Three years.

I’m perched on a paint-splattered stool, located downstage right, in a darkened forty-seat theatre. We’re well into the second act of Barenaked Angels, a show that’s a sort of hybrid between solo performance and an ensemble piece (I wrote about it here). My fellow cast mate Phil is standing on the opposite side of the stage, recounting a story about his niece Sam, a young girl who died after a battle with Mitochondrial disease. Sam had an affinity for butterflies and ladybugs, and in this particular story, Phil tells the audience that on the day of his first big acting job, a ladybug appeared next to him on set during the filming of his scene. The ladybug remained in the same spot for several takes, and Phil was convinced that the ladybug was in fact Sam, turning up in the form of the creature she loved, to let him know that she was all right.

DSCF5397-small copy

This is not the first time I’ve heard the story of the ladybug, but during this particular performance, something is different. As I sit on my stool, listening, I’m transported back to an evening in late September: the night that followed the long day during which we eulogized my mother. After most of the guests had gone home, I sat on the deck of my grandparents’ beach cabin, staring out at the sea. The sunset was slowly shifting into twilight, and a huge full moon hung high in the pink and purple-streaked sky, casting a rosy glow over Case Inlet, which was so flat that it seemed a great mirror, reflecting the heavens back onto themselves. As I sat there, the silence so loud it was nearly reverberating, warmth filled my core and spread outward, tickling the tiny hairs on my arms. Stillness enveloped me like a blanket and the moon and the sea and sky seemed to be speaking directly to me, whispering words of calm and comfort, telling me that my mother was at peace, and that everything would be OK.

Almost immediately after that night, the world as I knew it came tumbling down. Illness. More death. Identity theft. A move. A break up. The pace of life was frenetic as I moved from crisis to crisis. The magic of that September evening and its tranquil, perfect moment all but vanished from my memory.

That is, until this night – nearly three years later – as I sit on stage listening to the story of the ladybug. A warm vibration floods my center, goose bumps rise on my legs and arms. The quiet audience, intently listening, the hum of the stage lights – everything feels more somehow. And suddenly, I’m right back there, possessed of the same calm, all-knowing that visited me on that September night.

As quickly as the moment arrives, it is gone. Phil finishes his story and I snap back to reality, knowing it’s my turn to speak. I choke back the lump in my throat and rise from my stool, crossing downstage center to find my light.

Scan 1

Today, September 23rd, marks three years. Three years since I received the worst news of my life: my mother – my best friend – was dead.

If there is an emotion that a person can feel, over these last three years, I have felt it. Crushing sorrow. Denial to the point of delusion. Blinding rage. Crippling guilt. Red-faced shame. Paralysis-inducing fear.

I have spent much of the last three years trying to feel “better.” It is only recently that I have learned – with the help of counseling, writing, and the passage of time – that I am not meant to feel better. I don’t even know what better means. Life has changed, and I am changed in it. And in this new reality – a reality where certainty is no longer certain – I am awake and alive to every moment, knowing the weight and import of each one.

A few weeks ago, I found myself sorting through some boxes from my parents’ old house that had been in storage for the last two plus years; boxes that I had only recently been able to bring myself to open. Among the assorted mementos, I found some treasured photographs – taken before everything went digital – that I had feared were forever lost.

The photos were from a trip my Mom took to visit me in England, after I finished a college semester studying abroad. We spent a few days in London, and then traveled to Wales. Craving luxury, I booked us into a fancy hotel in Cardiff. But Mom wanted something a little more rugged. She wanted to see the natural beauty of the countryside.

Scan 2

After asking around, we took a train to Swansea and then boarded a small bus bound for the Gower Peninsula. When we arrived, we stood on jagged cliffs, looking out in wonder at the vast sea before us, feeling as though we had come to the edge of the world. Among the handful of photographs we took that day, my favorite is of my Mom, pretending to drive a golf ball (she was an avid golfer) over a cliff, a huge grin spread across her face.

I had forgotten how full of life my mother had been on that trip, how adventurous she was. That memory is such a departure from the mother I became used to in the years leading up to her death: someone who mostly stayed at home and avoided crowds, contenting herself with simple pleasures like gardening and cooking. Someone who gradually became more and more anti-social as she clung to memories of the past, slowly disappearing before my eyes.

