Here.

As I so often do while driving in Los Angeles, I use my Waze app to navigate through city traffic, winding my way from ABC Prospect Studios in Franklin Hills back to my home near Culver City. I head west on Beverly Blvd., following the instructions from the posh British voice Waze identifies as “Natalie.” I’m sleepy, having risen before the sunrise for an early call time, and to be honest, a bit preoccupied. But as I turn left onto Van Ness, I’m suddenly struck by the expansive palm tree-lined boulevard – substantially wider than your average L.A. street – the stately homes, and most especially, the immaculate gardens, bursting with vibrant roses in full, fragrant bloom. I don’t think. I pull over and park.

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I wander around for a few minutes, taking it in, feeling slightly guilty about my aimless meandering. I need to get home; I have things to do. I need to check on actor submissions for the casting notice I posted for my play, War Stories. Tomorrow is also my last official day of work, and I still have plenty of emails to send and loose ends to tie up. This interlude to – literally – stop and smell the roses is poorly timed.

But I have a thing for roses. They remind me of my childhood, of my grandfather’s meticulously tended garden in West Seattle.  But it’s more than that.  There’s something about the flower that has always felt optimistic to me.  Maybe it’s the fact that there are so many different varietals, each uniquely designed to thrive in a particular environment.  I like the idea that regardless of weather – heat, cold, whatever – there is a type of rose best suited to that climate.  Roses are versatile, adaptable.  Roses continue to bloom.

There are only six weeks left until the opening night of War Stories at Hollywood Fringe Festival. As I write that sentence, I feel my chest tighten. There is so much to do. We’ve only just found our cast, and now the race is on to rehearse, stage, market, tech, and handle all of the logistics. We have six weeks to go from here to brilliant.

And yet, this will also be the first time I’ve tackled the tremendous job of producing theater without, at the same time, holding down a full time job. So while there is a lot to do, I will have more time than I’ve ever had in which to do it. But I think the part that’s really bothering me is this: between all the rehearsals and production meetings and networking events, I don’t have any windows of time to hop on a plane and get out of town. I can’t leave. And while there will be lots of work to do in the coming weeks, there will also be lots of downtime. Empty spaces in my days to think and sit with myself and sort out the enormous “what do I want to do with my life?” question. Which is exactly the point, exactly why I wanted this free time in the first place. Isn’t it?

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I am keenly aware of that fact that the space I occupy is rarified. I live in a sprawling city full of possibility that I suddenly, sans day job, have plenty of time to explore. I know interesting, creative, soulful people. I have a backlog of rain-checked coffee and lunch and happy hour dates that I can finally make good on. There are conversations to be had, brains to be picked, dreams to be shared. It’s exciting, I know this. But I also know that in order to embrace this current moment in my life, I have to stop tying myself up in knots over all of my stupid fears and insecurities. I have to get out of my own way.

The day after my drive down Van Ness, I sit on my patio, sipping a glass of wine and scribbling notes for this blog. It’s Friday evening, and I’m toasting the end of one (eleven year long) chapter and the beginning of the next one. As I write in my journal, laying my anxieties out onto the page, the sun slips low behind my favorite palm tree. It’s remarkably quiet for a Friday evening on a busy street in the heart of Los Angeles. And then it happens: a red mustang convertible turns onto my street, top down, speakers blaring. Frank Sinatra’s “Fly Me to the Moon,” echoes out into the night, and I start to laugh in spite of myself. The song is an unlikely, anachronistic choice for 2016 and yet, it’s perfectly timed. Because you see, in addition to roses, I also have a thing for Sinatra. And so, I decide to take it as a sign. A sign not to worry so much about what the future holds. A sign that the future will take care of itself. A sign that tempted as I am to keep running, that right here, right now, is exactly where I’m supposed to be.

Until next time, friends.

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Gerry.

Come fly with me, let’s fly, let’s fly away

If you can use some exotic booze

There’s a bar in far Bombay

Come fly with me, let’s fly, let’s fly away

The tide is high on the morning of Halloween. So high, that the magic rock is hidden from view. “Where is it?” someone asks. “Underwater,” I say.

Grandma and Grandpa

As we reminisce about Grandpa’s daily swims in Case Inlet – the way he circled that tall, narrow, granite rock formation as though it were his prey, his snorkel mask strapped on, swim fins slicing through the water – I realize I don’t know the answer to the most basic of questions: “Why is the rock magic?”

No one seems to know. Finally, the only reply that makes sense: “Because Grandpa said it was.”

My grandfather, Gerald James Popelka (or “Gerry,” to those who knew him), lived a whole half century before I met him. There are so many things about his life that I don’t know, but what is clear to me as we gather on this Halloween morning, a group of twenty or so family and close friends, the hospice chaplain, and a Vietnam veteran who will honor Grandpa for his service as a Navy court reporter during World War II and the Korean War, is this: it was more than just a rock that he made magic, it was this whole place, this handful of acres tucked away on western Washington’s Case Inlet, a place that has been known to my family for the last five and a half decades simply as “the beach.”

