Jet Lag.

Just over a week ago, I penned a hopeful dispatch from London’s Heathrow Airport in the pages of my journal.

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It was afternoon, and I was squeezed into a tiny table at a crowded café in terminal five, scribbling notes about my trip as I waited for my flight to Los Angeles to begin boarding. After two weeks in Europe, I was homeward bound, and I was more than ready to return. I was ready to return to my life and to once again take up the big, important projects – both career and life – that I’d been putting off. I was ready to hit the ground running with a renewed sense of purpose.

And return I did, after a sleepless ten hour flight, a terse exchange with an LAX cab driver – who kicked me out of his car after he learned I’d be paying my fare with a credit card – and a foggy few days spent trying to catch up and reintegrate myself, amidst strange sleep patterns and cloudy, confused dreams in which I existed both in the place I was and the place I’d been, simultaneously. Palm trees in Prague . . . what the??

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But my jet lag wore off. And reality set in. And as it did, I found my sense of hopefulness waning. It became difficult, once again, to keep my spirits up.

My post-vacation hangover made me realize something simple, yet true: it’s easy for me to feel optimistic when I’m away, because it’s easier to look at my life for what it could be, as seen from a distance, than for what it actually is, when it’s right up close. Strolling the banks of the Thames or the Vltava, bundled up against the February chill, my L.A. life looked like some sort of sun-soaked dream. A dream that I couldn’t wait to return to.

But my actual L.A. life isn’t exactly a sun-soaked dream. It is much more difficult than the palm trees would have you believe. It’s full of traffic jams and smog and grown up decisions and a high cost of living and endless bills to pay. It’s creative burnout and failed relationships and an ongoing struggle to make peace with my past. More than anything, life in LA. these days is a struggle to figure out who the heck I am after I’ve been so many versions of myself and none of them have worked out.

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Yes, I am feeling sorry for myself. And yes, it’s disgusting. Let’s get real for a second. I’ve just returned home to Los Angeles, which, weather-wise, is pretty damn pleasant compared to what most of the rest of the world is experiencing in late February. I just spent two weeks in Europe on an incredible adventure – the type of self-indulgent trip that most people only dream of. And all around me in this sprawling, massive, city, there are reminders that my life, for all of my complaints, is not really that bad.

As I scribble these words into my journal, I’m sitting in another café, half a world away from the one at Heathrow. But you can’t really call it a café: it’s a Coffee Bean & Tea Leaf. Right in front of me, in the middle of the afternoon in broad daylight, is a most unfortunate business transaction: an exchange between a prostitute and her pimp. She: edgy, nervous, eager to please, fingernails caked in dirt (that’s how close she is to me) with a tiny, scruffy dog in her lap. He: cold, disinterested, rude, and treats her so callously, it’s obvious that he sees her as nothing more than property. My stomach turns and I try to pretend I don’t see them, but it’s impossible. I feel guilty for obsessing about my own stupid problems, ashamed when the girl’s eye briefly meets mine, and then sad, as I look away and cast my eyes downward, toward the floor.

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The best thing about my trip to Europe was that it reminded me of the carefree, hopeful girl that I used to be when I lived in London as a twenty-one-year-old college student, when the world stretched out wide in front of me, when possibility seemed limitless and I still believed that nothing bad could happen to me. The worst thing about my trip to Europe was that I returned, knowing for sure that I am no longer that girl.

Real life is very unlike my European vacation, and much more like the scene I witnessed at the Coffee Bean. It confronts you with its realness, with its complexity. Sometimes it’s gritty and sad. Sometimes it forces you to look away.

Every time I leave town, I’m happy. For a time. But then I come back, and the old problems are still here, and I’m still here. And time is passing and life is happening all around me. And I’m not really any closer to figuring it all out.

So I have decided that it’s time. Time to say yes to the here and now – even if the here and now is gritty and difficult and real. Even if it makes me sad. It’s time to commit and connect to my real life in a way that I’ve been avoiding. Time to buckle down and do the hard work. Because you can’t correct what you don’t confront. And the hour is growing late.

This might be the craziest adventure yet. Wish me luck?

Until next time, friends.

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Stare Mesto.

