felt my edges blur. I’ve felt my insides softening, and nostalgia for years past welling up inside of me. I’ve taken long walks in the woods and picked wildflowers and spent hours upon hours sitting on the deck of the house that belonged to my grandfather, watching the birds and seals and occasional boats travel along Case Inlet.

And I’ve been swimming. It always takes a small act of courage for me to take that first plunge into the water, but once I’m past the initial shock of cold, I know the result is worth it. I’m not sure what it is about saltwater, but it fixes everything. It feels like hope.

On the day of the boat ride, I almost chickened out. The daylight was rapidly fading and a not-so-gentle breeze picked up over the inlet. I stood there, ankle deep in the water, wearing my grandfather’s faded, half-disintegrated orange swim fins, and tried to talk myself into it. You know what? I thought, shivering. It’s too cold. I should just wrap myself up in my oversized towel and watch the sunset from the safety of the deck of the beach house.

But as I stood there, half in, half out, watching the waning sun spread its rosy glow over steel blue water, something bigger than my fear took over. I thought about how much my grandfather had loved to swim in that bay, and how heartbroken he’d been when he no longer could. I thought about how, even on days much colder than this, my mother never hesitated to jump into the water with delight. And I thought about the morning two months earlier, long after both of them were gone, when I sat with my boyfriend in Central Park and cried, because I had just seen my doctor and signed a whole host of pre-surgery consent forms and was afraid I might die.

Do it, Sar, I thought. Do it for all the people who no longer can. And do it for yourself, because you still can.

And so, I jumped in. I hit the water hard and screamed as the bracing cold hit me back. I took a few deep breaths, inhaling and exhaling saltwater, trying to slow the hammering in my chest. For several moments, I just floated, staring up at the enormous pink sky. And then, I felt it: relief. I was all alone with the inlet and the sky and the world got quiet, and I got quiet too. And I thought, maybe I shouldn’t be so hard on myself for wanting to slow everything down. Maybe slowing down was exactly what I needed right now.

“It takes as long as it takes,” I heard myself say aloud, to no one in particular.

It takes as long as it takes.

Healing.

Forgiveness.

Finding your way in the great big world.

It takes as long as it takes.

And then I thought:

Relax, kid.

You’ve got plenty of time.

California.

“You will never be completely at home again, because part of your heart always will be elsewhere. That is the price you pay for the richness of loving and knowing people in more than one place.”

― Miriam Adeney

Getty Center Garden

Two hours after I got off the plane in L.A., a dog bit me. It was late afternoon, and I was hungry. I dropped off my bags at my friend Jen’s apartment and went out in search of food. Minutes later, on a familiar stretch of Robertson Boulevard just a few blocks from where I used to live, a seemingly-friendly Chihuahua wagged its tail, then lunged at me as I walked past.

“Oh my god!” his owner screamed. “Did he just bite you?”

“Yes,” I answered, in disbelief. I was already light-headed from the early wake up call, the cross-country flight, and the lack of food, and as I looked first to her, and then to her smiling dog – still wagging its tail – the whole thing felt like a dream. “It didn’t hurt,” I reassured her. But as I looked down, I saw it: a gaping hole in the left leg of my favorite pair of yoga pants.

“Dammit,” I swore. “Your dog bit a hole in my pants.”

“Rocco!” she scolded him. “Bad dog!”

And then, to me: “I’m so sorry.”

On another day, I might have said, “It’s OK.” If I was less exhausted, less hungry, and if I hadn’t been standing in the hot sun, I might have chosen to take the high road. But I didn’t. Instead, I just stood there, glaring at her, waiting for her to offer to replace the pants her dog had ruined. She didn’t. She didn’t even really seem sorry, even though her mouth had formed those words. After a momentary standoff, I finally looked her in the eye, shook my head, and stomped away. And on a familiar street, in a neighborhood I used to call home, one thought began to play on a loop in my brain: You don’t live here anymore.

Palisades Park

Two weeks before I flew to L.A., I sat in a chair in my doctor’s office as she inspected the incisions from my surgery. They were healing nicely, and she was pleased. “It’s like we were never even in there,” she said.

She told me the tests came back, and my cyst was benign. Additional tests, on cells they took from inside my body, also showed no signs of cancer. I had a clean bill of health. After months of uncertainty, I had been given the best possible news: I was going to be OK.

