Where I Write: Palisades Park.

“Meanwhile, the sea ebbs and flows in these grander tides of earth, whose stages are measurable not in hours but in millennia – tides so vast they are invisible and uncomprehended by the senses . . . Their ultimate cause . . . may be found to be deep within the fiery center of earth, or it may lie somewhere in the dark spaces of the universe.”

– Rachel Carson

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I run my hands over the brushed silver metallic letters stamped onto the face of the stone monument, tracing their outline as I write them down, checking to make sure they’re correct. I’m hot, sweaty, even though there’s still a marine layer blanketing the coast. My legs feel strong, yet shaky, the result of running the steep wooden steps from Montana Avenue down to Pacific Coast Highway, up and down, again and again. Music pulsates through my ear buds as I dodge children and tourists and surfer dudes with unwieldy longboards on their way to and from the beach. I take the steps as quickly as I can, because the faster I reach the summit, the sooner the ache that began in my calves and quickly spread, sending fire throughout my legs, rising upward into my chest, causing my heart to pound and my lungs to burn, will cease. On one ascent I count 131 steps, but I’m so focused on moving, on pushing air through my lungs, that it’s anyone’s guess as to whether that number is actually correct.

Palisades Park, an ocean front promenade situated on bluffs above Santa Monica’s stretch of Pacific Coast Highway, is one of my favorite places in L.A. And while I come here often, it isn’t one of those places where I find myself comfortably settling into a space with a cup of coffee, allowing the day to stretch out before me like a luxury. Instead, I come here to move, to breathe in the salt air, to feel the blood coursing through my veins, and to think.

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Like a lot of writers, I have a tendency to get hung up on word count and page numbers, feeling the constant need to produce. But in reality, I believe that creativity is a balancing act between action and reflection, and both are equally important. Whenever I’m feeling stuck, I know I need to get out into the world for a while before I can return to the page.

There is amazing people watching to be had at Palisades Park – everything from local yogis to picnicking families to European tourists – but it’s the ocean that draws me here. My whole life, I’ve always felt most at home at the sea, and today is no different. After I finish climbing stairs, I head for the sanctuary of the nearby rose garden, relishing the rush of the wind in my hair, the breeze tickling my face. I select a park bench, unzip my backpack and find my journal. For today’s trip, I’ve chosen a whimsical notebook with flying cartoon pigs and the hopeful mantra “It’s Possible” emblazoned across the cover. I turn my face toward the ocean and before I begin to write, I pause, watching the waves roll and crest and break. My eyes follow the horizon, fixing on the point where the unending expanse of blue melts into the white haze of marine layer, far, far off shore. There are some people who feel small in the presence of the mighty Pacific, but not me. The knowledge that this great ocean is connected to other waterways all over the world and that somehow, some way, I’m connected to them too, makes me feel infinite, makes me feel safe, makes me feel as though anything were possible.

I open my notebook and write furiously, jotting down the thoughts swirling through my brain before they’re gone. I remain for only a handful of minutes – as long as I can stand it – until finally, exhausted, hungry, I’m ready to go home.

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But on my way out of the park, something stops me. It’s the stone structure I’ve passed by so many times, with the words of the famous marine biologist Rachel Carson inscribed among the granite and fragments of abalone shells. Occasionally, I pause to read them, but today, I decide, I will copy them down. I pull out the flying pig notebook once again. As I begin to write, I notice – out of the corner of my eye – a woman approaching me.

My ear buds are still in, so at first, I don’t hear what she says. But she seems intent upon communicating with me, and so – rather reluctantly – I remove my headphones. The woman is blonde and fit, dressed in yoga pants and a bright orange tank top, and speaks with an accent I can’t quite place but that suggests (perhaps?) a country in Eastern Europe. She excitedly holds up her phone for me to see, displaying an Instagram photo of the same stone structure we’re standing in front of, its same words typed into the caption. “I’ve been coming here since 2004,” she tells me, “And I only just saw this. Isn’t it beautiful?”

“Yes,” I agree. “It is.”

“I noticed you writing it down and I had to say something. I’m glad I’m not the only one who finds it meaningful.”

“No, you’re not the only one,” I smile. She smiles back. And then, just like that, she’s off, waving goodbye as she jogs away. I watch her go; my legs heavy but my heart surprisingly full. And then, I too decide it’s time to go, time to return home, time to take this morning’s scribbles and turn them into something resembling a story.

Until next time, friends.

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The Year of the Monkey.