It’s Saturday in Prague. It’s also Valentine’s Day, a day which marks the two year anniversary of the death of my father. But I don’t think that’s particularly sad. Not the fact that Dad died, which, of course, is sad, but the fact that he died on Valentine’s Day. I think the date of his death is symbolic of the love he had for his children, and of the fact that he passed peacefully and quickly, in his sleep, after a battle with cancer. I think the fact that his death was as quiet and as gentle as it was when it could have gone so differently was a gift – from him, from God, from the universe, from fate, from whatever force it is that was working its cosmic magic. I consider his love a gift, his life a gift, and the peace we made before he died the ultimate gift.

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But I didn’t set out to write a post about my father (I did that more eloquently last year, here), only to acknowledge that today, as I pass another day in this mysteriously beautiful city, so far away from home in the middle of a stark, cold European winter, I have been thinking about him. And I have been thinking about love.

Ever since they died, I have been trying to strike a balance between the parts of my mother and father that are contained within me, of which there are a great deal. Sometimes I feel their echoes in my worst behaviors. But often, I recall the good in them and I aim my aspirations in that same direction.

Dad was adventurous, bold. I think he’d be proud of me for taking this trip to a far off, foreign place all by myself. For unapologetically shrugging off the curious glances when I sit down to a meal or sip espresso while journaling in a café or drink cognac in the hotel bar, alone. Leave it to other people to cling to the security of another body. I don’t mind being on my own, and during my travels, I have found that I am, in fact, quite good company.

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I think Dad would be proud of my hotel choice, as well. Dad always liked to go big, and my hotel does not disappoint. It’s a sleek, modern, five star European beauty located in Stare Mesto – Old Town – within striking distance of the main square, the Vltava River and the Charles Bridge and just down the hill from Mala Strana (“Little Quarter”), a steep hill leading up toward Prague Castle and breathtaking views of the city seen from on high.

My hotel is central and yet, it’s removed from the madness at the end of a quiet street – Parizska (“Paris”), aptly named for the posh luxury boutiques that populate it; brands like Cartier and Porsche Design and Dolce and Gabbana and Escada and Tod’s of London and the like.

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I couldn’t believe in my wildest dreams that I could afford such a hotel, with its spectacular gym and spa – no joke, it rivals some of the gyms I’ve seen in L.A. with its aerobics garden, weight room, cardio room, stretching room, enormous glass roofed swimming pool, sauna, luxurious showers and spa treatment rooms – its rooftop restaurant, cozy lounge bar, buffet breakfast overlooking the Vltava River, its opulent guest rooms with spacious marble-tiled bathrooms, Tempur-Pedic mattresses, customized pillow menu (you can choose from six different styles, adjusted to your comfort), and satellite television with channels in six different languages. Oh yeah, and there’s the breathtaking view of the gothic buildings in Old Town Square as seen from out the window of my 7th floor room, courtesy of an upgrade from the handsome hotel desk manager. Simply because I told him this was my first visit to Praha.

This is definitely the fanciest hotel I have ever stayed in, but because the dollar is strong right now, especially against the Czech Crown (Korun), and it’s the middle of winter and bitterly cold, and I got a cheaper rate for staying six nights, I am actually paying less per night for a five star hotel in a European capital than I have spent to rent a room in a Best Western. Ridiculous. And wonderful. And anyway, who cares that it’s freezing outside? I never want to leave the confines of this glamorous hotel, with its well-heeled, fur-swathed, international clientele.

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But leave the hotel I have, to explore this gothic city, to climb the hills, to wander the cobblestone streets, to gape at elegant centuries-old buildings with cheerful watercolor facades. I came here with no plan as to how I would spend my time, which is pure my mother and so very unlike me. When mom traveled, she hated to be rushed or kept to an agenda, preferring instead to laze about her hotel room for hours. This behavior drove me – the compulsive planner – insane, but mom could care less about cramming in touristy, sightsee-y things. She just wanted to pick out a few specific activities that she knew she would enjoy and spend the remainder of the time resting, enjoying lengthy meals, and beating to the tune of her own drummer.

Which is exactly what I’m doing in Praha. Who cares that I traveled thousands of miles to be here? This is my trip and I am spending it exactly how I want. Which includes a fair amount of wandering, a fair amount of writing in cafes, a fair amount of lengthy meals, a fair amount of enjoying my lavish hotel, and just a little – but not so much – of the really touristy stuff.