I should have been elated. And I was. Or at least, part of me was. But in the days that followed my doctor’s visit, I felt something else: depressed. Because now that the health scare that had been holding my life in limbo for the last several months was over, I no longer had an excuse to put off the future. The future was here, and it demanded an answer to the question so poignantly expressed by my favorite poet Mary Oliver: Tell me, what is it you plan to do with your one wild and precious life?

The incident with the dog aside, my week in L.A. was wonderful. As I revisited favorite places and reconnected with old friends, I could almost believe I still lived there, that I had never even left. Almost. Despite the fact that some familiar restaurants and stores had closed, and new building developments were springing up everywhere, Los Angeles still felt mostly the same to me. There was the same soul-crushing traffic on the 405 freeway; the same impossibly tall palm trees; the same smog-shrouded view of the skyline as seen from the high perch of The Getty Center; the same soothing stretch of the Pacific Ocean bending north toward Malibu.

Getty Center Garden Maze

Los Angeles felt the same, and that sameness was comforting. But I felt different, in a way I couldn’t quite place. The feeling tugged at me all week, as I bounced around from lunches to dinner dates, from happy hours to beach walks. The drumbeat of You don’t live here anymore that echoed in my brain after the dog bite had faded, yet something still felt off, like a key that wouldn’t turn in a lock.

My week in L.A. culminated with an unplanned trip to Universal Studios. Jen worked on the lot, and after dinner, we stopped by her office on the way back to her apartment. Even at night, the place was a buzz of activity. I watched from the passenger seat of her convertible as crew members zipped by on golf carts, and a whole host of memories came flooding back. I remembered the first time I had been there, as a young actress working as an extra on a big movie, and how magical it all felt. Back then, the world stretched out in front of me, and anything and everything seemed possible.

We left her office and drove around the lot, cruising past darkened movie sets, pausing to snap a photo of the brownstones on New York Street. Then we headed for Laurel Canyon. As we wound up the mountain and I watched the city lights spreading out like a blanket of stars below us, a feeling I’d almost forgotten sparked within me: hope.

Driving through the hills above L.A., top down, wind in my hair, I suddenly remembered what it was like to hold dreams so tightly they made your heart swell. I remembered what it was like for a moment to take your breath away, to want to pause it forever. And I remembered what it was like to be certain, despite all evidence to the contrary, that everything was going to be OK.

New York Street, Universal Studios

I don’t live in Los Angeles any more. I left because I no longer felt the world stretching out in front of me there, no longer believed that anything and everything was possible. And I went to try to rediscover that sense of possibility in another place.

But as we drove home that night in L.A., I realized something: the place wasn’t the problem. The problem was me. I was the one who had decided that hope was too expensive, that happiness was too elusive. I was the one who had decided that believing in magic felt too vulnerable, and that the best way to protect myself was by holding my dreams at a distance.

I miss Los Angeles, but I have no regrets about leaving it. Because I don’t believe we are meant to stay in one place forever. We are meant to expand and explore and experience new things. And then, when – and if – we do return to the place that we left, we get to see ourselves anew, through the perspective that only time and distance can provide.

That was exactly what happened to me last week in California. I was reminded of who I am. I was reminded of who I want to be. And I was reminded that though hope is expensive and though happiness is elusive, they are also worth fighting for.

Until next time, friends.

Sunset over the Pacific Ocean

Recovery.

When the past has passed from you at last, let go. Then climb down and begin the rest of your life. With great joy.

– Elizabeth Gilbert

I could tell by the look on his face that I was going to be OK. An hour earlier – give or take, time was slippery – I awoke to a blur of fluorescent lights. “Don’t touch your face!” a nurse barked, as she wheeled me down the hallway of Mt. Sinai hospital. She parked my gurney in a curtained recovery area and looked at me. “How’s your pain?” she asked.

“Umm. . .”

“On a scale of one to ten.”

I tried to lift my head and a sharp, searing pain shot through my shoulder blades. Waves of hot, heavy cramps traveled across my abdomen. I slowly lowered my head back onto my pillow.

“Five?” I offered.