The beach isn’t special simply because of its picturesque setting on a saltwater bay framed by tall banks of evergreen trees, Mt. Rainier towering above, keeping watch over us all. It’s special because over so many years, during all those summers spent boating and swimming, digging clams on the rocky beach, building great big bonfires, roasting S’mores and telling stories under the stars, this place has always been infused with the same spirit of delight with which my Grandfather undertook everything he did. As my Uncle Glenn said during closing remarks at Grandpa’s Navy blessing, looking around at the place, at all of us: “All of this is because of you, Dad.”

July 2005 Joyride

My Grandpa Gerry was a spirited Bohemian whose sense of humor and zest for life were utterly infectious. He was a lover of the lexicon, honing his skills by working daily crossword puzzles and ever ready to stump some poor unsuspecting victim with an impossible-to-figure-out vocabulary word. He was a practical joker, often following up a witty wisecrack with a mischievous twinkle in his eye. The bold striped t-shirts he favored matched his perfect shock of thick white hair and his larger than life personality.

Grandpa was tremendous fun to be around, but above all else, he was kind. To me, he was a bright light that illuminated the dark corners of an often sad and lonely childhood. He was the one person with whom I never fought, never exchanged a harsh word. In fact, I can’t remember him ever saying an unkind word about anyone.

On October 12th, I received word that Grandpa – at 89 years old – was terminally ill. After a recent series of what can only be described as traumatic experiences with death – my mother, my father, my grandmother – this sudden turn of events felt unnecessarily cruel. After so much loss, how could I possibly be expected to say goodbye to my beloved grandfather too? It wasn’t fair. I needed more time.

Hospice prepared us for the worst, telling us that given Grandpa’s failing liver, intense pain, nausea and heavy bleeding were all likely to happen “near the end.” As the social worker cautioned, “People hope their loved ones will pass away quietly in their sleep, but that rarely happens. Dying is usually quite an active process.”

Sarah Grandpa Black and White

I wasn’t ready, but I went to the beach anyway. For sixteen days, Grandpa and I sat together. We looked at old photos and reminisced. We shared secret jokes, poking fun at those who weren’t in on them. We counted the Canada geese that glided serenely across Case Inlet and congregated on a neighbor’s lawn.

But after sixteen days, without a dramatic change in Grandpa’s health, I headed back to Los Angeles with a plan to return in two weeks. It was only four days later that I got the call: Grandpa was weak, bedridden, and asking for me. Back to the beach I went.

I arrived on a Tuesday night. Friends and family were gathered in Grandpa’s room, and outside, the wind howled and rain poured. Grandpa drifted in and out of sleep, but he opened his eyes long enough to look at me and squeeze my hand. He tried to speak and couldn’t, but I told him that it was OK. I already knew.

I awoke the next morning, Veteran’s Day, to the sun streaming through my window, the clear blue skies and calm winds an unexpected gift after such a long and miserable night. Grandpa was sleeping peacefully, so I took a break to do some work. Around lunchtime, Glenn informed me he’d just gone to see Grandpa and told him that my mother was waiting for him to start cocktail hour. “Don’t be late,” he said.

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Now this next part will sound like I’ve made it up, because it’s the type of Hollywood ending a writer like me would invent, but I swear on everything that I am that it’s exactly what happened. I took my laptop to Grandpa’s room, and as my Aunt Sandy searched through his decades’ old collection of compact discs, I pulled up an iTunes playlist of standards. I tried a few oldies before I settled on a Sinatra classic. I sat next to his bed and turned up the volume:

Come fly with me, let’s float down to Peru

In llama land there’s a one-man band

And he’ll toot his flute for you

Come fly with me, let’s take off in the blue

Grandpa’s breathing slowed considerably and halted for several beats in between breaths. This was different, and we knew it. We called Glenn, who appeared in the doorway of Grandpa’s room somewhere around here:

Once I get you up there where the air is rarified

We’ll just glide, starry-eyed

Once I get you up there I’ll be holding you so near

You may hear angels cheer ’cause we’re together

Before Sinatra had finished singing, my grandfather quietly, gently, drew his last breath. As we hovered around his bed in a sort of reverent silence, waiting, knowing, yet not quite ready to speak the words out loud, I imagined Grandpa sitting with my Mom in the cozy living room of their old West Seattle house on Beach Drive, sipping martinis, enjoying the view of Puget Sound, Ol’ Blue Eyes softly crooning in the background.