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I’ve been here for three days, and for me, the jury’s still out on Praha. It is unquestionably beautiful, quite unlike any other city I’ve seen in my life. But it’s a dark beauty, with an unshakeable heaviness to it. There’s something formidable and slightly ominous that pervades through the steep hills and the narrow cobblestone streets and the hearty, heavy food, and the quietly dignified people and the gothic spires that extend into the wintry grey sky.

When I first decided to come here – inspired by my Grandpa Popelka’s Czech heritage – I had certain ideas about what this trip, what this place, would be like. It turns out that Prague, like all things in life, is very different than the picture I had in my mind of what it would be. But also as in life, it’s quite curious what we find when we don’t go looking for it. Like the fact that within this cold, dark, place, I have found a surprising amount of light. Both within my heart, and within my writing. Curious, indeed.

So thank you, Praha. Here’s to 2 ½ more days of embracing your mysterious beauty. Here’s to one more day after that in London, here’s to the long journey home to Los Angeles, and here’s to the even longer journey of finding a more permanent home, when I’m done with all the wandering.

Until next time, friends.

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Resolutions.

As December winds down, it’s common for me to turn inward and grow reflective.  I’m an optimistic person by nature and as such, I often begin each New Year thinking this will be my year – you know, the one where all the really good stuff happens.  Unfortunately, over the last few years, life has gotten me down and life has beaten me up.  But I’m keeping my eyes fixed on the horizon, because the end of 2014 promises that there will yet again be a brand new calendar, and a journal full of blank pages with stories waiting to be written on them.  While there are many specific goals I’ve set for 2015 – too many, probably – here are my most important resolutions, pared down to their essence:

Write more stories.  Read more books.  Indulge my wandering spirit.  Practice gratitude.  Plan more coffee dates.  Put my phone away more often and listen.  Make art that I’m proud of.  Spend more time in museums and libraries.  See more live music and theatre.  Take long walks by the beach and gaze out at the ocean.  Regain a sense of wonder.  Laugh more.  Cry less.  Say yes and figure it out afterwards.  Cherish my friends and family.  Take better care of my body, and of my spirit.  Risk more.  Fear less.  Make peace with my past, even if it’s hard.  Especially if it’s hard.  Go somewhere I’ve never gone.  Do something – perhaps many things – I’ve never done.  Learn to play the ukulele – because I’ve decided that would be fun.  Breathe deeply.  Breathe a lot.  Forgive.

Here’s to 2015.  Here’s to embracing it in every way we can.

Until next time, friends.

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This blog.

I need to spend less time on this blog. It pains me to say that, but it’s true. It doesn’t mean abandoning it, it just means giving a little less of myself here, so that I have a little more of myself to give somewhere else.

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I am so grateful for Extra Dry Martini. I’m grateful for what it began as, and I’m grateful for what it has become. I started blogging just a few short months before my entire life hit the skids. As events shifted and spun around me, what started as an experiment to indulge my love of the written word rapidly became a lifeline. It became a vehicle to help me process overwhelming grief and loss, and was often my only avenue to connect with the outside world when I felt desperately alone. I know that writing is no substitute for therapy, but this blog became therapeutic because it enabled me to articulate my thoughts and feelings, to write them down, to look at them, and to realize that they didn’t have to define me. This blog has helped me gain clarity about who I am and who I want to be in a deep and profound way. It’s simply impossible to imagine my journey over the last two years without it.

Publishing a weekly blog post is intensely satisfying. It makes me feel a sense of accomplishment because in a relatively short amount of time, I can find a beginning, middle and end, and when I’m done, I get to share my post with the world. Writing is a lonely process and I’ve been very lonely as of late. Publishing regular blog posts assuages that loneliness and makes me feel a sense of connection and purpose. It allows me to dialogue with friends and fellow bloggers and to receive their feedback and validation.

But feeding the instant gratification that I crave has also allowed me to forestall bigger dreams. If I can feel validated as a writer in this space, why should I bother to tackle a larger, lengthier, more challenging piece? If I can share little bits of my soul each week, why should I bother to write the whole thing out, to map out my entire past, present and hopeful future? I love writing this blog, but it’s time to admit it: I have been using it to procrastinate. I have been using it to resist the pull of my bigger, more all-encompassing story. I have been using it to avoid what really scares me: to tell the truth, all of it, in long form.