Tired, confused, and still feeling the effects of anesthesia, I struggled to put facts together. I remembered the long morning in the hospital, the paperwork, the blood draw, the pleasant, reassuring face of my doctor as she cheerfully told my boyfriend Jake, “We’ll take good care of her,” just before wheeling me off to surgery.

I remember thinking the operating room looked nothing like the ones depicted on TV. It was too crowded, too brightly lit. As I lay on the table, doctors buzzing around me, discussing their plans for me as though I weren’t there, panic rose within me. I can’t do this, I thought. The anesthesiologist leaned in close and adjusted something on my IV. “How do you feel?” he asked. “A little nervous,” I confessed, my voice small. “That’s perfectly normal,” he said, his tone as warm as the heated blanket my doctor had just placed on top of me. And then, I fell asleep.

“What time is it?” I asked Jake, when he appeared at my bedside.

“Five o’clock,” he said.

I had been in the hospital for eight hours. I was out of surgery. And I was awake and talking. It felt like a miracle. I could tell by Jake’s face that he thought so, too.

I barely slept that night. Even with the aid of Percocet, the pain was intense. The only thing that alleviated it was standing and walking, so, off and on throughout the early morning hours, I hobbled around my apartment, trying to disperse the Co2 gas that had been pumped into my body during the laparoscopic procedure. When I did sleep, I dreamt of my mother, my mind circling around something my uncle said when I told him about my upcoming surgery: “You are your mother’s daughter.”

Like me, my mother also had a large ovarian cyst that had to be surgically removed. When I was a child, her stories about the cyst haunted my imagination. Not just because it was big – the size of a grapefruit – but, because – creepily – it had hair and teeth. “It means I was supposed to be a twin,” my mom used to tell me. Whether or not that was actually true, I have no idea. But she said it, and I believed it.

After my cyst was diagnosed, I avoided the internet. I didn’t want to know anything about it, didn’t want to have an understanding of how large it was. It was enough that my doctor winced when reviewing my ultrasounds. “You’re really not in pain?” she asked.

The day after the surgery, with the mass safely out of my body, curiosity got the better of me. A quick google search led me to a chart comparing tumors to pieces of fruit. Ten centimeters was the equivalent of a grapefruit. My cyst, when they pulled it out of me, was fourteen.

How long had this thing been growing inside of me? It was impossible to know. I had been avoiding doctors for years, terrified of them after a string of deaths in my family. But suddenly, it all started to make sense: the frequent stomach cramps I’d chalked up to stress. The strange sensation of something tugging on my insides. I’d told the truth when I told my doctor that I wasn’t in pain. But for as long as I could remember, there had been something else. Something more elusive. A persistent feeling that something was wrong.

These last few years, I have worked hard to heal, to stay positive, to change my life. But no matter what I’ve done or how hard I’ve tried, something always, inevitably, pulled me low again. Over time, I’ve become used to my sadness. I’ve harbored a secret fear that I was permanently broken.

Until last week. Until the endometrioma – a benign mass filled with blood – was cut from my body. And then I began to wonder: what if this thing, this growth, was the physical manifestation of watching my mother slip into madness? What if it had stored up all the memories of my father’s physical decline, my grandmother’s Alzheimer’s Disease, the weeks I sat with my grandfather while he died? What if all the terrible things that happened over the last seven years needed somewhere to go, and this was where they went?

I don’t know if, in the words of Elizabeth Gilbert, the past has passed from me at last. Maybe it never will. And maybe that’s OK. But over the course of this last week – as my pain has subsided and my strength has returned – I have been awed by the power of my own body. I am embarrassed that I have neglected it, and grateful beyond measure to discover that it is healthier and more resilient than I could have imagined.

I still have some hurdles to clear. Some medical tests to pass. And some big decisions to make. But I feel like I’ve been given a second chance. I feel like I’ve turned a corner, one I’m only beginning to understand. And for the first time in a long time, I feel like everything is going to be all right.

Until next time, friends.

Savannah.

I didn’t stay long on Tybee Island. It was hot and humid, and I was alone, and I didn’t want to risk leaving my belongings unattended on the beach while I went for a swim. But I had taken the half hour Lyft ride from downtown Savannah for the sole purpose of putting my feet into the Atlantic, and I wasn’t going to leave until I did it. So, I found a bench at the edge of the beach, took off my shoes and socks, placed them into my canvas tote bag, and walked down toward the water. My toes sunk into wet sand and warm ocean waves washed over my feet as I stared out at the sea. The Atlantic wasn’t my ocean, and yet, as I gazed across its vast expanse, I felt the same thing I always did when in the presence of its west coast cousin: peace.