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I inherited my love of language from my grandfather. And I believe that a wordsmith like him would understand better than most that there are times when words simply aren’t enough. After all, how could I possibly explain to you that after all of my fear surrounding what would happen when my grandfather died, that what actually did happen was so beautiful that it somehow made all the other deaths a little easier to bear? How could I express to you the depth of my gratitude for an exit so gentle that it helped restore my faith that sometimes, good things do happen to good people? And most importantly, how could I possibly capture in words the essence of a man who meant so much to so many, so that you could know him as I knew him, love him as I loved him?

I can’t. Words are not enough. I can only tell you that my grandfather, Gerald James Popelka, was the best man I ever knew.

And he made us all believe that a rock was magic, just by saying it was so.

Weather-wise it’s such a lovely day

You just say the words and we’ll beat the birds

Down to Acapulco Bay

It’s perfect for a flying honeymoon, they say

Come fly with me, let’s fly, let’s fly away

 Until next time, friends.

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Moments.

It’s an early evening in late April in Los Angeles. I’ve been running in La Cienega Park, around and around that dusty dirt track, spurred on by pop music pulsating through my ear buds and the excitement of a little league baseball game nearby. The sounds that echo through the spring evening – the crack of the bat smacking the baseball and launching it into the outfield, children’s voices cheering, parents clapping – give me an extra spark of energy to keep going, to keep running, to keep pushing my body forward.

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I finish my last lap and leave the track. Tired and sweaty, I run across Olympic Boulevard and turn down Alfred Street, slowing to a jog and then to a fast walk as I enter one of my favorite enclaves in this historic South Carthay neighborhood. iTunes skips to the next song – The Lady is a Tramp – and suddenly everything slows down. As Sinatra croons into my ear buds, I take in the soft blue watercolor sky melting into pale yellow, the amber rays of the waning sun casting their golden glow across the tiled rooftops of stately Spanish style homes, the statuesque palms, the immaculate gardens carefully landscaped with delicately blooming roses and cactus flowers. I feel my steps getting easier, almost as though I’m gliding down the sidewalk, and the air rises in my chest and catches somewhere near the back of my throat in a sharp tingle. Water springs to my eyes and though I don’t cry, I am overwhelmed with emotion as I realize that everything in this moment is perfect. It’s as though I’ve been transported back to a Los Angeles of 60 or 70 years ago, frozen in time, nestled away on this perfect street, at the perfect time of day, with the perfect song creating my soundtrack.

I want to hold on to this moment – and how I feel in it – forever, but even as I’m aware of it, I know it’s almost gone. I think about my Dad. There’s a word he would have used to describe this type of evening: halcyon. It means peaceful, tranquil, carefree. In this one moment, I am all of those things. And I’m also grateful: grateful for the memory of a word that comes to me like magic at a moment when time seems to stand still.

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And just like that, traffic starts buzzing down the street, the sky grows darker as early evening inches toward night, and the moment is gone. And I head home.

For most of my life, I’ve been moving too fast to notice moments like these. Always in a hurry to get to the next big thing. Ever looking forward to the next exciting date on my calendar, the next time I’d get on a plane to travel somewhere new, the next creative project on the horizon, the next vacation or holiday. Ever looking forward as I skipped over all the “boring” day-to-day moments in the process.

And then when my life started to unravel and people I loved started getting sick and dying, all I wanted was to be on the other side of it. I wanted so badly for things to be the way they used to be, to feel “normal” again, that I threw myself at life as hard as I could. I pushed myself to “get through it” by working hard and setting ambitious goals. My intentions were good – realizing how short and precious life was, I was driven by an internal fire to make the most of it – but my efforts were futile. I learned the hard way that life unfolds as it will, despite my stubborn refusal to accept what it had in store for me, and despite all of my best laid plans.

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I’m a control freak by nature, and learning to let go has been difficult for me. But little by little, I’m getting there. I’ve started paying closer attention to the here and now, and I’ve become more comfortable living there. And I’ve started realizing the truth in these words from Julia Cameron’s beautiful book “The Artist’s Way:”

It may be different for others, but pain is what it took to teach me to pay attention. In times of pain, when the future is too terrifying to contemplate and the past too painful to remember, I have learned to pay attention to right now. The precise moment I was in was always the only safe place for me. Each moment, taken alone, was always bearable. In the exact now, we are all, always, all right.

I am no longer in a place where the future is too terrifying to contemplate, and the past, while painful, is getting easier for me to remember. Yet it is still the present moment, most of the time, where I feel most OK. There’s a freedom that comes from not trying so hard, from not pushing so desperately to make my life conform to some idea of what I thought it was supposed to be, and instead, to let it be what it is. I still crave adventure and travel to far-flung locales. I still aim my arrow toward the challenge of tackling the loftiest goals. I still want the big moments in life, with all of their excitement and (sometimes) heartbreak. But in between all of those things, there are many, many smaller things: the small moments that make up a day, and that make up a life. Moments like catching the perfect sunset at the perfect time of day in the perfect place to witness it.

Those little moments are worth holding on to. Those little moments – for the moment – are where my happiness resides.

Until next time, friends.

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