Oct

Ten thousand.

Last week, I reached an incredible milestone on this blog: 10,000 email subscribers. I can scarcely believe it.

When I first started Extra Dry Martini 3 ½ years ago, I had no idea what the hell I was doing. I only knew that I had a lot of ideas and opinions and I wanted to carve out my own little corner of the Internet on which to share them. I named this blog after my favorite cocktail, while the tagline, Straight up, with a twist, was a nod to my often blunt (sometimes foot-in-the-mouth!) Sagittarian nature, and my rather edgy, sarcastic sense of humor. Away I went.

I couldn’t have anticipated that only a few short months later, life as I knew it would fall apart. Or maybe I could have. Maybe I did. Maybe I intuited, in some strange, cosmic, sixth sense-ical way – the way animals can sense an impending natural disaster – that creating this platform to express myself would be the very thing to save me during the darkest nights of the soul I have ever experienced.

When it all came down, I didn’t write for a year. One whole year. To this day, I have only a vague, foggy idea of where that time went. I call that period of my life “the vortex,” a black hole of funerals and whiskey and airports and late night phone calls and never ending to-do lists and sleeping with one eye open.

But when I did come up for air, my writing was different. I wrote with a sort of raw honesty that would previously have been unthinkable to the me that started this blog. I wrote and I wrote, without a goal or a clear direction other than to simply keep going. And through the process of turning Extra Dry Martini into a sort of public journal to air my very private feelings, I changed. No, strike that. I didn’t change. Writing through pain, trying desperately to find meaning where there was none, the real me started to shine through the cracks in the old, broken me, the one I’d unwittingly hidden for years under layers of self-doubt and insecurity. It’s as Steven Pressfield says in his brilliant, essential, book The War of Art: “Our job in this lifetime is not to shape ourselves to some idea we imagine we ought to be, but to find out who we already are and become it.”

Thank you to everyone who has read this blog. The sheer volume of kind-hearted, compassionate, thoughtful comments that I receive from readers never ceases to astound me. While I don’t always have time to respond to all of them – particularly on the posts that WordPress has chosen to feature on Freshly Pressed – I do read every single one, and they mean the world to me. Thank you.

Speaking of thank you’s, thank you to WordPress.com, without whom and all of their generous shares of my blog posts, reaching the 10K milestone never would have been possible. In just over a year, Extra Dry Martini has been featured on Freshly Pressed a whopping SEVEN times, including just last week. If you haven’t yet had a chance to read these posts, or if you’d simply like to revisit them, I’ve linked them below at the bottom of this page.

People sometimes call me “brave” for writing about some of the things I do, and for sharing intimate details of my life on the Internet. I’m not brave. I simply write to survive. I write to remind myself of who I am. And I write for all of the people who respond to one of my posts with the comment: “I thought I was the only one.” Let me tell you, with one hundred percent certainty: you are not the only one. If there’s a single lesson I take away from writing this blog, it’s that despite all of our differences – geographic location, family background, age, gender, ethnicity, religious faith or lack thereof – we are far more alike than we are different. We share the same hopes, the same heartbreaks, the same struggles and the same joys. We are united by the same powerful experience of being human and in this experience no one – not one of us – is alone.

Ten thousand is an impressive number. It’s a humbling number. But I’m not resting on my laurels. As I prepare to head off for a few days of creative recharge at Write Doe Bay, I’ll be thinking about how to make this blog bigger, better, and somehow more. Among the things I’m considering: spinning off Extra Dry Martini into some other iteration like a book, a play, a film, or possibly all of the above. I have no idea how that will look, or what the next steps will be. All I know is that anything that I create will be undertaken with the same commitment to honesty, to cutting to the core of the human experience, and will always, always be served straight up, with a twist.

Thank you for reading. Thank you for sharing my journey. And – fingers crossed – here’s to the next ten thousand.

Until next time, friends.

P.S. – If you would like to read the posts that WordPress featured in their Freshly Pressed section, here they are:

– Ice Water

– Time Out

– Things My Mother Never Did

– Putting off Tomorrow

– Little Steps. Big Steps. First Steps.

– Moments

– Three Years

10 years ago Short URL 15 Comments

Me/Writing

Blogging/Community/Extra Dry Martini/Freshly Pressed/grief/Sarah Kelly/Self Discovery/Steven Pressfield/Wordpress/Writing

Sep

Three years.

I’m perched on a paint-splattered stool, located downstage right, in a darkened forty-seat theatre. We’re well into the second act of Barenaked Angels, a show that’s a sort of hybrid between solo performance and an ensemble piece (I wrote about it here). My fellow cast mate Phil is standing on the opposite side of the stage, recounting a story about his niece Sam, a young girl who died after a battle with Mitochondrial disease. Sam had an affinity for butterflies and ladybugs, and in this particular story, Phil tells the audience that on the day of his first big acting job, a ladybug appeared next to him on set during the filming of his scene. The ladybug remained in the same spot for several takes, and Phil was convinced that the ladybug was in fact Sam, turning up in the form of the creature she loved, to let him know that she was all right.

This is not the first time I’ve heard the story of the ladybug, but during this particular performance, something is different. As I sit on my stool, listening, I’m transported back to an evening in late September: the night that followed the long day during which we eulogized my mother. After most of the guests had gone home, I sat on the deck of my grandparents’ beach cabin, staring out at the sea. The sunset was slowly shifting into twilight, and a huge full moon hung high in the pink and purple-streaked sky, casting a rosy glow over Case Inlet, which was so flat that it seemed a great mirror, reflecting the heavens back onto themselves. As I sat there, the silence so loud it was nearly reverberating, warmth filled my core and spread outward, tickling the tiny hairs on my arms. Stillness enveloped me like a blanket and the moon and the sea and sky seemed to be speaking directly to me, whispering words of calm and comfort, telling me that my mother was at peace, and that everything would be OK.

