Ten thousand.

Last week, I reached an incredible milestone on this blog: 10,000 email subscribers. I can scarcely believe it.

When I first started Extra Dry Martini 3 ½ years ago, I had no idea what the hell I was doing. I only knew that I had a lot of ideas and opinions and I wanted to carve out my own little corner of the Internet on which to share them. I named this blog after my favorite cocktail, while the tagline, Straight up, with a twist, was a nod to my often blunt (sometimes foot-in-the-mouth!) Sagittarian nature, and my rather edgy, sarcastic sense of humor. Away I went.

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I couldn’t have anticipated that only a few short months later, life as I knew it would fall apart. Or maybe I could have. Maybe I did. Maybe I intuited, in some strange, cosmic, sixth sense-ical way – the way animals can sense an impending natural disaster – that creating this platform to express myself would be the very thing to save me during the darkest nights of the soul I have ever experienced.

When it all came down, I didn’t write for a year. One whole year. To this day, I have only a vague, foggy idea of where that time went. I call that period of my life “the vortex,” a black hole of funerals and whiskey and airports and late night phone calls and never ending to-do lists and sleeping with one eye open.

But when I did come up for air, my writing was different. I wrote with a sort of raw honesty that would previously have been unthinkable to the me that started this blog. I wrote and I wrote, without a goal or a clear direction other than to simply keep going. And through the process of turning Extra Dry Martini into a sort of public journal to air my very private feelings, I changed. No, strike that. I didn’t change. Writing through pain, trying desperately to find meaning where there was none, the real me started to shine through the cracks in the old, broken me, the one I’d unwittingly hidden for years under layers of self-doubt and insecurity. It’s as Steven Pressfield says in his brilliant, essential, book The War of Art: “Our job in this lifetime is not to shape ourselves to some idea we imagine we ought to be, but to find out who we already are and become it.”

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Thank you to everyone who has read this blog. The sheer volume of kind-hearted, compassionate, thoughtful comments that I receive from readers never ceases to astound me. While I don’t always have time to respond to all of them – particularly on the posts that WordPress has chosen to feature on Freshly Pressed­ – I do read every single one, and they mean the world to me. Thank you.

Speaking of thank you’s, thank you to WordPress.com, without whom and all of their generous shares of my blog posts, reaching the 10K milestone never would have been possible. In just over a year, Extra Dry Martini has been featured on Freshly Pressed a whopping SEVEN times, including just last week. If you haven’t yet had a chance to read these posts, or if you’d simply like to revisit them, I’ve linked them below at the bottom of this page.

People sometimes call me “brave” for writing about some of the things I do, and for sharing intimate details of my life on the Internet. I’m not brave. I simply write to survive. I write to remind myself of who I am. And I write for all of the people who respond to one of my posts with the comment: “I thought I was the only one.” Let me tell you, with one hundred percent certainty:  you are not the only one. If there’s a single lesson I take away from writing this blog, it’s that despite all of our differences – geographic location, family background, age, gender, ethnicity, religious faith or lack thereof – we are far more alike than we are different. We share the same hopes, the same heartbreaks, the same struggles and the same joys. We are united by the same powerful experience of being human and in this experience no one – not one of us – is alone.

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Ten thousand is an impressive number. It’s a humbling number. But I’m not resting on my laurels. As I prepare to head off for a few days of creative recharge at Write Doe Bay, I’ll be thinking about how to make this blog bigger, better, and somehow more. Among the things I’m considering: spinning off Extra Dry Martini into some other iteration like a book, a play, a film, or possibly all of the above. I have no idea how that will look, or what the next steps will be. All I know is that anything that I create will be undertaken with the same commitment to honesty, to cutting to the core of the human experience, and will always, always be served straight up, with a twist.

Thank you for reading. Thank you for sharing my journey. And – fingers crossed – here’s to the next ten thousand.

Until next time, friends.

P.S. – If you would like to read the posts that WordPress featured in their Freshly Pressed section, here they are:

Ice Water

Time Out

Things My Mother Never Did

Putting off Tomorrow

Little Steps. Big Steps. First Steps.

Moments

Three Years

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Little steps. Big steps. First steps.