Tybee Island

I had only been to Savannah once before, in my early twenties, when I took a road trip there from Nashville with my college roommate Rachel. We spent two days wandering through old town squares, drinking mint juleps from plastic to-go cups, and joining the crush of revelers on River Street. Savannah was hot and dreamy and intoxicating, a place unlike any I’d ever been, and it left its mark on me. I vowed to come back, and soon.

But life got in the way, and somehow fourteen years went by. It wasn’t until I started writing a new play that Savannah returned to the forefront of my consciousness. After the play’s two characters meet and quickly fall in love, Savannah is the place their reckless romance draws them to. It’s a place that looms large in my female heroine’s imagination, a place haunted by ghosts both real and imagined, a place, where, as she describes it, “time doesn’t exist.” Over the course of the story, Savannah is the place both of these characters long for, but one they ultimately never return to.

A month before my second trip to Savannah, I sat in an exam room near Columbus Circle and reviewed the results of two ultrasounds with my doctor. The bad news was I would have to have surgery. But the good news was much better. My cyst was benign. After weeks of fearing the worst, my doctor sat across from me and offered a reassuring smile. “Take a deep breath,” she said. “You’re going to be fine.”

Forsyth Park

So, I scheduled my surgery, and immediately thereafter, I booked a trip to Savannah. For the last several months, I had been anxious and unhappy. Wanting to change my life but paralyzed to take the first step. And then: a health scare. And suddenly nothing else mattered until I heard those five words: “You’re going to be fine.”

I arrived in Savannah last Tuesday evening, by way of a fifteen-hour train ride from Penn Station. It might seem crazy to opt for such a long journey when I could have flown there in a few hours, but the truth was, I’d always had a thing for trains. Something about siting near the window, watching the landscapes whizz by with a journal in my hand and thoughts swirling through my brain had always seemed inherently romantic to me. And as the southbound Palmetto Line pressed on through New Jersey, Pennsylvania, Maryland, Virginia, North Carolina and South Carolina, I alternated been sleep and waking dreams. It was perfect.

I spent my first full day in Savannah wandering cobblestone streets and re-orienting myself to the city. I got lost but cared little, because there was nowhere I had to be and nothing I had to do. I covered nearly ten miles on foot, my skin glistening from the warm, humid air, my limbs feeling surprisingly light from the effort. By the time I sat down to dinner and watched the sunset settle over the Savannah River, I knew I’d made the right decision.

Bridge over the Savannah River

Savannah continued to cast its spell all during the course of my stay. I walked along the river and ate lemon custard ice cream. I browsed trendy boutiques on Broughton Street while jazz music wafted in from outdoors. I went to Bonaventure Cemetery and gaped at the gothic gravesites draped in Spanish moss. And on my second to last night there, as I joined a group of tourists on a ghost tour through the heart of Savannah, a sort of fantasy began unspooling in my head. Could I live here? Compared to New York City, the cost of living was surprisingly affordable. I was enthralled by the architecture, the wide boulevards shaded by live oak trees, the town’s quirky, offbeat charm and the slower, southern pace of life. For years, I’d been flirting with the idea of getting an MFA, and one of the most famous art schools in the country was right there, in Savannah. Without even really thinking about it, I pulled up the website for the College of Art and Design, looked up graduate degree programs, and sent in a request for information. What’s the harm in applying? I thought. If I get in, I can always decide not to go.

I went to Tybee Island on my last day there. Once my feet were in the water, it was difficult to tear myself away. I stood in the ocean for several minutes, enjoying the sensation of waves pooling around my ankles. But the hot southern sun was also beating down on my skin – pale skin that had seen little sun during the long New York winter – and I wanted to get off the island before that evening’s parade snarled the traffic. And then there was the matter of the next morning’s early train to New York. I reluctantly called a Lyft.

Architecture in the historic district

“Where are you from?” my driver asked, as I settled in for the ride back to town. I hesitated. Where was I from, anyway? These days, I wasn’t so sure. “Right now, I live in New York,” I told him. “In Harlem.”