Almost immediately after that night, the world as I knew it came tumbling down. Illness. More death. Identity theft. A move. A break up. The pace of life was frenetic as I moved from crisis to crisis. The magic of that September evening and its tranquil, perfect moment all but vanished from my memory.

That is, until this night – nearly three years later – as I sit on stage listening to the story of the ladybug. A warm vibration floods my center, goose bumps rise on my legs and arms. The quiet audience, intently listening, the hum of the stage lights – everything feels more somehow. And suddenly, I’m right back there, possessed of the same calm, all-knowing that visited me on that September night.

As quickly as the moment arrives, it is gone. Phil finishes his story and I snap back to reality, knowing it’s my turn to speak. I choke back the lump in my throat and rise from my stool, crossing downstage center to find my light.

Today, September 23rd, marks three years. Three years since I received the worst news of my life: my mother – my best friend – was dead.

If there is an emotion that a person can feel, over these last three years, I have felt it. Crushing sorrow. Denial to the point of delusion. Blinding rage. Crippling guilt. Red-faced shame. Paralysis-inducing fear.

I have spent much of the last three years trying to feel “better.” It is only recently that I have learned – with the help of counseling, writing, and the passage of time – that I am not meant to feel better. I don’t even know what better means. Life has changed, and I am changed in it. And in this new reality – a reality where certainty is no longer certain – I am awake and alive to every moment, knowing the weight and import of each one.

A few weeks ago, I found myself sorting through some boxes from my parents’ old house that had been in storage for the last two plus years; boxes that I had only recently been able to bring myself to open. Among the assorted mementos, I found some treasured photographs – taken before everything went digital – that I had feared were forever lost.

The photos were from a trip my Mom took to visit me in England, after I finished a college semester studying abroad. We spent a few days in London, and then traveled to Wales. Craving luxury, I booked us into a fancy hotel in Cardiff. But Mom wanted something a little more rugged. She wanted to see the natural beauty of the countryside.

After asking around, we took a train to Swansea and then boarded a small bus bound for the Gower Peninsula. When we arrived, we stood on jagged cliffs, looking out in wonder at the vast sea before us, feeling as though we had come to the edge of the world. Among the handful of photographs we took that day, my favorite is of my Mom, pretending to drive a golf ball (she was an avid golfer) over a cliff, a huge grin spread across her face.

I had forgotten how full of life my mother had been on that trip, how adventurous she was. That memory is such a departure from the mother I became used to in the years leading up to her death: someone who mostly stayed at home and avoided crowds, contenting herself with simple pleasures like gardening and cooking. Someone who gradually became more and more anti-social as she clung to memories of the past, slowly disappearing before my eyes.

It is so easy for the worries and the fears and the anxieties to grab hold of you and to keep you from moving forward, as they did my mother. It is much harder to know how much life can hurt you, and to throw your arms around it anyway, embracing it with all you have.

Three years is an awfully long time. It’s an awfully long time to miss someone, and it’s an awfully long time to feel stuck and lost and searching in their absence. But it’s a short time too. Elapsed so quickly, in the blink of an eye.

I have felt it all these last three years. Every dark, impossible, hopeless thing. But today, as I think of my mother, I think of the woman who insisted we travel by train and bus to the edge of the world so that we could gaze out at the sea, sensing all the possibility that spread out before us. And I think of that serene September evening after we said goodbye, when I knew in the core of my being that she was all right.

She is all right. And I am all right too.

Until next time, friends.

10 years ago Short URL 101 Comments

Family/Love/Memoir/The Beach/Things My Mother Never Did

Barenaked Angels/Case Inlet/Extra Dry Martini/grief/Love/Mom/Sarah Kelly/The Gower Peninsula/Three Years

Sep

The memory of a place.

We received a brief respite from the heat this week in Los Angeles – even a desperately needed bit of rain – before the mercury began to spike again, signaling the arrival of another sweltering September weekend. In all the years I’ve lived here, I always remember September being hot, but never quite as insufferable as the recent Sunday evening when I returned to L.A. after a two-week absence. Upon crossing the threshold of the little stucco box that is my one-bedroom apartment, I was greeted by a wall of heat so humid, so stale, and so oppressive, that it nearly immobilized me. As I began to unpack, giant beads of sweat dripping down my nose, I imagined I was back in my seat on the Amtrak Cascades, gazing dreamily out the rain-kissed window at Puget Sound, the train pressing steadily onward toward British Columbia.

Is it possible to feel homesick for a place that was never really home? While it’s true that sandwiched between my youth in Anchorage, Alaska and my adult life in Los Angeles, I did spend four years of high school in the Pacific Northwest town of Olympia, Washington, that was merely a blip, and the late 90’s were so long ago. Over the course of my life, I’ve been less of a resident of the Pacific Northwest, and more of a frequent visitor.

Still. Nearly all of my family – at least the family members that I know – live somewhere between Anchorage and Medford, Oregon, with most of them tracing their roots to Washington State and Oregon. And while Mom and I joined Dad in Alaska shortly after my birth at Seattle’s Swedish Hospital, Mom never fully settled into life in Anchorage. The Pacific Northwest was in her blood, and we returned there often. Many of my childhood memories are hazy mental photographs of my grandparents’ home on Beach Drive in West Seattle: playing catch in the long driveway, Grandpa’s rose garden, the living room with its seascapes and sea gull décor, the blond shag carpeting and terrier (Benji) to match.

