Be brave with your life.

Once upon a time, when I was still living in Los Angeles and my mother was still alive, she came to visit me. Mom visited often; she loved California. She was an avid gardener, and we used to go for long walks so she could admire the trees and flowers she didn’t get to see back home in the Pacific Northwest. I tolerated those walks, but barely. I was always trying to speed through them, impatient to get to the other, more interesting things I thought we should be doing. Now, I marvel at how such a seemingly simple exercise – a walk – could bring my mother so much joy.  A single colorful bloom, the trunk of a mighty tree, the morning breeze perfumed with eucalyptus: they were wondrous, all.

Of all the walks we took together, there is one that sticks in my memory. But memories are funny things, because I can’t tell you what year it was, or which neighborhood we walked through, or anything else we did that day. I only remember a sidewalk, and me, charging ahead as usual, while my mom hung back and enjoyed the view. I had been doing too much, not sleeping enough, exhausting myself with the sort of impassioned attempts at world domination that are part of the program when you’re in your twenties and chasing your dreams in a place like Los Angeles. Dizzy with fatigue, hungover perhaps, a bit bored, I turned back to Mom and made a silly face, put on a funny accent, cracked a questionable joke. If I could remember what I did I would tell you, but I can’t. Those details are lost to history. But what is not lost, what I will never forget, is how my mother reacted. She stopped walking and looked at me, hard, with a deadly serious expression. “I wish you’d let that side of yourself out more often, Sar,” she said, and looked me in the eyes long enough to make sure I knew she meant it.

My mother died eleven years ago last month. I used to think that with enough time, healing, and therapy, I’d reach a point where her death no longer hurt. Eleven years later, I no longer think I’ll reach that point. But I also think that by trying to wish away the pain of my mother’s death, I was missing the point. The pain is a gift. It is a constant reminder of the tremendous love between us. And it is also a motivator. Pain is the thing that tugs at my insides, the thing that taps me on the shoulder and tells me to try again. It is the quiet, steady drumbeat that reverberates through even the darkest of days. “It’s not too late,” it whispers, insistently. “As long as you’re alive, anything is possible.” 

Lately, I’ve been thinking a lot about my why. Why am I here? What are the values that drive me? What am I supposed to be doing – in the words of the inimitable Mary Oliver – with my one wild and precious life?

I started writing about my life because I wanted to make sense of it. Because nothing made sense and I wasn’t OK with that. I guess I figured if I could find meaning in the darkest, most difficult things I’d experienced, maybe I could find hope there, too. And as I wrote my way through fear and sorrow, I realized that the clarity I was seeking was something I wanted for other people, too. Because I think most of us are carrying something painful that we don’t know what to do with. Most of have struggled with feeling lost or inadequate or unsure. Most of us see a chasm between the life we are living and the one that we wish for. And most of us – as much as we might want to – are terrified to leap across that divide.

My mother was my best friend. For the first thirty-one years of my life, she was my first phone call. My most important person.

And yet. For all of those thirty-one years, I watched my mother build a life on deferred dreams. I watched as she made one excuse after another for not pursuing the things she wanted. I watched as the passage of time eroded her confidence, as “someday” became never. And as the distance between the life she dreamed of and the one she was living continued to grow, I watched her drink to bridge the difference. For a time, I think that alcohol made my mother’s life bearable. Happy, even. The booze blurred the edges of reality and made everything seem softer. Prettier. And when it stopped working, she just drank more. And more and more, until eventually, the alcohol obliterated everything. Including her.

I don’t know if my mother knew she was going to die when we took that walk together. I only know that there was an urgency in what she was trying to communicate. She was telling me to take more chances. She was telling me to be brave with my life.

I used to think that being brave meant getting on an airplane to cross a vast ocean, traveling alone to foreign shores and wandering cobblestone streets in cities centuries older than the one I was born in. I used to think it meant giving up a comfortable life in Los Angeles to move to New York City and follow nebulous dreams of working in the theater. I used to think it meant turning down a stable job for an uncertain future.

I think those things were brave when I did them, but I also know that they were forms of running away. There are so many times in my life when I ran to avoid looking inward, to avoid being honest with myself about what I really wanted and the work it would take to get there.

Now, when I ask myself what it means to be brave with my life, it has nothing to do with running and everything to do with staying. It means having the courage to stand in the truth of who I am and to live that truth unapologetically. It means refusing to be ashamed of the ways I’ve struggled, refusing to let the fears of what other people think of me keep me silent. It means believing that my flaws and mistakes don’t disqualify me from happiness. That my humanness alone is enough to make me worthy of love and belonging. 

Which brings me back to my why. My why – what I want for myself and what I want for others – comes down to one word: honesty. I want every single one of us to find the courage to step into the truest, most fully-realized versions of ourselves. I want us to be honest about who we are and what we want, and then to go after those things, without fear or shame or apology.

What I want to say to you, friends, is this:

Be brave with your life. 

Not rich. Not famous. Not perfect. Just brave. Because for thirty-one years I watched the person I loved the most never think that she was be good enough to be brave with hers. I watched how that tore her apart. 