Last week, I finished the first draft of my screenplay. It was a goal I’d set for myself so long ago – a goal which I had so often delayed – that part of me couldn’t believe that I had actually achieved it, and that I was really, truly, typing the words “Fade Out” on the bottom of page ninety-eight.

However, though I felt an initial surge of excitement upon reaching this milestone, my joy quickly turned to dread. I felt scared. Heavy. Worried.

The negative self-talk started screaming through my brain. “You finished it?” “So what?” “It’s not done. Not by a long shot.” “You’ll probably never finish it.” “And even if you do, who cares?” “Your story isn’t particularly interesting, Sarah. No one is going to want to see this movie.”

It took me three days after completing the first draft to force myself to sit down and read the whole thing from beginning to end, with an eye on what needed to be clarified, edited, and fixed. The process was horrible. As I read along, my self-judgment got worse and worse. Words like “stupid,” “cliché,” and “boring” sprang to mind. One particular scene made me laugh out loud as I covered my mouth in horror, thinking, “I can’t believe I wrote that.”

And on and on it went. My younger self would have been so discouraged at the end of it, I would have buried the entire document in a folder on my laptop and not looked at it again for months, until one night after I’d had too much wine and was feeling masochistic, I’d pick it up again and cry my way though it, bemoaning my poor talentless self and all the months I’d wasted on writing something that was never going to be any good and was never going to see the light of day.

But I am not my younger self. I am older now, and I – usually – know better. The older me took all of my harshest criticism and wrote it down, trying to make my notes as constructive as possible. The older me reminded myself that first drafts are almost always terrible, and I didn’t write this first draft to be brilliant, I wrote it to get to the end. The older me knows that this process is painful, but also knows that the only way to make the pain stop is to keep writing, keep pushing, keep showing up and doing the work. The older me knows that I can’t give up, because if I do, the unfinished work will turn into yet another unrealized dream that will haunt me. And I have too many of those already, thank you very much.

I am fortunate enough to have lots of amazing friends who are actors, writers, artists. And I believe that if we’re honest, we all grapple with the same fears, the same longing, the same self-doubt. We all worry that we’re not talented enough, not smart enough, not unique enough to add our voices to the crowded chorus of storytellers already out there in the world. But it’s not just the artists, is it? Don’t we all harbor a secret “Who do I think I am?” that holds us back from taking bold steps toward our biggest dreams?

After beating myself up for a good long time, I picked up my much-beloved copy of Steven Pressfield’s book “Do the Work.” (If you are trying to finish anything, get it, use it. I am not kidding – this book will change your life). I paged through it as I often do, to remind myself that nothing worth doing is ever easy. I laughed when I got to this part on page 46:

Sometimes on Wednesday I’ll read something that I wrote on Tuesday and I’ll think, ‘This is crap. I hate it and I hate myself.’ Then I’ll re-read the identical passage on Thursday. To my astonishment it has become brilliant overnight. Ignore false negatives. Ignore false positives. Both are Resistance.

And then, in big, bold letters, he writes:

Keep working.

In the end, I have no control over whether people love or hate my story. By extension, I have no control over whether people love or hate me. Making people love me is not my job. My job is to show up and do the work on a consistent basis, and to try every day to get a little bit better. The story that’s burning a hole inside of me deserves that. So every day, I try to remind myself that the process, not the end result, is what I have control over. The process, not the end result, is what demands my focus.

And I also try to remind myself that I have a community of friends and supporters – many of them right here on WordPress – with whom I can share my process, my fears, my journey. And this community reminds me that there’s nothing wrong with the struggle. The struggle is part of the story.

Lucky me.

Until next time, friends.

Resistance.

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I’ve met the enemy, and its name is Resistance.

I recently revisited Steven Pressfield’s The War of Art, a book that, in a very direct, plainspoken voice, cuts through the crap and correctly calls out all the ways we self-sabotage and rationalize our way out of designing the lives we want. The book is brutally honest, and it’s brilliant.

Pressfield identifies the pernicious beast that stands between us and our heart’s desire as Resistance. (Resistance with a capital ‘R,’ as it must be taken seriously.) What is Resistance? It doesn’t come from other people, or your life circumstances, or where you live, or your lame job that you hate. Resistance comes from you. It’s the judgmental voice in your head that tells you that you’re not good enough, the voice that leads you to make false comparisons between yourself and other people, the voice that causes you to make a million excuses for not living the life you want. Resistance leads to (among other things): procrastination, poor life choices, boredom, depression, guilt, addiction, and unhappiness. Pressfield calls Resistance ‘the enemy within.’