And then of course there’s the Beach – the property on Case Inlet in Southwest Washington that I wrote about at length in my last post. That place is not only where several of my close family members reside, it is forever entrenched in my history.

As beautiful as the Pacific Northwest is, it has been difficult for me not to feel a bit haunted whenever I return there. Amid the inlets and elbows of Puget Sound, the tall evergreen trees, the gorgeous views of Mount Rainier, are memories of people that are no longer living, and a life that’s no longer mine.

But this time – and I’m not quite sure why – the ghosts of the past seemed to peacefully coexist with the experiences of the present. The familiar was no longer haunting; it was a source of comfort. The Pacific Northwest was markedly different, yet ever the same.

The tree-lined drive along Highway 3 into Shelton – where I took my driver’s test –this time made in Grandpa’s ice blue Honda CR-V with the handicapped sticker hanging from the mirror. The same, yet different.

Olympia. The loop around Capitol Lake – where I would walk so many times, rain or shine – and the Capitol Building, with its dome that I used to photograph for the school paper. This time, a walk downtown for lunch with one new friend, then coffee with another on the Capitol campus, where she works. The same, yet different.

Seattle. Echoes of my mother’s laughter all around Westlake Center. The flagship Nordstrom where we’d spend an afternoon lunching and shopping for shoes. The Paramount Theatre, the site of one of my first concerts – Garbage – now hosting the band Hall and Oates. The waterfront – and the arcade where we spent our high school grad night – now mired in new construction. This time, I stop to ask a handsome police officer if he can point the way to Ivar’s restaurant. He laughs and directs us through scaffolding and over a rickety wooden walkway. Ivar’s – the place I’d feed seagulls and watch departing ferryboats as a child– now a spot to enjoy a leisurely lunch with my sister Marion, sipping wine and planning our trip to Bainbridge Island. The same, yet different.

The border crossing into Vancouver. That same Amtrak train – number 510 – departing daily from King Street Station, with its iconic clock tower and cavernous marble lobby. This time, sitting on a wooden bench, ticket in hand, waiting to board and remembering the summer I drove across the border by myself, just seventeen, in my maroon Toyota Rav-4, receiving endless harassment from the border agents. The same, yet different.

Vancouver’s West End. The condo on Nelson Street where my sister and brother-in-law lived when my niece Nora was just a toddler, before my nephew Quinn was born. Now, Quinn is in high school, and Nora is away at University in Montreal.

It’s all the same, but it’s all so different. Yet for the first time that I can remember, the differences don’t seem to bother me. They don’t feel tinged with sadness like they usually do.

Perhaps it’s me that’s different, and not these places. Perhaps the change is simply the result of the passage of time and the slow healing that comes along with it. Or perhaps love of place has finally been able to transcend the pain of all that’s missing.

But whatever the reason, this time, the ghosts stayed at bay. And I was able to make new memories. Good ones. Memories that I will hold on to, dreaming of the gentle breeze off Puget Sound, until I’m able to return again.

Until next time, friends.

Sep

The beach.

If only you’d have known me before the accident/

For with that grand collision came a grave consequence/

Receptors overloaded, they burst and disconnect/

‘Til there was little feeling, please work with what is left.

I’m running along Grapeview Loop Road in the sleepy Western Washington town of Allyn. It’s Friday afternoon and the rain that has been falling steadily all morning has let up, topaz blue skies peeking through the still stormy, not-quite-white cotton candy clouds. It’s what people in the Pacific Northwest call a “sun break,” and I’m taking full advantage of it. Rain is usually an unwelcome sight in this part of the world during the late summer months, but it’s desperately needed due to abnormally dry weather conditions and a series of terrible fires that are pummeling the Eastern side of the state. For me, the rain also offers a welcome respite from the 100-degree temperatures currently baking Southern California, where I live. As I imagine the wall of heat permeating my little stucco bungalow in West Los Angeles, I am grateful that I’m here and not there.

As I wave appreciatively at the motorists who drift toward the median, giving me the widest possible berth as I jog by on the shoulder, I savor the delicious irony of the Death Cab for Cutie song, The Ghosts of Beverly Drive, pulsating through my headphones. It’s a song about damaged and jaded people in Los Angeles, people with “no firsts anymore.”

I don’t know why, I don’t know why/

I return to the scenes of these crimes/

Where the hedgerows slowly wind/

Through the ghosts of Beverly Drive.

While I don’t consider myself to be damaged or jaded by Los Angeles, after sixteen years of living there, I understand where those lyrics come from. Over the last decade and a half, I’ve changed dramatically from the eighteen-year-old college student who first arrived there, bright-eyed and full of hope. It took me years to get to where I am now, living a life that actually fits me, rather than trying too hard to be someone I’m not in a desperate effort to impress other people or feel worthy of their attention.

And yet. Despite the fact that I have greater ownership over my life than I’ve ever had, L.A. still doesn’t feel like home. It never really has. Not in the way that this place does: the place where I’m currently jogging down the road.

For just over a week, I’ve been staying in Allyn, in an area of the Pacific Northwest that my family simply calls, “the beach.” It’s a large parcel of waterfront land overlooking Case Inlet, a piece of property first purchased by my grandparents in 1959, when they were court reporters working in Seattle and looking for a place to build a summer home.