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I’ve just returned from an intensive writing workshop on Orcas Island in northern Washington State. The workshop was actually less about writing and more about unlocking creativity and giving yourself permission to live the life you dream of. At least, that’s what it was about for me. Over the course of three and a half days, I listened to the stories of other writers from all walks of life and all different types of backgrounds. I focused inward. I asked myself some big questions. And what I came away with was this: I need to make a change.

This blog is intensely personal to me. It has formed the core of my heart over the last couple of years and has, at many times, served as my best friend over a difficult and tumultuous 2014. I don’t have any plans to abandon it. But the reality is, my life is full. I have too many things I want to do – admittedly, a good problem to have – and not enough time to do them all. And if I want to tackle some of the bigger writing projects that have been tugging at my heartstrings – projects like finishing my semi-autobiographical screenplay and writing my memoir – I have to make time and space in my life for them. Starting now.

I’m not exactly sure what that’s going to look like. Maybe it means enforcing a time limit on garbage activities like surfing Facebook or watching TV. Maybe it means that my posts here become a little shorter and a little less polished. Or maybe it means that not much of anything will change for the people who have been faithfully reading this blog, but the change will simply be an internal shift that only I’ll notice. I’m not sure yet. What I do know is that that the change needs to happen, and l’m approaching it in the same way I approach every topic I write about on Extra Dry Martini: with as much openness and honesty as possible.

Thank you for supporting me on my journey. You have no idea what it has meant to me. You have no idea what it will continue to mean as I move forward and throw my arms around the big, scary, what’s next question. So thank you. Thank you for reading. Thank you for helping me along the way.

And here I go.

Until next time, friends.

Xo

Sarah

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Sad things.

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I write about sad things.  But I am not a sad person.  A lot of sad things have happened to me in a short span of my life, and for a long while – a twelve month or so period that I’ve labeled The Lost Year – I couldn’t write at all.  I tried and failed many, many times, but I couldn’t crystalize my emotions into sentences that made any sense, or had any meaning.

When I emerged from the darkest of the dark, there was no denying that I was a different person.  At once stronger, and yet more fragile.  I didn’t want anything that happened to me.  I didn’t want to lose three of the most important people in my life, nor did I want to be forced to confront painful truths about my family – and ultimately, myself – through their loss.  I would give anything for things to be the way they were, to live in blissful ignorance once again.  But life doesn’t work that way.

So here I am.  And somewhere in the eye of the storm, in the midst of the vortex, I found my voice again.  And I started to write.  Grateful to be able to once again put my thoughts into words, to be able to finally express myself, I have been writing a lot.  And I’ve been writing a lot of sad things.  But I write about sad things not because I’m a depressive, but because I’m an optimist.  Because through it all, I’m still hopeful.  I still believe that people are essentially good.  I still believe in love.  Even though I’ve been gut-kicked by life, even though my edges are sharper, I’m not bitter or cynical or jaded.  I write painful truths about my family not because I’m angry with them, but because you’re only as sick as your secrets and we kept far too many of them and I don’t want to be complicit in the secret-keeping any more.

So I’m going to continue to write sad things, because I want to get better.  I’m going to continue to explore the dark because it’s the only way to reclaim the light.  I’m going to continue to be honest because I’ve seen too much and lived through too much to be anything else.  And I’m going to continue to tell my story, even though I know it will be painful, even though I know it will cost me something, because there is someone out there who wishes they could do the same and can’t.  And if there’s even a chance that in my quest to heal my heart, in my journey to become a whole person again, that I can help someone else do the same, then it’s all worth it.

Stay tuned.

Until next time, friends.

Resistance.

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I’ve met the enemy, and its name is Resistance.

I recently revisited Steven Pressfield’s The War of Art, a book that, in a very direct, plainspoken voice, cuts through the crap and correctly calls out all the ways we self-sabotage and rationalize our way out of designing the lives we want. The book is brutally honest, and it’s brilliant.