In truth, I don’t know all that much about Chinese astrology. As a child, I remember being fascinated by the red and gold Chinese restaurant placemats depicting the twelve zodiac animals and detailing the characteristics of each of them. Those placemats taught me that as a December 1980 baby, I am a Monkey: a sign known for its optimism, cleverness, sense of adventure, curiosity, and inclination toward mischief.

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On February 8, we began a new Lunar New Year: the Year of the Fire Monkey. According to the Chinese zodiac, it is not a good thing when you enter a year that corresponds to your sign. In fact, it is usually quite unlucky. This is an assertion that I have chosen to ignore. Given the way 2016 began, can you blame me?

A couple of weeks into the (Western) New Year, my car was vandalized, resulting in thousands of dollars worth of damage and leaving me feeling shaken and scared about the neighborhood I call home. My temporary job as an independent contractor – that began after the company I worked for was sold and moved to another state – was more stressful than I’d anticipated, leaving me tired and frustrated. Inspiration was difficult to come by, and my writing stalled. A persistent feeling of hopelessness started to creep in, threatening to derail my big plans for 2016.

Probably out of sheer stubbornness and my absolute need for things to be better this year than they’d previously been, I pushed forward. I kept writing, even though I didn’t feel like it. I reached out to a friend who’d produced my last play, asking her to come on board, even though I didn’t yet have a script. I renegotiated the terms of my independent contractor job, resulting in an arrangement more favorable to me. And I began the insurance claims process for the damage done to my vehicle.

Little by little, the clouds stared to lift. The original timetable of eight weeks to repair my car turned out to be mere days as the backordered part my mechanic needed became available much sooner than expected. Filing the insurance claim proved to be easier than I’d anticipated (dare I say, it was even pleasant), and within a couple of weeks I received a check covering all of the repair costs beyond my deductible. My friend and previous collaborator agreed to sign on to co-produce and direct my new play, giving my writing an increased sense of urgency and providing the motivation I needed to finish a first draft. And a fun-filled weekend celebrating a dear friend’s birthday in the San Francisco Bay Area lifted my spirits and temporarily curbed my growing wanderlust.

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By the time the Lunar New Year began, I was feeling like my old optimistic Monkey self again. A few days later, my aunt and uncle arrived in L.A. for a visit, booking a hotel on Ocean Avenue in Santa Monica overlooking the pier, Palisades Park, and the Pacific Ocean. Their visit coincided with a rare winter heat wave: clear blue skies free of the smog that so often blankets this city, temperatures in the 80s, the Pacific sparkling like so many sapphires. The three of us hadn’t been together since Grandpa’s death three months earlier, and after the intense, emotionally taxing period of hospice, reveling in the majestic, sun drenched California coastline felt like a miracle.

On President’s Day, armed with towels, a water canteen filled with fancy French champagne, and red Solo cups, the three of us marched north through Palisades Park, away from the throng of tourists. At Montana Ave., we descended steep wooden stairs, crossed the bridge over Pacific Coast Highway, and landed on Santa Monica Beach, sinking our toes into the warm sand. We waded in the ocean, the foamy waves lapping at our feet, and then settled into the sand. We filled our cups with fizzy liquid, raised them in a toast to Grandpa, and then turned our eyes toward the fiery orange sun slipping low on the horizon and fell silent.

I captioned a photo from that day, taken by my aunt of my uncle and I looking into the sunset, my hand resting upon his shoulder, with a quote from a letter that my grandfather wrote to me more than a decade ago: The beach never changes, ‘tis only we who change. Those words recalled a different time, and Grandpa was referring to a different beach, yet they still hold true.

I have changed. We all have. Given everything that has happened over these last three years, it would have been impossible not to. And while I have no idea what the future holds, little by little, I am learning to let go of my obsessive need to control it. Maybe this Monkey Year will be lucky. And maybe, as the Chinese zodiac asserts, it won’t be.  But two weeks in, I have decided that whatever happens, I will greet it with the same indefatigable spirit of my zodiac sign: with curiosity, with optimism, and with an unwavering sense of adventure.

Onward.

Until next time, friends.

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Mother’s Day.

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This past Sunday was the first Mother’s Day that I actively celebrated since my Mother’s death. It feels weird to say ‘celebrated.’ I certainly didn’t feel like celebrating. But I also felt that it was important not to feel sorry for myself or wallow in my Mom’s absence, but rather to observe the day doing things she would have enjoyed, and to be as happy as possible and as grateful as I could be for all that I still have.