As a child, I remember the beach as nothing short of magical. It was far away from everything, tucked away at the edge of the world like some sort of family secret. I spent all of my summers there: foraging for driftwood to build great big bonfires, roasting s’mores under the starlight, digging for clams at low tide (still the best clams you’ve ever tasted), cruising around Case Inlet in my uncle’s boat, dogpaddling through the saltwater and dodging big scary jellyfish.

As I got older, the magic began to fade as reality set in. My first cousin, who was, for many years, the closest thing I had to a brother, turned to drugs and violence and severed all ties with our family. My once vital and full-of-life grandfather suffered a stroke, leaving him wheelchair-bound and depressed. My dad was diagnosed with stage-four pancreatic cancer, but my mother shocked everyone by dying first, just a few months before him. My maternal grandmother quickly followed suit, succumbing to Alzheimer’s disease that had gone undiagnosed for years.

It got to the point where I started to hate the beach, because every visit was a painful reminder that so many people I loved had been so abruptly ripped away. Memories of carefree childhood summers were replaced with harsh adult realities like probate court, property tax, and estate planning. The left turn off of Grapeview Loop Road and on to our property – with its still, serene view of Mt. Rainier rising above Case Inlet – no longer made my heart swell. It leveled me.

It took some time, many return visits, and no small amount of healing to realize that in spite of all of the change and loss, the beach is deeply rooted in my DNA. Not long ago, among a box full of mementos, I found a letter that my grandfather wrote me upon my college graduation, just over a decade ago. I was about to embark on my new, exciting life as an adult in Los Angeles, and he sweetly implored me not to forget where I came from. He closed the letter with these words: The beach never changes, ‘tis only we who change.

He’s right. I have changed. We all have. But as life shapes and shifts around me, the beach remains a constant. During these last three years of navigating emotional chaos and loss and questioning my life choices, years where I’ve slept with one eye open due to nightmares and panic attacks and occasionally crippling anxiety, the beach is the only place where I’ve continued to feel sheltered and safe. It’s the only place where I’ve been able to submit to deep grief and let it wash over me, allowing the healing process to begin. It’s the only place where my equilibrium returns, and where I’ve often thought – sometimes in spite of all evidence to the contrary – that everything is going to be OK.

It’s ironic to think that it took my mother dying for me to understand why she loved this place so much. Why it was always, throughout her life, her True North. Why she insisted, as far back as I can remember, that her ashes be scattered here, so that she could forever be a part of the sea and the sky and the evergreen trees. The other day, as I swam in Case Inlet, feeling the tingle of saltwater in my mouth, with the air perfectly still and everything around me slowing down, I whispered aloud, almost as though it were a prayer: I get it, Mom. And I wonder if somehow she heard me. I wonder if somehow she knew.

The beach never changes, ‘tis only we who change.

Until next time, friends.

10 years ago Short URL 19 Comments

Family/Los Angeles/The Beach/Travel

Case Inlet/Change/Death Cab for Cutie/Extra Dry Martini/Family/grief/Healing/Los Angeles/Pacific Northwest/Sarah Kelly/the beach

Aug

The end of a thing.

This past weekend, I closed another show. It had been a while since I’d been on stage – two years – and I hadn’t realized how much I’d missed it: the energy in the dressing room as the clock ticked toward curtain, the palpable excitement in those few, electric moments after “places” are called, waiting in the dark until it’s time to go on. The rush of adrenaline flooding my body when a cue line was dropped, and the sweet relief of recovery when the scene righted itself and moved forward. The utter you-can-hear-a-pin-drop silence when I realized the audience was right there with me, waiting, hanging on every word.

This play, Bare Naked Angels, was markedly different than any other play I’d done before. Autobiographical in nature, more solo performance than ensemble (though, really, a hybrid of both), it featured raw, personal stories from my and the six other cast members’ lives. It was the first time I’d produced a show without reading a script before signing on (our final script wasn’t ready until three weeks before opening night), and I had only a rough idea of the show’s concept and the journey it would take me on when I began.

During the months of workshopping that led up to Bare Naked Angels’ performance dates, my life was hit with a series of jolting events – both good and bad. The closer we got to opening night, the more change swirled in the air around me. It was almost as if by saying yes to this experience, with its leap-without-a-net nature, the universe began to demand more from me. I imagined Madam Universe needling me, saying something like, “Hey kid, don’t think I haven’t noticed what you’ve been doing. Complacency is no longer an option. And if you don’t take action on your own, I’m going to push you into it.”

Push me, she has. These last few months, my insides have been shifting, a shift that has been echoed in the world around me. I’m not quite sure how to reconcile all I’ve seen and felt and experienced, or how to process what it all means. And to be honest, I haven’t had the time, at least not yet. In the days since the show closed, I have been preparing for an impending office move that will happen while I’m out of town. That’s right – more change – the company I’ve worked at for the last decade is being evicted from our office park, and I’ve been packing up my desk, cleaning, purging, organizing, and attempting to catalogue and archive fifteen years worth of a brand’s history; a history that is inevitably intertwined with my own.

This week, I am thinking about endings. And tomorrow morning, when I settle into my seat on the Boeing 737 bound for the only place I’ve truly ever considered home, I will exhale. I will take some much-needed time. Time to reflect on all that has happened. Time to grieve all that has ended. Time to swim in the sea, time to breathe in the salt air. Time to hug people that I love. And time to listen to what life has been teaching me over these last crazy, chaotic, jolting few months, so that in stillness, I can ask myself that big, looming question, “what’s next?”