In the end, what my mother wanted more than anything was for me to have all the things she never had. 

I want that for me too. I want it for all of us.

And I’m here to say it’s not too late.

As long as we’re here, anything is possible.

We can choose, every day, to be who we want to be.

We can choose, every day, to be brave with our lives.

Mom and Dad.

As of today, both of my parents have been gone for ten years.

Ten years.

It’s a number that’s impossible to fathom.

Impossible because it has been so long.

Because it has passed so quickly.

Because my life has been through so many evolutions in their absence.

There are so many parts of me they’ll never get to see.

*******

The thing no one tells you about grief is that you don’t just lose someone once.

You lose them a thousand times.

On holidays.

On birthdays.

When you return to a place they loved.

Or travel to a country they’d always wanted to visit.

When you’re in trouble and they can’t help you. 

When you have good news and can’t tell them.

When they visit you in your dreams and it feels so real, until you wake up and grasp at the memory, trying to hold onto moments before they vanish.

After ten years I don’t suppose I’ll ever stop missing my parents, or wishing they were here.

But here’s the thing about time: it has a way of softening edges that once were jagged.

It is forgiving.

It can even, occasionally (if you’re willing to let it), wrap you in grace.

And so, after ten years, here is what I know:

I am lucky.

Lucky that they were here.

Lucky to have been loved.

Lucky that while they were alive

They gave me everything that I needed

To survive

To grow

To endure

To persist 

To blossom

To make it through the rest of this life

Without them.

All is Well.

I’m a sucker for a new year. I’m also a big resolution maker, even if, more often than not, I don’t end up keeping them. There’s just something about that sleepy week between Christmas and New Year’s – the quiet time to dream and plan, the calendar full of unblemished days – that fills me with hope. For a brief time, I recover the feeling (growing more elusive with each passing year) that anything is possible.

I started writing a New Year’s post for this blog at least half a dozen times, only to cast each one aside because it felt dishonest, or I wasn’t sure what I was trying to say. I tried to write a sort of 2022 year-in-review retrospective, but it just made me tired. 2022 was a tiring year. And anyway, now that we’re six days into 2023, I really think it’s time to look forward rather than back, don’t you?

Recently, I had a session with an intuitive healer, for help with low-grade anxiety that has become increasingly unmanageable. In the session, the healer (Whitney) told me that I’ve been traveling with unconscious fear my whole life. That worrying is, in fact, my comfort zone. As soon as I heard her say it, I knew it was true. Worrying about the future is the way I try to control it. As in, if I worry about something it either: a) won’t happen or b.) won’t blindside me when it does.

But the worrying has reached a tipping point. Not only is trying to control the future a pointless exercise, but it has left me totally unable to enjoy the present moment. Even when things are good, I can’t relax, because I’m always bracing for some inevitable disaster. It’s exhausting, and I hate it.

I’m desperate to unlearn this lifelong pattern, but I know it won’t be easy. Whitney suggested a sort of “fake it til I make it” approach: whenever I start worrying, I simply repeat the phrase “All is Well” as many times as I need to until I feel better. Even if I don’t believe it, over time, the simple repetition of “All is Well” will have the power to reprogram my brain’s default that nothing is well. At least, that’s the hope.

On New Year’s Eve, I decided to choose a word to be my theme for 2023. I just closed my eyes and picked the first word that came to mind. That word was “Trust.”

It turns out that “Trust” is a nice companion to “All is Well.” Here’s how it works: this year, I’m going to trust that my life is unfolding as it is meant to. I’m going to trust that it’s not too late for me, that I’m not falling behind on some imaginary timeline. I’m going to trust in my ability to handle whatever’s coming down the road. And most importantly, I’m going to trust the intuitive voice that says, “This is right” and “This is wrong.”

If I think about it, that intuitive voice has been a reliable guide, when I’m brave enough to listen to her. She helped me leap into the unknown and take some big scary risks in my life, including turning down a “safe” corporate job that was totally wrong for me, moving to New York City after eighteen years (!) in Los Angeles, and going back to school for a master’s degree at the age of thirty-nine.

Normally, I approach each new year with a whole host of resolutions. Big plans, big dreams, big goals for the year ahead. And while there are still some important things I’d like to check off my bucket list, I also recognize that this sort of obsessive planning is just another way of trying to control the future. So, this year I’m trying something different. This year my only resolution is that one word: Trust. I will breathe it in and out like a mantra, letting it carry me through every big decision, every moment of uncertainty. Trusting – even if it means I have to fake it til I make it – that All is Well.

Happy New Year, friends.

Resurfacing.

On a Friday morning in July, I went back to the apartment on Drayton Street one last time. After we had collected the odds and ends that didn’t make it into the U-Haul, emptied the kitchen cabinets, cleaned out the fridge, wiped down the smudged and dusty surfaces, and hauled bags of garbage to the dumpster, I wanted to spend a few minutes alone in the empty apartment. To confirm that we hadn’t left anything behind. To say goodbye.