Last year I ignored Mother’s Day altogether – or at least, I tried. It was a pretty loaded and impossible day. Not only was it the first Mother’s Day since my Mom’s passing, it was a mere three months after losing my Dad to cancer, and just a few weeks after my maternal Grandmother succumbed to aggressive Alzheimer’s disease. From the fall of 2012 through the spring of 2013, the hits came hard and fast. So I threw myself into work and felt grateful that when Mother’s Day arrived, I was in the midst of the six week run of a play. We had a performance on Mother’s Day, and that, combined with producing duties, gave me plenty to focus on. I stayed busy, I stayed distracted, and I pretended the ‘holiday’ didn’t exist.

Feeling more proactive and better prepared this year, I made a Mother’s Day plan with Zoe, one of my best girlfriends who had lost her own Mom way too young. We went big. We reserved a table at the fancy pants Ivy at the Shore in Santa Monica – the exact type of place my Mom would have loved. Covered in fragrant florals, it’s a large, bright, breezy space with windows overlooking Ocean Ave. and the Pacific. Everything is overpriced, and obsequious servers in pressed pink shirts and flowery ties abound. Oh so Mother’s Day. Oh so perfect.

Just two days earlier, Zoe had accompanied me to see a friend’s play that was unexpectedly, a sort of emotional primer for the upcoming holiday. The story revolved around a family’s attempts to cope when the matriarch is suddenly afflicted with a debilitating neurological disease. She goes from a vibrant, highly capable and driven career woman to someone rapidly losing control of her speech and body. In one particularly heartbreaking scene, the family’s oldest daughter – who is halfway across the world – places a desperate phone call home on Thanksgiving. She doesn’t want to speak to her grandmother, or father, or sister. Only her Mom. And the Mom, who can barely move or speak, doesn’t think she can do it. But with the grandmother holding the phone to her ear, she manages to stammer through the conversation, finding strength she didn’t know she had to shakily get out the exact words of comfort that her daughter needed to hear.

That scene killed me. And at the end of the play, when Zoe and I both emerged from the theater with red, puffy eyes, I knew it had affected her as much – if not more – than me. Because as much as the fictional circumstances of the play were different than the real events of our lives, there’s something so identifiable about being sick, or sad, or in trouble, and the only person you want to talk to – the first phone call – is to Mom, because you know that no matter what, she’ll be able to make it better. And there’s something so final, so devastating, about no longer being able to make that call.

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I take comfort in the fact that even though she’s no longer physically here, my Mom is still with me. After all, our parents made us, so how could they not be part of us, inextricably linked? I believe there’s a love there that transcends our physical being, and that’s something that death can’t take away. But I’ll tell you what I miss. I miss the care packages on Valentine’s Day and Easter; care packages that were sent to me long after I was too old to receive them, filled with candy and stickers and silly things. I miss the phone calls on my birthday, when every year without fail, my Mom would sing me a slightly off-key version of Happy Birthday, always ending it by telling me that the day I was born was the happiest day of her life. I used to roll my eyes when she said it, thinking it was so cheesy. Now I’d give anything to hear her say it again. I’d even give anything to have her berate me for not getting enough sleep, or to dismiss a bad mood I’m in by telling me that I’m simply ‘not eating enough protein.’ Isn’t it ironic how all the stuff that used to drive you crazy about a person becomes the stuff you miss desperately once they’re gone?

All things considered, the first Mother’s Day I observed sans Mom was a pretty good one. I shared a lovely and indulgent brunch with one of my dearest friends. The weather could not have been more sunny, warm and Southern California perfect. In the afternoon, I struck the right balance between productivity and relaxation (I’ve always been a work hard, play hard, sort of girl). I was doing great, I really was. And then, leaving the Trader Joe’s parking garage, the friendlier than usual attendant wished me a Happy Mother’s Day, and then– off my face – followed it up quickly with, ‘Are you OK?’ “Yes!” I replied, a little too enthusiastically. He smiled. “I like the flower in your hair,” he said. Ah, bless you, kind stranger, for providing me that small victory. I thanked him and drove off, trying not to cry.

Grief is so funny. It’s rarely what you think will get you – the big stuff – that does it. More often than not, it’s something silly, like the off-handed comment from a well-meaning stranger. Or the restaurant getting your lunch order wrong. Or receiving a piece of news that’s so exciting you can’t wait to pick up the phone and call Mom and then realizing . . . you can’t.

In a way, it’s sort of like every day is Mother’s Day to me since I lost my Mom. I’m never not thinking about her, I’m never not appreciating all the wonderful things she gave me, and I’m never not wishing that she was still here. If you’re lucky enough to still have your Mom, don’t wait for Mother’s Day to hug her, or to send her flowers, or to tell her you love her. Please. Do it for me. Because I really wish that I still could.

Until next time, friends.

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