In The War of Art, Pressfield details his own daily battles with Resistance in his work as a writer. As I, in turn, struggle to get my story out of my head and onto the page, I identify with that battle. About writing, Pressfield says this:

There’s a secret that real writers know that wannabe writers don’t, and the secret is this: It’s not the writing part that’s hard. What’s hard is sitting down to write. What keeps us from sitting down is Resistance.

He’s right. Sitting down is the hardest part. Because just the thought of it, the thought of staring at a blank screen, of struggling to string a sentence together, is pure agony. And I really like to write.

I recently gave up one of my favorite forms of Resistance, alcohol (and its sidekick, cigarettes), for thirty days. I did this to detox and cleanse my system, but also – mainly – because I have work to get done and I need to be super-focused in order to do it. I have a full-time job and countless other responsibilities in addition to my writing, so if I’m ever going to finish the screenplay that has been tugging at my heartstrings, there’s no room for zoning out over wine at the end of a long day until it’s done.

So here I am, sober as a judge on day five* of thirty days and barely any closer to completing the damn thing. I have found a million excuses not to start. I’m lonely and I’m sad. Being alone with the voices in my head is too much. I want to go out, call someone, distract myself. I remind myself that this time is a gift, that I’ve worked hard and sacrificed much in order to create space for it. I can’t waste it.

But the voice in my head is a real bitch. She tells me that what I have to say isn’t important to anyone but me. She tells me that even if I do finish my screenplay and even if I do have the courage to put it out into the world, that it will ultimately just be a waste of time. That people will hate it. That I’ll hate it. Or even if I don’t hate it, and other people don’t hate it, even if it’s actually good, then what? I’ll spend all of my money producing the movie, which is way too hard for me to do on my own, and I’ll screw it up and then I’ll be broke and have nothing to show for it. So really, what’s the point?

This is the sort of Resistance-style crap that leaves me finding all sorts of other things to do during my detox, like washing dishes and folding laundry and making grocery lists and painting my nails and surfing Facebook and posting too much shit on Instagram. And it’s dumb. And I hate it.

So I picked up The War of Art. I’ll keep picking it up and I’ll keep countering the negative voice in my head with Pressfield’s fighting words, to remind myself that Resistance never goes away. I wrote this blog post to remind myself that making art is an act of war and that we have to do battle against the Resistance that threatens to derail our dreams every single day. It’s not glamorous or sexy or all that fun to do our work, but, goddammit, the only way to get it done is to sit down and do it.

I don’t know about you, but when I do force myself to sit down and write one of these blog posts, or bang out a couple pages of dialogue from my script, the bitch inside my head gets a little quieter, and I start to feel ever so slightly relieved. Doing the work is hard, but it’s also – truly – the only thing that keeps the demons at bay.

So here’s to doing what’s hard. Here’s to the struggle. Here’s to waging war. Every. Single. Day.

I’ve pasted the last page of The War of Art – a section entitled The Artist’s Life – below. I hope it helps you along in your own personal war.

Until next time, friends

*It was day five when I wrote this post. It is now (at the time of publishing), day seven, and since spewing out this blog, I’ve revised the first twenty pages of my script, written twelve new pages, and have completely re-worked the outline. Go to hell, Resistance.

The Artist’s Life

Are you a born writer? Were you put on earth to be a painter, a scientist, an apostle of peace? In the end the question can only be answered by action.

Do it or don’t do it.

It may help to think of it this way. If you were meant to cure cancer or write a symphony or crack cold fusion and you don’t do it, you not only hurt yourself, even destroy yourself. You hurt your children. You hurt me. You hurt the planet.

You shame the angels who watch over you and you spite the Almighty, who created you and only you with your unique gifts, for the sole purpose of nudging the human race one millimeter farther along its path back to God.

Creative work is not a selfish act or a bid for attention on the part of the actor. It’s a gift to the world and every being in it. Don’t cheat us of your contribution. Give us what you’ve got.

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