Pressfield identifies the pernicious beast that stands between us and our heart’s desire as Resistance. (Resistance with a capital ‘R,’ as it must be taken seriously.) What is Resistance? It doesn’t come from other people, or your life circumstances, or where you live, or your lame job that you hate. Resistance comes from you. It’s the judgmental voice in your head that tells you that you’re not good enough, the voice that leads you to make false comparisons between yourself and other people, the voice that causes you to make a million excuses for not living the life you want. Resistance leads to (among other things): procrastination, poor life choices, boredom, depression, guilt, addiction, and unhappiness. Pressfield calls Resistance ‘the enemy within.’

In The War of Art, Pressfield details his own daily battles with Resistance in his work as a writer. As I, in turn, struggle to get my story out of my head and onto the page, I identify with that battle. About writing, Pressfield says this:

There’s a secret that real writers know that wannabe writers don’t, and the secret is this: It’s not the writing part that’s hard. What’s hard is sitting down to write. What keeps us from sitting down is Resistance.

He’s right. Sitting down is the hardest part. Because just the thought of it, the thought of staring at a blank screen, of struggling to string a sentence together, is pure agony. And I really like to write.

I recently gave up one of my favorite forms of Resistance, alcohol (and its sidekick, cigarettes), for thirty days. I did this to detox and cleanse my system, but also – mainly – because I have work to get done and I need to be super-focused in order to do it. I have a full-time job and countless other responsibilities in addition to my writing, so if I’m ever going to finish the screenplay that has been tugging at my heartstrings, there’s no room for zoning out over wine at the end of a long day until it’s done.

So here I am, sober as a judge on day five* of thirty days and barely any closer to completing the damn thing. I have found a million excuses not to start. I’m lonely and I’m sad. Being alone with the voices in my head is too much. I want to go out, call someone, distract myself. I remind myself that this time is a gift, that I’ve worked hard and sacrificed much in order to create space for it. I can’t waste it.

But the voice in my head is a real bitch. She tells me that what I have to say isn’t important to anyone but me. She tells me that even if I do finish my screenplay and even if I do have the courage to put it out into the world, that it will ultimately just be a waste of time. That people will hate it. That I’ll hate it. Or even if I don’t hate it, and other people don’t hate it, even if it’s actually good, then what? I’ll spend all of my money producing the movie, which is way too hard for me to do on my own, and I’ll screw it up and then I’ll be broke and have nothing to show for it. So really, what’s the point?

This is the sort of Resistance-style crap that leaves me finding all sorts of other things to do during my detox, like washing dishes and folding laundry and making grocery lists and painting my nails and surfing Facebook and posting too much shit on Instagram. And it’s dumb. And I hate it.

So I picked up The War of Art. I’ll keep picking it up and I’ll keep countering the negative voice in my head with Pressfield’s fighting words, to remind myself that Resistance never goes away. I wrote this blog post to remind myself that making art is an act of war and that we have to do battle against the Resistance that threatens to derail our dreams every single day. It’s not glamorous or sexy or all that fun to do our work, but, goddammit, the only way to get it done is to sit down and do it.

I don’t know about you, but when I do force myself to sit down and write one of these blog posts, or bang out a couple pages of dialogue from my script, the bitch inside my head gets a little quieter, and I start to feel ever so slightly relieved. Doing the work is hard, but it’s also – truly – the only thing that keeps the demons at bay.

So here’s to doing what’s hard. Here’s to the struggle. Here’s to waging war. Every. Single. Day.

I’ve pasted the last page of The War of Art – a section entitled The Artist’s Life – below. I hope it helps you along in your own personal war.

Until next time, friends

*It was day five when I wrote this post. It is now (at the time of publishing), day seven, and since spewing out this blog, I’ve revised the first twenty pages of my script, written twelve new pages, and have completely re-worked the outline. Go to hell, Resistance.

The Artist’s Life

Are you a born writer? Were you put on earth to be a painter, a scientist, an apostle of peace? In the end the question can only be answered by action.

Do it or don’t do it.

It may help to think of it this way. If you were meant to cure cancer or write a symphony or crack cold fusion and you don’t do it, you not only hurt yourself, even destroy yourself. You hurt your children. You hurt me. You hurt the planet.

You shame the angels who watch over you and you spite the Almighty, who created you and only you with your unique gifts, for the sole purpose of nudging the human race one millimeter farther along its path back to God.

Creative work is not a selfish act or a bid for attention on the part of the actor. It’s a gift to the world and every being in it. Don’t cheat us of your contribution. Give us what you’ve got.

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