Until next time, friends.

(Photo credit: Instagram.com/AlaskaAir)

11 years ago Short URL 13 Comments

Art/Creativity/Los Angeles/Me/Well-Being/Writing

Bare Naked Angels/Change/Extra Dry Martini/Reflection/Sarah Kelly/Taking Risks/The End of a Thing/Theatre

Aug

Chasing happy.

Miranda: When was the last time you were happy?

Samantha: Six months ago.

Miranda: I think that’s normal for L.A.

Yes, I really did just quote the Sex and the City movie. I couldn’t help myself. Ever since it was on HBO some night a few weeks ago when I was up way too late and unable to sleep, I haven’t been able to get that scene out of my head. It’s the scene where all the girls have gathered for Charlotte’s baby shower and they’re grilling an obviously unhappy Samantha about her new life in Los Angeles. The bit of dialogue quoted above made me laugh out loud. In a, it’s funny because it’s true, kind of way.

In just a couple of weeks, I will mark sixteen years of living in Los Angeles (minus a scant five-month study abroad semester in London in the early 2000s). That’s longer than I’ve lived anywhere. And in that time, I’ve met and known and befriended a great number of people in this sprawling metropolis – some of whom still call L.A. home and some of whom have long since moved on to other places. And of my friends who still live here – other than a handful of exceptionally grounded folks who seem to have it all figured out – there aren’t many that I would describe as happy.

Don’t get me wrong: this isn’t some hit piece on L.A., nor is it an attempt to legitimize the swarms of stereotypes that exist about this fair city – the suntans and silicone, the hot cars and hot spots, the fame seekers and the fabulously wealthy, the beautiful and the damned. No, this isn’t that type of essay. Nor is this essay even about L.A., not really. L.A. is just the place where I happen to live and therefore it’s a lens through which I view the world.

But it is my lens, and through that lens I see constant seeking and striving, struggling and searching. I see good people who are making the best of things, people who believe that better days are ahead but just can’t quite seem to get there, people whose real, unfiltered lives rarely match the glossy surfaces of their Instagram feeds. And it has left me wondering: is this sort of slow, seeping sense of dissatisfaction an L.A. thing, or is it more pervasive? Is everyone, everywhere suffering from an epidemic of, I’m not as happy as I want to be?

My obsession with the subject of happiness began nearly three years ago, when a series of tragic events left me – someone who, as a girl, my Dad teasingly called “Pollyanna” – wondering if I would ever feel joy again. Prior to this major life shift, I’d never really thought about whether or not I was happy. I moved through my days with relative ease, eyes ever on the horizon, mind focused on the next thing. If I’m honest, I didn’t do a whole lot of self-examination or press myself to answer the difficult questions. I kept going. I was fine.

Except I wasn’t. It took pain and tumult to unearth the truth. I had been living with the same sort of silent malaise that I now recognize all around me, but I had been too passive, too complacent, to do anything about it. All the while the question nagged, Is this all there is?

But recognizing that there was a problem wasn’t enough to present a solution. In fact, it got much worse before it began to get better. My lowest point came last summer, when more than once I collapsed on my bathroom floor, sobbing, unable to get up for what felt like hours. In fits of desperation, I scribbled inspirational quotes on the pages of “get well soon” cards and mailed them to myself. And I documented it all (well, not all) in blog posts that prompted worried (read: frantic) phone calls from friends.

A year later, I still wouldn’t describe myself as “happy,” but when I look back on those dark days, I do have to give myself credit for how far I’ve come. It was impossible for me to have any sense of perspective when I was “in it,” but with time and distance I can see that I really was growing and changing all along.

For nearly three years I have been chasing this elusive thing called “happy.” Along the way, I’ve tried many different tactics in order to feel better. I’ve consulted palm and tarot readers, astrologers and spiritual counselors. I’ve traveled extensively: to Europe, to my childhood home of Alaska, and all up and down the Western United States. I’ve talked to friends. I’ve gone into therapy. I’ve worked out obsessively, and then not at all. I threw myself into my writing. I became a mentor to a teenage girl. And I kept going, even when I didn’t feel like it. I kept going, because I didn’t feel like it.

This may seem counterintuitive, but some of the darkest moments of my life have also been bookended by some of the most joyful ones. A pair of Orca whales breaking the surface of the water in graceful arcs while I pressed my nose to the window of a ferryboat. Sitting in the warm, inviting kitchen of a friend’s home in London, drinking wine and discussing politics. Seeking refuge from a rare New Orleans ice storm in a small jazz club with my sisters while the rest of the city remained shuttered indoors. Watching the sunset settle over the ocean from the window of an open air trolley car coasting along Pacific Coast Highway, with nothing to do or nowhere to be except right there.

I think that what all these singular “happy” moments have in common is their sense of hope, their sense of possibility. A feeling they evoked, that, in the words of Shel Silverstein, “Anything can happen. Anything can be.”

Conversely, the worst, most miserable moments of my life didn’t impact me so intensely simply because I felt sad or broken, but because I felt powerless to change those feelings. I was helpless, stuck, and I couldn’t see the way out. The darkness is most unbearable when it appears unceasing, when we can’t fathom the possibility of light ever breaking through.