The top-floor roof deck

After two and a half years of a pandemic that – no matter how many politicians or media personalities declare over – still has its tentacles into our lives, my sense of time feels more elusive than ever. I can tell you that it has been five years since I left Los Angeles, three years since I was accepted into grad school in Savannah, Georgia and decided to move here, and that next week, it will be ten years since I lost my mother. I know all these facts and yet they still feel apart from me, as though, through the film of my memories, I have been watching those experiences happen to someone else.

As soon as we saw the apartment on Drayton, we knew. At the time, we had been trying to talk ourselves into renting a Victorian one-and-a-half bedroom in the heart of Savannah’s downtown historic district. The apartment, on picturesque Jones Street, was adjacent to an old town square, walking distance to trendy bars and restaurants, and had a look that was quintessential “Savannah.” But something about it gave me the creeps. It could have been the cleaning crew hastily scrubbing the walls during a viewing with a real estate broker I didn’t remember contacting, the mysterious locked door leading to nowhere at the back of the kitchen, or the suggestions planted in my impressionable brain by the ghost tour we’d been on the night before. Whatever the reason, as we moved through its airy, vintage interior, goosebumps formed on my arms and I felt, more than heard, the word “no” echoing throughout my body. So, when the (fully furnished!) apartment on Drayton came along, with its gated parking, utilities bundled into the rent, and a nice, former Midwestern landlord named Claire who offered to use her connections to help Jake find a restaurant job, it was all too easy to say yes. And after Claire took us up to the top-floor roof deck and waxed poetic about drinking coffee on an outdoor floral loveseat while watching the sunrise over Savannah, we signed the lease.

The view above Drayton Street

Of course, no one could have foreseen what would happen next. We had no idea that our new home’s location, in the center of Savannah’s hip Starland District and walking distance to my writing classes at SCAD’s Arnold Hall, would scarcely matter. That Covid-imposed lockdowns would mean I’d end up completing more than eighty percent of my master’s degree online, taking Zoom classes in the bedroom and writing essays on a portable laptop table in the living room. That the picture I had in my mind of what life would look like attending grad school at a cutting-edge art institution (Film festivals! Fashion shows! Museums and art galleries and endless inspiration!) in the middle of a romantic, riverfront Southern city was so very different than it would turn out to be.

Still. Despite the harsh realities of the pandemic and the pain of lowered expectations, the apartment on Drayton Street was, in many ways, a dream. Even after more than two years of living next to train tracks and enduring the early morning blare of a freight train, two years of homeless drifters camping alongside those tracks and (sometimes) outside our front door, two years of climbing the apartment’s two sets of steep staircases with twenty (!) steps apiece, we loved it there. Leaving – as it is with leaving any place you love – was bittersweet.

Orleans Square

But, post-graduation, we found another place to love: a rental house in a slightly less-hip (read: cheaper) neighborhood in midtown Savannah. A house with an actual backyard, a sunroom I could convert into an office, and a location on a quiet residential street with an equally kind, former Midwestern landlord. So, we signed the lease, and, nearly two months later, haven’t looked back.

Over these last two years, the world has changed, and I have changed within it. Mostly, I took time away from Extra Dry Martini due to the demands of SCAD’s MFA Writing program, which turned out to be far more rigorous and all-consuming than I had anticipated. But also – over two years that have seen lockdowns, political upheaval, a deadly insurrection, and an escalation of aggressive, hate-filled rhetoric across all forms of media – I’ve become averse to certain online spaces, and have tried to limit my time on them (on social media in particular) in order to safeguard my mental health. Put simply: the less time I spend online, the better I feel. 

But this space, this blog, means a lot to me. Writing Extra Dry Martini was a lifeline through the often-fraught decade of my thirties. It helped me navigate crippling grief and became the launching pad for the major life changes I made as a result of heartbreak and loss. I miss it. And I miss the people who read it.

Post Covid, Post MFA, I find myself looking for a way to reimagine my relationship to this space, to continue to publish writing that is honest and vulnerable but also honors the place I’m in now, and the person I’ve become during the time I’ve been away. Something that – while still personal – is less about me and more about the process of writing down our stories. Something that acknowledges that writing while living real life – with all its demands, distractions and interferences – is both possible and a worthwhile endeavor. For all of us.

So. This is the beginning. The beginning of something that I hope will be both familiar, and totally brand new.

Thank you – as always – for reading. Until next time, friends.

Arnold Hall

Pandemic Time.

The students are coming back. The normally sleepy side street near the coffee house where I like to write is jammed with buses and orange traffic cones cordoning off parking spaces. I drive a few blocks, looking for a place to turn around, and pass a small but mighty band of protestors standing in the rain. They shout angrily about being displaced, wave signs decrying gentrification. The objects of their outrage – the teenagers to early twenty-somethings filing off the buses – barely notice. It’s orientation day.

Just yesterday, I talked to a friend in California and expressed my anxiety about returning to in-person classes for the first time in a year and half. On the one hand, I’m so ready. I didn’t move to southeast Georgia to spend my days cooped up in my apartment, staring at a computer screen. On the other hand, I’ve already completed two-thirds of my degree requirements online, in relative isolation. Zoom and Slack and FaceTime have become my new normal. It’s hard to imagine going back into that crowded Liberal Arts building on Bull Street, with hundreds of students buzzing through its busy hallways.