“Ah,” he said, his already pleasant demeanor turning even more amiable. “My wife and I moved here from New York two years ago. We lived there for many years.”

“What brought you to Savannah?” I asked. His eyes met mine in the rearview mirror and he smiled, then stretched out his arm and pointed toward the window. “This,” he said, indicating clear, sunny, blue skies, and miles of lush vegetation stretching along the highway as far as the eye could see. “Can you blame me?”

Mercer House

“No,” I admitted. “To tell you the truth, I’ve sort of been thinking the same thing myself these last few days.”

By the time he dropped me off at my Airbnb, the Notes app on my phone was full of recommendations for my return visit, and my head was full of information about Savannah’s low cost of living, booming economy, and the community of former New Yorkers who’d relocated there. “Are you sure you don’t work for the Chamber of Commerce?” I joked. “I’m sure,” he laughed. “But if you’re serious about moving here, my wife is a real estate agent. You can friend her on Facebook.”

I have no idea if my infatuation with Savannah is just a passing flirtation, or if the seeds planted during my few days there will grow into something more serious. What I do know is that life is far too short to continue living the way I have been: held in the grips of fear and self-doubt. I don’t know if that means changing my location, but a change of some sort is definitely in order. And last week, on my trip to Savannah, I took what felt like an important first step in that direction.

Until next time, friends.

River Street

Westeros.

The day before the season seven finale of Game of Thrones, I left Los Angeles. All that remained of the eighteen years I’d spent there was contained in three suitcases, a duffle bag, and four cardboard boxes. The luggage was coming with me, on a one-way flight to Seattle; the boxes would be shipped to my new address in New York City, once I knew where that was.

Daenerys, Tyrion and the dragons (from IMDB.com)

I had no job and no place to live, a fact that should have concerned me more than it did. But as I bid farewell to my roommate Jen, bound for the vacant house in western Washington that once belonged to my grandfather – the house where I planned to “figure things out” – my priorities were elsewhere. “I can’t believe I’m not watching the finale with you!” I wailed. Jen and I were friends who, for years, had dissected every GOT plot point and character arc like it was our job. “What am I going to do?”

More than a year and a half later, I’m looking forward to the epic series’ final season with both eager anticipation and a palpable sense of loss. For eight years, Game of Thrones has been my companion throughout the most difficult experiences of my life. When it premiered in 2011, I’d never lost anyone close to me; before season three was over, my parents, my grandmother, my dog, and a close friend from college were all dead. As I grappled with disorienting grief, the brutal, you-win-or-you-die rules of the world GOT unfolded before me provided welcome catharsis. A show where the writers didn’t hesitate to kill off beloved characters was – oddly – comforting. No one was safe. Anyone could die. Just like in real life.

Watching Game of Thrones in L.A.

At my father’s funeral in the winter of 2013, I sat at a table with his younger brother, Jimmy. The last time we’d seen each other, I was four years old and the flower girl in my half-sister’s wedding. With no relationship as adults, we had little to talk about. Jimmy was also gravely ill, requiring an oxygen tank to help him breathe. But he’d been a professor of film at a university in Nevada, and somehow, Game of Thrones came up. Our stilted, awkward conversation quickly gave way to a spirited discussion about Jimmy’s favorite character, Daenerys Targaryen. Jimmy died a few months later, and, in the years that followed, whenever Daenerys conquered a city or triumphed over one of her enemies, I felt a nagging sadness that he didn’t live to see it. “Jimmy would have loved that,” was my common, wistful refrain.

There are no knights in my story, no dragons or sorcerers or white walkers. But so often over the last eight years, the struggles of GOT’s characters have felt like heightened, fantastical versions of my own. I have loved them, learned from them, cried and cheered for them. But nowhere in the Game of Thrones universe did the stories of two characters resonate more personally with me than those of Arya and Sansa Stark. While their brothers were off getting killed (and occasionally, coming back to life!) or turning into a three-eyed raven, those two sisters were learning to survive in a world that constantly underestimated them. My life circumstances were – obviously – far less dramatic, but like Arya and Sansa, I too knew what it was like to suddenly lose my parents, to have my family ripped apart, and to be thrust into a new reality where everything felt cold and cruel and unfair. Every time one of them was hurt, I was outraged. Every time one of them triumphed, I saw it as a personal victory. Which is why the season seven finale, when they worked together to finally bring justice to the man who had been the architect of so much of their family’s suffering, was so, damned, satisfying.