After nearly three years of “chasing happy,” I certainly don’t have it all figured out. But I have learned some things. I’ve learned that I feel better extending a helping hand to others than I do ruminating about my problems. I feel better using my own life as a yard stick to measure my progress, rather than comparing my achievements to someone else’s. To that end, I feel better when I limit my time on social media. I feel better being honest instead of making everything OK; better telling uncomfortable truths than biting my tongue. I feel better writing than not writing, better creating than not creating. I feel better going for a run than I do sitting on my couch. I feel better moving forward than I do standing still. And I feel better trusting in the hard-won knowledge that whatever dark clouds may gather in the skies above, that they too, will pass.

Until next time, friends.

11 years ago Short URL 19 Comments

Los Angeles/Opinion/Well-Being

Chasing Happy/Depression/Extra Dry Martini/Happiness/Los Angeles/Mindfulness/Positivity/Sarah Kelly/Sex and the City/Shel Silverstein

Jul

Owning it.

“You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should have behaved better.”

– Anne Lamott, Bird by Bird: Some Instructions on Writing and Life

Four months ago, I started work on a new play that is unlike anything I’ve ever done before. It’s a solo performance workshop called Bare Naked Angels, conceived and directed by my friend Stacy Ann Raposa. The workshop is kept to a small group: our cast, which started as eight people and became seven, is on the larger side.

In the beginning, using readings and exercises from Julia Cameron’s “The Artist’s Way” to guide us, we each brought in weekly writing assignments to read in front of the group. As the weeks went on, the seemingly pointless ramblings about our day-to-day experiences or random childhood memories evolved into discussions about our hopes and dreams, the events that shaped our lives, and the nature of our identities. As we settled on the stories we wanted to tell on stage in front of an audience, we each emerged with a strong point of view about how we see the world.

I began this process with a clear idea of the story I wanted to tell. These last few years, my life has contained an inordinate amount of darkness. I didn’t want to dwell on that. I wanted to tell a story that was uplifting, that was about survival, about hope triumphing over despair. I wanted to tell a story that was more beautiful than what I’d been living. A story that I would want to read, that I would want to hear.

Like many things in life, the place I ended up arriving at was far different than the one I had envisioned when I began this journey. It turned out that I wasn’t so much writing the story as the story was writing me. And gradually, I learned to submit to that process, to let my words come out the way they wanted to, the way they needed to. Without judging them, without censoring myself, without worrying what other people would think. To just let it be what it was: the truth.

When the writing was done, Stacy (our director), took the seven intimate, honest, and (dare I say) incredibly brave stories written by our cast, chopped them up, and wove them together to create something beautiful: an achingly true script that is essentially a solo performance/ensemble piece hybrid. With only three days left until the show’s opening night, I’m equal parts exhilarated and exhausted.

To be honest, I have no idea how audiences are going to receive this show. I hope they love it as much as I do, but there’s really no way to tell with something like this. There is certainly nothing “escapist” about Bare Naked Angels. It puts real life in your face and dares you not to look away. Yet it’s also full of so many sweet, profound, heartbreakingly human moments. Ultimately, like the story I wanted to tell – and which, in large part, I think I did – I believe that this show will leave audiences feeling hopeful and with a greater connection to their own lives.

So here we go. It’s time to jump into the deep end of the pool and hope I can swim. Wish me luck.

P.S. – If you’re in the Los Angeles area and you want to come see this thing go down, I would love to have you. The flyer is below, and everything else you need to know can be found at www.fringetheatreco.com

Thanks for reading, friends. I promise to let you know how it goes.

11 years ago Short URL 15 Comments

Los Angeles/Me/Memoir/Performing Arts/Writing

Anne Lamott/Bare Naked Angels/Extra Dry Martini/Julia Cameron/Los Angeles/North Hollywood Arts District/Sarah Kelly/Solo Performance/The Artist's Way/Writing

Jun

Roll the dice.

The other day, I felt like I couldn’t breathe. I was sitting at my desk, dutifully checking off items on my to-do list, staring vacantly at my computer screen, wishing I were somewhere else. I had awoken extra early to put the finishing touches on a new piece for this blog – something about the importance of focus – but as I read it and read it again, I realized I couldn’t publish it. It felt dishonest, like I was trying too hard to sound like someone else. Someone who – unlike me – had their sh*t together.

And that’s when the existential dread set in. Who am I, anyway? What could I possibly say that’s important, or that will make any difference? Who cares?

The what’s the point of it all feeling rose quickly in my chest and caught in the back of my throat, a dull nausea spinning in my stomach, and I knew I had to get out. Before I could let the to-do list stop me, I slammed my laptop shut, laced up my beat-up running shoes, grabbed my keys and left. I got in my car and drove westward, toward the coast.

I live only seven miles from the ocean, but it’s staggering how little I make time in my schedule to go and see it. Throughout my life, the sea has always had a powerful effect on me. The sense of calm and peace it instills is so profound that I know in my bones I could never live far away from a body of water. When times are toughest – when I’m sad or lost or feel like I’m about to crawl out of my skin – that’s when I crave the sea the most.

I parked my car on San Vicente. Putting my ear buds in, I trudged down the Santa Monica Stairs and then back up the incline that leads to Ocean Avenue and Palisades Park. I jogged through the park, marveling at the dense marine layer still blanketing the coast, even though just a handful of miles inland, my little stucco bungalow was already baking in the 11 a.m. summer sun. The fog shrouding the sea was so thick and white, you couldn’t tell where the horizon ended and the sea began, casting a hazy sort of magic over Palisades Park. I breathed in that fog, the sea, and almost immediately I felt soothed, better.