It’s particularly hard to square the sight of all those buses and all those kids spilling out onto the streets of downtown Savannah with the stories dominating the local news broadcasts. Covid infections and hospitalizations are at an all-time high, thanks to Georgia’s low vaccination rate and the more contagious Delta variant, which has been spreading like wildfire ever since K-12 schools reopened in early August. For the first time since the pandemic began, Savannah’s hospitals are full, and local doctors are publicly pleading with people to get vaccinated. Yet life goes on, indifferent. And the students are coming back.

Eighteen months in, it’s hard to imagine what “normal” will look like or how re-entry into something resembling real life will feel. Social media memories remind me of the way I used to live, of air travel and birthday parties and Broadway shows. It has been four years since I left Los Angeles to move to New York, yet both of those places now feel so distant from me it’s hard to believe I lived in either one of them. Even as I ache for the narrow cobblestone streets of the West Village and the gentle sweep of the Pacific seen from Palisades Park, it’s almost as though I’ve always been here, in this perpetual Southern summer shaded by Spanish Moss, the parade of similar days sliding into one another on repeat.

I may not feel time passing, but it is passing all the same. Pandemic or no, life simply won’t stay suspended forever. It marches ever onward, toward its inevitable endpoints: my thesis, the completion of the MFA program requirements, a terminal degree.

And then what? I don’t – and can’t – yet know. But for now, summer is ending. A new chapter is beginning. And the students are coming back.

The season of waiting.

“Perhaps the reason you are drawn to flowers is not only for their outer beauty, but because they remind you beautiful things will bloom after the longest seasons of waiting.”

– Morgan Harper Nichols

That quote is from an art print I recently bought and hung over my desk. It’s part of a trio of prints by the artist and poet Morgan Harper Nichols that are now affixed to my wall, arranged in a diagonal cascade of color against what was once a blank white space. The top one features bright brushstrokes and reads, “Note to self: you can do this.” The print I quoted at the beginning of this blog, with white typeface against a backdrop of golden yellow, sits proudly in the middle. And at the bottom, one word stands out across a swirl of seashell pink and ocean blue: “Breathe.”

That’s what I am currently trying to do: breathe through a season of waiting. It hasn’t been easy. I have felt heavy much of the time. I have been creatively stagnant. I haven’t written or published anything new on this blog in over three months, a fact which has made me feel more guilty with each passing day.

What have I been doing with myself? In this season, time has been hard to track. As spring slid into summer, the hot, humid Savannah days have blurred together to the point that they’re almost indistinguishable.

The months of April and May found me clawing my way through my second quarter of graduate school. Like every university everywhere, Covid-19 thrust the Savannah College of Art and Design into a virtual learning environment virtually overnight, with lectures, discussions and interactions with my professors and classmates all mediated through a computer screen. With university facilities and local businesses shut down, there were no libraries or coffee shops to escape to, and I spent eight to twelve hours a day in my room with the door closed, trying not to go insane. Between crafting digital media copy (one class) and reading about public relations strategy (another class), I devoured New York Governor Andrew Cuomo’s daily press briefings and daydreamed about a not-so-distant past, when I was just a subway ride away from the lobby of a cozy hotel in the West Village, or the vaulted ceilings of the Rose Room at the New York Public Library. During one of many socially distanced walks under a canopy of live oak trees, I watched teenagers throw frisbees in Forsyth Park and fantasized about making a jail break. But where would I go? There was nowhere safe to run to. There was nothing to do but stay.

If there’s a word to describe how I’ve felt these last few months, it would be “suspended.” As outbreaks of Covid-19 continue to spike in various cities and states across the United States, plans have been put on hold. Friends will not be visiting, and I will not be making my summer pilgrimage across the country to the rocky shores of Case Inlet. It’s the first time in many years that I won’t spend part of this season looking out across that silvery slip of water from the picture windows of my grandfather’s house. My grandfather’s house has, in fact, been rented. By people I don’t know, but whom my uncle assures me are very nice.

As I write this blog, I’m keenly aware of how self-pitying it sounds. To be honest, fear and loathing of my own self-pity is what has kept me silent for so long in the first place. So I feel compelled to tell you that in spite of my complaints, I know how lucky I am. That my life is good and my problems – while real to me – are tiny and insignificant compared to what so many others are currently suffering through.

I recently had a long talk with a close girlfriend who has been a rock though some of the most difficult moments of my last decade. She supported me though the deaths of my parents, supplied me with endless mugs of herbal tea and an oceanside sanctuary to rest my head when I left my marriage, and counseled me though heartbreaks I thought I’d never heal from. During our conversation, she remarked how hard it must be for me to have to stay in one place, when my M.O. for the last many years was to hop on a plane whenever things got uncomfortable. She was right: travel has been my balm through pain and grief. It has been both a needed distraction and a tool for avoidance. “Maybe being grounded for a while will be good for you,” she suggested.