Arya Stark (from IMDB.com)

There are plenty of people who will say GOT is just a TV show, and plenty more who will brag about the fact that they’ve never watched an episode. But for me, it’s more than just a compelling drama. The community that formed around watching Game of Thrones made me feel less alone during the loneliest period of my life. As Vulture.com pointed out in a recent article, in the age of binge watching, GOT might be the last show we watch together, each episode an event that must be experienced in real-time, with all of its awe and horror unfolding before our eyes. Which is why, even now, with so many of my friends and loved ones three thousand miles away on the opposite coast, I’ll still feel like, tonight, when I tune in for the season premiere, I will be watching right alongside them.

The final episodes of Game of Thrones are done. All that’s left to do now is wait, and watch. I am equal parts excited to see how my favorite characters’ stories will end, and terrified to learn their fates. And while I know no one is safe in the land of Westeros (or in the lands beyond), I do have one final request. Hey David, D.B. and George R.R.? Please don’t kill Arya and Sansa. I have survived many things in my life, and I’m sure I can survive that, too. I’m just not sure I want to.

Until next time, friends.

Jon Snow and Sansa Stark reunite (from IMDB.com)

Lucky.

If you are falling. . . dive.

We’re in a freefall into future.

We don’t know where we’re going.

Things are changing so fast, and always when you’re going through a long tunnel, anxiety comes along.

And all you have to do to transform your hell into a paradise

Is to turn your fall into a voluntary act.

It’s a very interesting shift of perspective and that’s all it is.

Joyful participation in the sorrows and everything changes.

 – Joseph Campbell

You can feel the weather beginning to turn in New York. Even with the bitterly cold wind whipping off the Hudson River, even with a recent snowfall that caused – unnecessary – school closures, you can tell: it won’t be like this much longer. Warmer days are coming.

This winter has been my worst season in recent memory, which is not something I say lightly. I’m in a new apartment, renting a room one subway stop uptown from my former (glorious) Morningside Heights sublet. I feel lucky to have landed here. My room is spacious, the rent is – by Manhattan standards – affordable, and I’m able to go month to month without a long-term commitment. Without a job or the desire to sign a lease, this was my best option and I am grateful to have found it.

Still. Transitions are always difficult, aren’t they? I miss the reliable package delivery and in-building laundry and Black and Decker coffee maker of my old apartment. I miss the corner bodega where the old man behind the counter called me “sweetheart,” and the proximity to Morningside Park, and the fact that it took me half as much time as it does now to walk to the gym.

I’ll adjust. I’ll get used to this new place and find things to love about it that surprise me, just as I did with the old place. But in the middle of this transitional period, in the middle of what is still winter, there are other things going on. Hard things. Like an ongoing health condition that has left me anxious and depressed. I am struggling to accomplish the most basic of tasks, and then I get angry at myself for my lack of productivity. It’s a vicious cycle, one that makes me feel overwhelmed and vulnerable. And New York City is not a place where you want to feel vulnerable.

I’ve been through winters before, ones far worse than this one. And what I’ve learned through weathering those storms is that I have to be patient. Beating myself up or spiraling into negative self-talk about how awful I am doesn’t help me. Instead, I’m focusing on the small steps I am taking forward each day. I’m reminding myself to be grateful.

“No one moves to New York for the weather,” someone told me recently. That’s true. But this particular storm is not New York’s fault. What I can see after a year and a half of living here is that the place is not the problem. This place just exposes my problems. Because New York is a place where it’s impossible to hide.

So, after a too-long hiatus from this blog, I’m not hiding any more. I’m struggling and I’m being honest about it, while also acknowledging the fact that I know I’m luckier than most. I have a roof over my head and access to good doctors and a network of kind, caring friends who have been texting, and calling, and checking in. I have love in my life. And I have the knowledge that I have experienced far worse than this and have come out the other side, which gives me confidence that I will again. Because even the worst winters don’t last forever. And when spring comes, I’ll be here. I’ll be ready.

Until next time, friends.

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