It is so easy for the worries and the fears and the anxieties to grab hold of you and to keep you from moving forward, as they did my mother. It is much harder to know how much life can hurt you, and to throw your arms around it anyway, embracing it with all you have.

Three years is an awfully long time. It’s an awfully long time to miss someone, and it’s an awfully long time to feel stuck and lost and searching in their absence. But it’s a short time too. Elapsed so quickly, in the blink of an eye.

I have felt it all these last three years. Every dark, impossible, hopeless thing. But today, as I think of my mother, I think of the woman who insisted we travel by train and bus to the edge of the world so that we could gaze out at the sea, sensing all the possibility that spread out before us. And I think of that serene September evening after we said goodbye, when I knew in the core of my being that she was all right.

She is all right. And I am all right too.

Until next time, friends.

Scan 5

 

Words: a Love Story.

I’ve been writing my whole life, but until recently I never really considered myself a writer. Not like that. Writing was just something that I did. Whether they were high school essays, papers for a college journalism class, or the plays and short films I wrote when I first started acting, writing was always just something that came naturally and was fun to do, but nothing I ever took too seriously.

That all started to shift about three years ago. I’d been writing Extra Dry Martini for just a couple of months – something I started doing for fun – when my entire life fell apart. I’ve written in great detail about loss on this blog and I don’t feel the need to rehash it, but suffice it to say that the spring of 2012 through the spring of 2013 was a very difficult year for me. A very difficult year, the ramifications of which are still reverberating throughout my now very different life. When I finally came up for air and felt brave enough to write about it, I published a piece on this blog about my experiences entitled The Lost Year. And from there on out, my writing was different.

So it was that writing became less of a hobby and more of a lifeline. In the last year and a half, writing has been not only my most reliable creative outlet, but it has been my therapy. I would no sooner give it up than I would give up breathing, and in fact, I’ve often wondered if I were to give it up, if I would still be able to go on breathing.

When I feel lost or adrift, getting all those thoughts and feelings down on the page is sometimes the only thing that brings any relief. And while I don’t really believe that you can “get it all out,” there is something liberating about being able to wrap my mind around a moment, around pain or sorrow, around joy, around love, and to articulate it in such a way that it’s no longer a swirl of chaos in my brain, but something more ordered and easier to understand. Once on the page, with the words and thoughts at a slightly safer distance, I can read them with a measure of objectivity and think, maybe this thing has a little less power to hurt me than it used to.

I write out of a burning desire to transform the sad, empty spaces within me into art and in doing so, transcend the parts of me that still feel broken. And while I cherish the time I’ve spent absorbed in thought putting pen to paper or fingers to keyboard, I sometimes wonder if all the hours I’ve invested in crafting pretty sentences have left me less able than before to say the things that need to be said when it comes to face to face interaction with real, live people.

At this moment, I find myself juggling two projects that will soon bridge that gap: a gap between the solitude I’ve been spending in my own little creative laboratory and the big, bad outside world. The first project is a play. In July, I’m going to stand on a stage and talk about some of the very personal, very vulnerable things I’ve been writing about on this blog as part of a solo performance workshop called (appropriately) Barenaked Angels. For the first time, I’m going to say some of the things I’ve been writing down out loud, in front of an audience. Yikes.

The second project is my screenplay, a project and process I’ve detailed in earlier posts like Putting off tomorrow and Little steps. Big steps. First steps. As I continue to work through the second draft and push toward a looming deadline to hand over scripts to actors for the first table read, I am discovering more and more that the parts of the story that aren’t yet working are the parts where I haven’t delved deeply enough into the main character’s hopes, dreams, and flaws. In other words, it’s an autobiographical story without quite enough autobiography in it.

Words are seductive. There is something exquisitely satisfying about capturing a moment on paper and thinking, yes, that’s exactly what happened, how I felt about it, and why it mattered. Words have an incredible capacity to illuminate a life. But in the end, words are not life, and one cannot live by words alone. I’m so grateful for what writing has given me – for the way it has sheltered me through pain and has allowed me to connect with the hearts and minds of other writers through this blog. I will always, always be writing. But the writer’s life is also about finding balance. A writer needs to experience the world in order to write about it, and I haven’t been doing nearly enough of that lately. So now it’s time for me to take the next step: to take the lessons I’ve learned and not just write better, but live better too.

Until next time, friends.

Blog at WordPress.com.