It doesn’t feel good, but as much as I can, I’ve been trying to look at this season of waiting as an opportunity. An opportunity to heal from the things I haven’t and to prepare for the next, more grown-up phase of my life. To that end, for the first time in almost five years, I decided to go back into therapy.

It was surprisingly easy to find a counselor, given the resources provided to me through SCAD. During the slow summer months, I’ve been able to schedule weekly sessions – for free – with a licensed therapist. And though – like seemingly everything else these days – they’re conducted on Zoom, the sessions have been a lifeline to me, helping me navigate both the uncertainty of the current moment, and all that lies ahead.

There is beauty in the waiting. There is pain too. And amidst all that is unknown, there is the conviction that something has irrevocably shifted. That whoever we will be on the other side of this tenuous moment we are all living through, we won’t be the same.

And maybe that’s OK.

Until next time, friends.

Canceled.

It was Thursday, March 12th. The last day of winter quarter at Savannah College of Art and Design. I was bleary-eyed from lack of sleep but full of adrenaline, racing to finish one last assignment and get it uploaded to an online discussion board before my eleven AM class. A stack of essays marked with my scribbled comments sat beside my backpack, waiting to be shoveled inside.

And then the email came. I saw the white notification pop up on my iPhone screen, and before I read it, I knew. The heaviness that had been hanging in the air for the last several days settled onto my shoulders like a weight.

The message was short and to the point. It said simply:

Courses at all SCAD locations to be offered online only for spring quarter. More information to follow later today.

I just sat there, staring at my phone. Even though I’d been following the news reports about the coronavirus, up until that point it had still felt like something far away. Something I wasn’t quite sure how seriously I should be taking. After all, life in Savannah hadn’t changed that much. Tourists still flocked to the bars on River Street and filled in the old town squares. Celebrations for the week-long booze fest of St. Patrick’s Day had already begun, promising more drunken mayhem the closer we moved toward the holiday. The previous night, my boyfriend and I had met his aunt and uncle for dinner at The Olde Pink House, an upscale, multi-level restaurant in an elegant southern mansion. The mood was festive. Every table was full.

I was sitting in my morning class when the next email came. All in-person classes and public events during SCAD’s spring quarter, including graduation, were going to be canceled. Academic buildings, libraries, gyms, dining facilities, and most residence halls would be closed. Campus was effectively shutting down, effective immediately.

The rest of March 12th passed in a haze. I should have been happy: it was the end of the quarter, and I had made it through. I had made it through the first, grueling, ten weeks of graduate school. Instead, confusion ruled the day. Confusion and mild hysteria. The corridors of Arnold Hall were crammed with students huddled in corners and pushed up against windows, talking on their cell phones in hushed voices. Some students were visibly upset, some were crying. All of them wondering, “What now?”

My first class let out early, so I walked to a nearby cafe, sat at the bar, and ordered two tacos for lunch. Outside, the sky was bright blue, the weather warm. It didn’t feel like a global pandemic was on the horizon. I scrolled through the news on my phone and saw that the U.S. president had issued a travel ban to and from Europe, sending airports into chaos. More travel restrictions were imminent. I texted my friend Vim, in California. I had been planning to fly to Oakland the next day to visit him and his wife Sharon for my spring break. “Everything just got crazy here,” I wrote. “I’m not sure I should travel. I’ll call you later?”

By the time I got home, canceling spring break felt like the only logical thing to do. As I watched via cable news, events in the outside world began to change, and quickly. The San Francisco Bay Area issued a shelter in place order. Los Angeles and New York closed down their bars and restaurants. Meanwhile, in Savannah, my yoga studio stayed open, and tourists continued to take advantage of the city’s open container law, ordering cocktails to go and strolling down Broughton Street with plastic cups in hand. But time pressed on. The news turned darker. And little by little, Savannah started to catch up.

First, on March 19th, the mayor issued a state of emergency, closing public beaches, fitness centers, movie theaters, and all bars that didn’t serve food. Next came the official shelter in place order on March 24th, forcing all restaurants that hadn’t already closed to switch to takeout only, and effectively shutting down all non-essential businesses. Both of those orders were well behind those of the cities hardest hit by the pandemic, but still felt progressive compared to much of the rest of the south.

Savannah House

It has been three weeks since I received that initial email from SCAD. My extended, largely quarantined spring break is over, and my new, virtual, spring quarter has begun. Life looks a lot different than it did three weeks ago, and I’m not sure how to feel about that. My emotions swing wildly from day to day, and from moment to moment. There are worries about my west coast family and the friends I left behind in New York. There is gratitude for my spacious condo, and relief that I’m no longer living in a cramped Manhattan apartment at a time when everyone is shuttered inside. There is the alienation of living somewhere new, far away from most of the people I love, in a part of the country where the prevailing worldview is sharply different from my own. There is the aching for home and for the familiar. There is the claustrophobia of not knowing how long this quarantine will last.