I let my brain race freely as I jogged along. When I got to the construction zone at the California Incline, I turned around and headed for the entrance to the steep set of stairs at the Montana Beach Overlook. I descended the sandy wooden steps toward Pacific Coast Highway, dodging beachgoers carrying bikes and surfboards. And then back up I went, the burning in my calves intensifying as I climbed faster and faster. Descend and climb. Descend and climb. I pushed myself again and again, the fatigue in my body finally allowing my tired brain to relax and settle into something that felt less like chaotic noise and more like calm, focused thoughts.

As I climbed, I thought about my Dad. Father’s Day had just passed, and his birthday was coming up. If he could see me now, what would he think? I didn’t have to wonder about it, I already knew. He’d tell me that I needed to stop complaining about my “problems” and get to work. Throughout my life, whenever I was slacking off or not doing all I could, I’d dread the inevitable grilling from Dad. He’d always unearth the truth in his lawyerly fashion: straight to the heart of the matter. “Well if you know better Sar, then why don’t you do better?”

The truth is, my recent lack of motivation isn’t rooted in laziness, or lack of ambition. It’s rooted in fear. I’ve been experiencing what you might call a crisis of confidence: blocked in my writing, hating all of my creative ideas, feeling hopelessly stuck and worried that everything I’ve been working so hard on is no good and a waste of my time.

Time. Whenever this “what’s the point of it all?” paralysis sets in, it always comes back to that question of time. What am I doing with it? Am I making the most of it? Is activity A, B, or C really worth my time? I’m ever aware of how precious it is, ever fearful of it slipping through my fingers, even as it does that very thing.

Plenty of things we invest our time in don’t work out. People die. Relationships fail. Jobs end. Does that mean they weren’t worth our time? I don’t think so. It’s all a part of life, experiences we need to have so that we can learn and grow and (hopefully) improve. I suppose that nothing about how we choose to spend our time can really be a waste unless we willfully choose to waste it.

Is that what I’ve been doing? Willfully wasting my time indulging in my own neuroses? What would Dad say? He was an “all in” kind of guy. He wouldn’t let fear or doubt stop him. And as I thought about Dad, I remembered a poem written by Charles Bukowski. It’s called “Roll the Dice” and it’s something I’ve loved for years, returning to it again and again whenever I’ve needed a swift kick in the ass. Here it is:

if you’re going to try, go all the

way.

otherwise, don’t even start.

if you’re going to try, go all the

way.

this could mean losing girlfriends,

wives, relatives, jobs and

maybe your mind.

go all the way.

it could mean not eating for 3 or 4 days.

it could mean freezing on a

park bench.

it could mean jail,

it could mean derision,

mockery,

isolation.

isolation is the gift,

all the others are a test of your

endurance, of

how much you really want to

do it.

and you’ll do it

despite rejection and the worst odds

and it will be better than

anything else

you can imagine.

if you’re going to try,

go all the way.

there is no other feeling like

that.

you will be alone with the gods

and the nights will flame with

fire.

do it, do it, do it.

do it.

all the way

all the way.

you will ride life straight to

perfect laughter, its

the only good fight

there is.

I left the beach and went home, utterly exhausted. Later, when I re-read those words by Bukowski, I thought about how my Dad spent much of his life as the living embodiment of them. I thought about how I wanted to be more like that. And I thought about how the best way I could honor my father as I approached his birthday was to stop hesitating, stop moving through my life with so much doubt and uncertainty, and simply “roll the dice.”

Easier said than done, but maybe my first step is to spend a lot more time climbing those stairs, breathing in the ocean, clearing out the noise.

Until next time, friends.

11 years ago Short URL 32 Comments

Los Angeles/Poetry/Well-Being/Writing

Charles Bukowski/Doubt/Extra Dry Martini/Father's Day/Los Angeles/Palisades Park/Roll the Dice/Santa Monica Stairs/Sarah Kelly/Writing

Jun

Going dark.

I haven’t published a new post on this blog in almost three weeks, which feels like a really long time. In truth, May was a difficult month for me. It had some lovely bright spots – like a trip to the San Francisco Bay Area to visit friends – but overall it was challenging, leaving me exhausted and drained.

I spent a lot of the month of May writing about my mother, both autobiographically (a theater piece I’m working on that will premiere in July) and fictionally (exploring the mother/daughter relationship that’s at the heart of my screenplay). All of this recent personal archaeology, combined with the fact that Mother’s Day and my Mom’s birthday are both contained within the month of May, left me feeling emotional and raw – like an exposed nerve – these last few weeks.

I tried to write my way through these feelings – I often do – but found myself hitting a wall. I started writing several potential blog posts, but abandoned them all halfway through. Sometimes what I end up writing turns out to be so dark that I don’t want to share it. Sometimes I catch myself falling victim to a “If you can’t say anything nice, don’t say anything at all” form of self-censorship. And sometimes I just want my life to look better to the outside world than it actually feels, to me. I guess all of these things are my own personal stumbling blocks.

As it can sometimes happen in this crazy life, it took something of a breakdown in order for me to experience a break through, or at least, a moment of clarity. At my lowest point, I was sitting on my therapist’s couch, crying because I was feeling sad and hadn’t been able to shake the feeling for several days. I had thought I was finally done with the waves of grief, but here they were again, rearing their ugly heads with a vengeance. “I am so tired of this,” I wailed. “When am I going to feel better?”

“What does better mean?” she asked, in that annoying way that therapists can ask questions you don’t have the answers to. And we sat in silence while I pondered what in the hell exactly I did mean. “I just wish it were easier to be happy,” I said, finally. “Like it used to be.”