And then there is anger. So much anger that frankly, it catches me by surprise. Some of my anger has been fueled by cable news, by watching elected officials play politics when they should be helping people and saving lives. But the large volume of corona-related content swirling around the internet is what has triggered me the most. Every day, my news feed is a barrage of essays and social media posts telling me about all the things I should be grateful for, all the ways I should be using my time productively, all the “virtual” experiences I should be having. Everywhere you look, there are too many people, with too much time on their hands, trying to spin this pandemic into a positive experience. It’s exhausting. It’s irritating as hell.

That might sound extreme. Negative. Mean-spirited, even. At first, I didn’t want to admit how genuinely ticked off I was by all the people insisting I take a glass is half full approach to this quarantine. But then I realized something: the anger I’m feeling is really grief.

It’s not the kind of grief I’m used to. Not the kind I’ve experienced before. I’m lucky enough to be able to say I don’t know anyone who has died from the coronavirus (and I hope that I never do). But all of this insistence on positive thinking reminds me of the worst, most unhelpful things people said to me after my parents died. Things like “there will be a silver lining to all of this,” and “everything happens for a reason.” For the record, the next time someone tells you “everything happens for a reason,” when something really shitty happens to you, you have my permission to punch them in the face.

There is no “right” way to feel right now. It’s weird and unfamiliar and scary as hell. And the scariest thing about it is the sheer number of questions we don’t have answers to. No one knows how long we’ll have to stay at home, or how many of us will get sick, or how many businesses and individuals will be financially decimated in the process. What will life look like when all of this is finally over? We simply don’t know.

Here’s what I do know: if you’re like most people, you’re probably grieving something right now. It might be something small, like a vacation you had to cancel. It might be something larger, like the loss of your job or your income. Or, you might be one of the millions of people struggling with depression, adrift and alone in this sea of self-isolation.

Whatever it is that you’re feeling, the important thing is not to judge yourself for feeling it. Yes, you can always find someone else who is struggling more, someone who has it worse than you during this time of crisis. But playing the comparison game is not helpful. We’ve all lost something in this pandemic. We’re all grieving something. And admitting the difficulty in that doesn’t make you a bad or a selfish person. It just makes you human.

So, do the things that bring you comfort. If you want to use this time to write the next great American novel, or learn another language, or get into the best shape of your life, go right ahead. But you don’t have to. You could also call a friend. Or go for a walk. Or simply get through the day.

I’ll be right here, getting through the day alongside you.

Until next time, friends.

Savannah Sunset

Starland.

It was early evening by the time I arrived at the building on Drayton Street. I gave my Lyft driver the gate code, he punched it in, and heavy iron doors swung open to let us inside. I’d only been there once before – on a Monday morning in December – and the place looked totally different in darkness. Long, ominous shadows stretched across the parking lot as we wound our way toward the back of the complex.

It wasn’t the type of place you could easily find if you didn’t know where to look. My apartment and its five neighboring units were classified as live-work spaces: airy, high-ceilinged, industrial lofts with unassuming eggshell façades and a stripe of steel blue across their midsections. Two of the units had storefronts facing Drayton Street (one belonged to an acupuncture therapist, the other a waxing studio), but their signage was understated, and didn’t reveal that just beyond the heavy iron gates there were actual people, living actual lives.

My landlord’s son – who lived next door and who was supposed to let me in – had stopped answering my texts. “I’m here!” I typed cheerfully as we drove through the gate, but he didn’t reply. I arrived to find his apartment eerily quiet, with all its lights off.

“You don’t have to wait,” I told the driver, as he unloaded my luggage into the parking lot. “I’m sure he’ll be back any minute.” “It’s no problem,” he said. “I want to make sure you get in OK.”

I knew he was just being polite, but his answer annoyed me. I was tired from the move, the long travel day, and the jumble of thoughts swimming around in my brain, and the last thing I wanted was to stand around awkwardly in a dark parking lot with some stranger. “Just go,” I thought, looking down at my phone again and silently pleading for the text that would rescue me. No text came, but suddenly, something else broke through the quiet evening: the sharp blare of a horn. The noise repeated again, and then again, growing louder and sharper with each subsequent blast. The driver looked at me, a question in his eyes. “Freight train!” I yelled, pointing to the tracks running just beyond the parking lot where we stood.

“That’s loud!” He yelled back, as the train chugged past us. “Does it come through here often?!?”

I shrugged. “Two or three times a day, I think. But the noise doesn’t last for very long.”

He raised a skeptical eyebrow but said nothing, probably because he didn’t feel like yelling. I looked down at my phone again: still no message. I sighed. “I appreciate you waiting with me,” I told him, “But really, you can go. I’ll be fine.”

“Well alright, if you’re sure,” he said, already walking toward his car. “Welcome to Savannah.”

I’ve been here for three weeks now. Three weeks in which time has simultaneously been speeding by and standing still. After I gained access to my apartment (my neighbor, as it turned out, had fallen asleep, which seems a miracle, given the train), I’d barely put sheets on the bed before I went to grad school orientation, picked up my ID badge, and bought a stack of textbooks at the campus bookstore. I’m not exaggerating when I tell you that I arrived in Savannah, and my life changed overnight. And ever since that first day, I’ve been on a treadmill, trying to keep up.

I’m sure there will come a time in the not-too-distant-future when I come up for air. When I get a Georgia driver’s license, and a car, and start exploring the southeastern coast and the world outside of graduate school. My sanity demands it. But for the moment, most of my time in Savannah is confined to Starland, the quirky midtown neighborhood where I live. Starland’s vibe is young and artsy, populated by enough hip eateries, cool watering holes, and fair-trade coffee houses that it feels like someone took Portland, Oregon, and plunked it down in the middle of the south.

If I have to be stuck without a car, there are worse places. I’m six blocks from Arnold Hall, SCAD’s writing building, where I have all of my classes. In Starland, I can walk to dinner, to coffee, to yoga class, to the local art store, and to a gas station/convenience mart that’s the closest thing I’ve found to a New York City bodega. I can go days without leaving this neighborhood, which, since most of my time is devoted to writing essays and reading large volumes of text, is pretty darn convenient. And though I haven’t seen all of Savannah, I feel pretty confident in saying that fate has already landed me in the most “Sarah” neighborhood in this city.

On the one hand, I wish I could have done the move differently. I wish it hadn’t been such a mad, crazy scramble to get out of New York and that I’d had more time to say goodbye to the people and places of that city. I wish I’d arrived in Savannah with a cushion of time to simply adjust, to do all the life stuff required to make a place feel like home, before entering into a rigorous graduate program that leaves little time for anything other than classes and homework.

But on the other hand, I think it’s probably best I didn’t have time to get “ready” for this, or to think about all the things I’d be giving up to become a full-time student. If I had, I would have found a million reasons not to do it.

There’s so much about life that’s hard right now. But there’s also something else: an unshakeable feeling that all I have is this moment. And in this moment, I’m where I’m supposed to be, and doing what I’m supposed to do.

And that, despite the train tracks running through my backyard, is a pretty good feeling.

Until next time, friends.

Sunrise.

“There’s always a sunrise and always a sunset and it’s up to you to choose to be there for it,’ said my mother. ‘Put yourself in the way of beauty.”

– From the book “Wild,” by Cheryl Strayed

I couldn’t believe how quickly the nine days passed. I suppose I shouldn’t have been surprised: time always moves differently at the beach. I arrived on a Tuesday evening after a long travel day. There was the pre-dawn taxi ride to Newark airport, the two-hour flight delay, the six-hour cross country flight, and finally the hour and a half drive over freeways and winding rural highways to get to the beach.

The day after I arrived, the rain rolled in. Rain that lasted for three days. So much rain, the low-lying plot of land next to my grandfather’s house filled with water and formed a large pond, playing host to a flock of Canada geese that glided serenely across its surface.

I tried to stay on east coast time, going to bed early and rising before the dawn. For the first few days it worked, my internal clock naturally nudging me awake before sunrise. But as the crash and clamor of New York City faded into the tranquil quietude of the fog-wrapped inlet, I couldn’t help it: my body naturally slipped back into what could only be described as “beach time.” Just in time for my return to New York.

I almost didn’t make the trip west. The days before I came here were consumed with sorting through and purging my belongings, checking items off an ever-growing to-do list, and preparing to leave New York. It’s nearly impossible for me to believe that by this time next week, I will be settling into a new life in Savannah, Georgia. At the end of next week, I will move into a new apartment, attend graduate school orientation, and be on the precipice of starting a master’s program.

Aaah. Just writing those words gives me a stab of anxiety. I know I’ll be fine; I’ve navigated big scary life changes before (and documented them on this blog). But this feels different. This feels like taking a purposeful step into the future, one that’s full of intention. With this program, I’m committing my time and resources to developing my voice as a writer. And I’m committing myself to finishing the memoir I’ve been trying to write for years.

When I arrive back in New York, I’ll have a mere five days to finish packing and discarding my belongings, saying my goodbyes, and getting ready to move. Five days. The thought of it sends my brain swirling into overdrive. There’s so much to do that my mind can’t contain it all, so instead, I choose to push those thoughts aside and simply enjoy the view.

As I write this, I’m sitting at my grandfather’s dining room table, drinking coffee, watching the sunrise valiantly break through cracks in the thick white fog that hangs over Case Inlet. A small stack of photographs rests nearby. After days of poring over old photo albums, these snapshots are the last handful of images I have left to record on my iPhone camera. Mostly, they’re photos of my mother and I, dating back to my early childhood and teen years, many of them taken right here on this beach.

My mother is everywhere in this place. It’s why I wanted to come here, busy as I was before my impending move to Georgia. In this little corner of the Pacific Northwest, I hear her laughter reverberating off the rocks of the beach and dancing along the shore of the inlet. I feel her in the wind that rustles through the evergreen trees; see her in the snowy apex of Mount Rainier that every so often breaks through the thick layers of grey clouds to say hello.

I wonder what she’d think of me now, as I prepare to embark on this new adventure. I can’t know for sure, but I do know I’m glad I came here. I didn’t know until I arrived how much I needed this time. Time to breathe. Time to reconnect with the place that raised me. Time to honor those who’ve gone before me and whose spirits still reside in this place.