“I feel like I’m doing everything I can think of,” I continued. “I exercise and I volunteer and I keep a gratitude journal and I practice self care. And,” I said, indicating, my therapist, “I’m here with you. Which is a big deal for me.”

“Yes,” she agreed. “You’re good at doing the right things. But what if, sometimes, there’s nothing you can do? What if, sometimes, you can’t fix it? What if you just have to let it be what it is?”

Nothing I can do? I was speechless. I am not used to doing nothing. It makes me feel weak and ineffective and powerless. But as I sat there, silently, feeling sorry for myself, I wondered if she wasn’t right. Have I been trying too hard, pushing too stubbornly to be someone and something I’m not?

Going dark scares me. It’s a slippery slope, and after watching my mother slide into blackness and never come out, I am terrified that the same thing could happen to me. Perhaps that’s why I fight so hard against the dark days when they come. But I have to admit, not only is denying my sadness not working, but it’s wearing me out. What if I could learn to simply sit with those bad days, to embrace them, even? What if I could do it without judging myself, without worrying that others will judge me, or distance themselves from me because I’m too difficult to be around? What if I could allow myself to be sad when I’m feeling sad without fearing that those feelings will swallow me?

Maybe going dark – on occasion – isn’t so bad. Maybe it’s just like the weather. Some days it rains. Some days the sky is clear and blue. And no matter how bad the storm, it will always, eventually, lift. And as anyone who has ever enjoyed hiking in the city I live in – Los Angeles – will tell you, the best time to ascend a mountain is the day after a downpour, when all the smog has blown out, the air is clear and beautiful, and you can see for miles, all the way down to the ocean.

Until next time, friends.

11 years ago Short URL 45 Comments

Los Angeles/Me/Noir/Opinion/Well-Being/Writing

Extra Dry Martini/Going Dark/Los Angeles/Mother's Day/Sarah Kelly/Therapy/Writing

May

Words: a Love Story.

I’ve been writing my whole life, but until recently I never really considered myself a writer. Not like that. Writing was just something that I did. Whether they were high school essays, papers for a college journalism class, or the plays and short films I wrote when I first started acting, writing was always just something that came naturally and was fun to do, but nothing I ever took too seriously.

That all started to shift about three years ago. I’d been writing Extra Dry Martini for just a couple of months – something I started doing for fun – when my entire life fell apart. I’ve written in great detail about loss on this blog and I don’t feel the need to rehash it, but suffice it to say that the spring of 2012 through the spring of 2013 was a very difficult year for me. A very difficult year, the ramifications of which are still reverberating throughout my now very different life. When I finally came up for air and felt brave enough to write about it, I published a piece on this blog about my experiences entitled The Lost Year. And from there on out, my writing was different.

So it was that writing became less of a hobby and more of a lifeline. In the last year and a half, writing has been not only my most reliable creative outlet, but it has been my therapy. I would no sooner give it up than I would give up breathing, and in fact, I’ve often wondered if I were to give it up, if I would still be able to go on breathing.

When I feel lost or adrift, getting all those thoughts and feelings down on the page is sometimes the only thing that brings any relief. And while I don’t really believe that you can “get it all out,” there is something liberating about being able to wrap my mind around a moment, around pain or sorrow, around joy, around love, and to articulate it in such a way that it’s no longer a swirl of chaos in my brain, but something more ordered and easier to understand. Once on the page, with the words and thoughts at a slightly safer distance, I can read them with a measure of objectivity and think, maybe this thing has a little less power to hurt me than it used to.

I write out of a burning desire to transform the sad, empty spaces within me into art and in doing so, transcend the parts of me that still feel broken. And while I cherish the time I’ve spent absorbed in thought putting pen to paper or fingers to keyboard, I sometimes wonder if all the hours I’ve invested in crafting pretty sentences have left me less able than before to say the things that need to be said when it comes to face to face interaction with real, live people.

At this moment, I find myself juggling two projects that will soon bridge that gap: a gap between the solitude I’ve been spending in my own little creative laboratory and the big, bad outside world. The first project is a play. In July, I’m going to stand on a stage and talk about some of the very personal, very vulnerable things I’ve been writing about on this blog as part of a solo performance workshop called (appropriately) Barenaked Angels. For the first time, I’m going to say some of the things I’ve been writing down out loud, in front of an audience. Yikes.

The second project is my screenplay, a project and process I’ve detailed in earlier posts like Putting off tomorrow and Little steps. Big steps. First steps. As I continue to work through the second draft and push toward a looming deadline to hand over scripts to actors for the first table read, I am discovering more and more that the parts of the story that aren’t yet working are the parts where I haven’t delved deeply enough into the main character’s hopes, dreams, and flaws. In other words, it’s an autobiographical story without quite enough autobiography in it.

Words are seductive. There is something exquisitely satisfying about capturing a moment on paper and thinking, yes, that’s exactly what happened, how I felt about it, and why it mattered. Words have an incredible capacity to illuminate a life. But in the end, words are not life, and one cannot live by words alone. I’m so grateful for what writing has given me – for the way it has sheltered me through pain and has allowed me to connect with the hearts and minds of other writers through this blog. I will always, always be writing. But the writer’s life is also about finding balance. A writer needs to experience the world in order to write about it, and I haven’t been doing nearly enough of that lately. So now it’s time for me to take the next step: to take the lessons I’ve learned and not just write better, but live better too.

Until next time, friends.

11 years ago Short URL 37 Comments

Los Angeles/Me/Writing

Barenaked Angels/Blogging/Extra Dry Martini/grief/Sarah Kelly/Writing

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