And this morning, I needed to see that sunrise valiantly break through those clouds. Like a beacon of hope. One that said, “Hey kid, you’ve got this. You’re going to be OK.”

And now, here I go.

Until next time, friends.

The farewell tour (part one).

“What we call the beginning is often the end.

And to make an end is to make a beginning.

The end is where we start from.”

– T.S. Eliot

There’s something downright magical about autumn in New York City. The stagnant summer air lifts like a veil and disperses, offering a gentle respite from the suffocating heat on subway platforms, the stench of garbage bags piled high on sidewalks. The scarves come out, the sleeves get longer, legs that were once bare are covered over in tights. The leaves change quickly – to gold, to crimson, to fiery orange – a reminder of the impermanence of time, inviting you to pause and breathe in their colors before they’re gone.

Fall has always been my favorite season. I suppose it’s odd that I should find this time of year so hopeful just as nature begins to do its dance with death, but I do. The lazy haze of summer has ended, and before the sparkly glow of the holidays descend, there’s a window of time that feels both industrious and optimistic. Back to work, back to school, back to routine. The energy is palpable on the streets of the city: the weather still mild enough to travel by foot, but with crisper air, an accelerated pace, and a sense of urgency that permeates every movement.

I’m in love with New York right now. It might be because I love autumn, or it might be because, soon, I’ll be leaving. Either way, every moment is suffused with wonder, each day brings a new revelation.

It’s joyful, and at the same time, it’s sad. I’m grieving my departure as I would the impending death of a loved one: I’m grateful for the time we have together, yet I can’t help but anticipate the end.

So then, why leave at all? There are many reasons, but the biggest one is this: after spending the last few years floating through life, floating from one temporary situation to another, I am ready for structure, and stability. I’m ready to ground myself in something more permanent, some place that feels like a home. And locating those things in this city – permanence, structure, home – simply hasn’t happened. For reasons both financial and personal, they feel out of reach.

At the end of August, I learned that I was accepted into the MFA writing program at the College of Art and Design in Savannah, Georgia and offered a significant scholarship. After a visit in late September, during which I toured the school and met with faculty, I decided to enroll. I start classes in January, and while I’m excited about embarking on this next life chapter, the prospect of moving to the southeastern United States has me feeling. . . nervous. Suddenly, I’m contemplating living in the path of hurricanes and red state politics. After selling my Prius and spending two years riding subways, I’ll need to get a car again. After a scary operation earlier this year, I’ll have to surrender my New York health insurance and kick-ass Manhattan doctor in favor of finding a health plan on the Obamacare market in Georgia. And after spending all of my adult life living in two of the world’s major cities – Los Angeles and New York – I’ll be moving to a town with a population of roughly 150,000 people, many of whom travel at a much slower pace than I’m currently accustomed to.

And yet. I can recognize that my life has been stuck. In order to achieve my goals, I need to do things differently. Shake things up. Take some risks. Act a little braver than I feel. And here’s something I’ve learned from the other times I’ve jumped off the proverbial cliff: change is scary, but it’s also necessary. And it’s usually necessary before we are ready for it.

In the meantime, I’m enjoying the hell out of my remaining time in New York. About six weeks ago, just before my trip to Savannah, I reached my two-year anniversary of moving here. As I reflected upon the lessons of the last two years, I wrote them down in a post on social media that I’d like to share with you below:

Two years ago today, I woke before the dawn, finished packing all of my belongings into three suitcases, and drove with my uncle through the still-dark early morning to Sea-Tac airport, where I boarded a plane bound for the opposite coast. Early that same evening, I greeted a landlord I’d never met and moved into an apartment I’d never seen, marking the official start of my new New York life.

Two years. Two years that have contained two surgeries, six play readings, countless applications and rejections and near misses and almost-might-have-beens. Two years that have tested me in ways I never could have imagined. Two years that have reminded me of just how much I still have to learn.

New York, I’m sorry for every time I cursed your name. You were only trying to teach me that who I had been was no longer enough. That if I wanted to do all the things I had always talked about doing, I’d have to work harder, become stronger, push myself farther than I ever thought I could go. You were a tough teacher and I hated you for that. But boy, did I learn.

Sometimes your heart has to break before it can open. You did that for me, New York, and then rewarded me by unfolding an epic love story at my feet.

It’s no secret that I may not be calling you home for much longer. But for as long as I’m here, I promise you this: I will take in your towering skyscrapers and your sunsets over the Hudson River and your autumn leaves falling amber with aching wonder. I will move through this great city with gratitude for every moment that I have left. And as I do, I will remind myself again and again that I did this. That two years ago, I came here alone, with no plan, and I made friends and told stories and fell in love.

And that is something, New York.

That is everything.

In the words of T.S. Eliot, “What we call the beginning is often the end.” And now here I am, at the beginning of my New York farewell tour. But maybe this beginning won’t be the end, after all. Maybe instead – two years later – it’s just the place where I’m starting from.

Until next time, friends.

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